LITMIR.BIZ

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information concerning the individual. But that is only possible"—Kennedy ​emphasised the point—"if the patient is in entire rapport with the doctor.

      "Now, the dream, is not an absurd and senseless jumble, but a perfect mechanism and has a definite meaning in penetrating the mind. It is as though we had two streams of thought, one of which we allow to flow freely, the other of which we are constantly repressing, pushing back into the subconscious, or unconscious. This matter of the evolution of our individual mental life is too long a story to bore you with at such a critical moment.

      "But the resistances, the psychic censors of our ideas, are always active, except in sleep. Then the repressed material comes to the surface. But the resistances never entirely lose their power, and the dream shows the material distorted. Seldom does one recognise his own repressed thoughts or unattained wishes. The dream really is the guardian of sleep to satisfy the activity of the unconscious and repressed mental processes that would otherwise disturb sleep by keeping the censor busy. In the case of a nightmare the watchman or censor is aroused, finds himself overpowered, so to speak, and calls on consciousness for help.

      "There are three kinds of dreams—those which represent an unrepressed wish as fulfilled, those that represent the realisation of a repressed wish in an entirely concealed form, and those that represent the realisation of a repressed wish in a form insufficiently or only partially concealed.

      "Dreams are not of the future, but of the past, except as they show striving for unfulfilled wishes. ​Whatever may be denied in reality we nevertheless can realise in another way—in our dreams. And probably more of our daily life, conduct, moods, beliefs than we think, could be traced to preceding dreams."

      Dr. Ross was listening attentively, as Craig turned to him. "This is perhaps the part of Freud's theory from which you dissent most strongly. Freud says that as soon as you enter the intimate life of a patient you begin to find sex in some form. In fact, the best indication of abnormality would be its absence. Sex is one of the strongest of human impulses, yet the one subjected to the greatest repression. For that reason it is the weakest point in our cultural development. In a normal life, he says, there are no neuroses. Let me proceed now with what the Freudists call the psychanalysis, the soul analysis, of Mrs. Maitland."

      It was startling in the extreme to consider the possibilities to which this new science might lead, as he proceeded to illustrate it.

      "Mrs. Maitland," he continued, "your dream of fear was a dream of what we call the fulfilment of a suppressed wish. Moreover, fear always denotes a sexual idea underlying the dream. In fact, morbid anxiety means surely unsatisfied love. The old Greeks knew it. The gods of fear were born of the goddess of love. Consciously you feared the death of your husband because unconsciously you wished it."

      It was startling, dramatic, cruel, perhaps, merciless—this dissecting of the soul of the handsome ​woman before us; but it had come to a point where, it was necessary to get at the truth.

      Mrs. Maitland, hitherto pale, was now flushed and indignant. Yet the very manner of her indignation showed the truth of the new psychology of dreams, for, as I learned afterward, people often become indignant when the Freudists strike what is called the "main complex."

      "There are other motives just as important," protested Dr. Boss. "Here in America the money motive, ambition—"

      "Let me finish," interposed Kennedy. "I want to consider the other dream also. Fear is equivalent to a wish in this sort of dream. It also, as I have said, denotes sex. In dreams animals are usually symbols. Now, in this second dream we find both the bull and the serpent, from time immemorial, symbols of the continuing of the life-force. Dreams are always based on experiences or thoughts of the day preceding the dreams. You, Mrs. Maitland, dreamed of a man's face on these beasts. There was every chance of having him suggested to you. You think you hate him. Consciously you reject him; unconsciously you accept him. Any of the new psychologists who knows the intimate connection between love and hate, would understand how that is possible. Love does not extinguish hate; or hate, love. They repress each other. The opposite sentiment may very easily grow."

      The situation was growing more tense as he proceeded. Was not Kennedy actually taxing her with loving another?

      ​"The dreamer," he proceeded remorselessly, "is always the principal actor in a dream, or the dream centres about the dreamer most intimately. Dreams are personal. We never dream about matters that really concern others, but ourselves.

      "Years ago," he continued, "you suffered what the new psychologists call a 'psychic trauma'—a soul-wound. You were engaged, but your censored consciousness rejected the manner of life of your fiancé. In pique you married Price Maitland. But you never lost your real, subconscious love for another."

      He stopped, then added in a low tone that was almost inaudible, yet which did not call for an answer, "Could you—be honest with yourself, for you need say not a word aloud—could you always be sure of yourself in the face of any situation?"

      She looked startled. Her ordinarily inscrutable face betrayed everything, though it was averted from the rest of us and could be seen only by Kennedy. She knew the truth that she strove to repress; she was afraid of herself.

      "It is dangerous," she murmured, "to be with a person who pays attention to such little things. If every one were like you, I would no longer breathe a syllable of my dreams."

      She was sobbing now.

      What was back of it all? I had heard of the so-called resolution dreams. I had heard of dreams that kill, of unconscious murder, of the terrible acts of the subconscious somnambulist of which the actor has no recollection in the waking state until put under ​hypnotism. Was it that which Kennedy was driving at disclosing?

      Dr. Ross moved nearer to Mrs. Maitland as if to reassure her. Craig was studying attentively the effect of his revelation both on her and on the other faces before him.

      Mrs. Maitland, her shoulders bent with the outpouring of the long-suppressed emotion of the evening and of the tragic day, called for sympathy which, I could see, Craig would readily give when he had reached the climax he had planned.

      "Kennedy," exclaimed Masterson, pushing aside Dr. Ross, as he bounded to the side of Mrs. Maitland, unable to restrain himself longer, "Kennedy, you are a faker—nothing but a damned dream doctor—in scientific disguise."

      "Perhaps," replied Craig, with a quiet curl of the lip. "But the threads of the typewriter ribbon, the alignment of the letters, the paper, all the 'finger-prints' of that type-written note of suicide were those of the machine belonging to the man who caused the soul-wound, who knew Madeline Maitland's inmost heart better than herself—because he had heard of Freud undoubtedly, when he was in Vienna—who knew that he held her real love still, who posed as a patient of Dr. Ross to learn her secrets as well as to secure the subtle poison of the cobra. That man, perhaps, merely brushed against Price Maitland in the crowd, enough to scratch his hand with the needle, shove the false note into his pocket—anything to win the woman who he knew loved him, and whom he could win. Masterson, you are that man!"

      ​The next half hour was crowded kaleidoscopically with events—the call by Dr. Leslie for the police, the departure of the Coroner with Masterson in custody, and the efforts of Dr. Ross to calm his now almost hysterical patient, Mrs. Maitland.

      Then a calm seemed to settle down over the old laboratory which had so often been the scene of such events, tense with human interest. I could scarcely conceal my amazement, as I watched Kennedy quietly restoring to their places the pieces of apparatus he had used.

      "What's the matter?" he asked, catching my eye as he paused with the tintometer in his hand.

      "Why," I exclaimed, "that's a fine way to start a month! Here's just one day gone and you've caught your man. Are you going to keep that up? If you are—I'll quit and skip to February. I'll choose the shortest month, if that's the pace!"

      "Any month you please," he smiled grimly, as he reluctantly placed the tintometer in its cabinet.

      There was no use. I knew that any other month would have been just the same.

      "Well,"

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