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in their greatest atrocities, the gentle cruelty, the poisoned sweetness, the savage disdain of one young woman for another, when she thinks herself superior in birth, or fortune, or grace, and some question of marriage, or precedence, or any of the feminine rivalries, is raised. The "Thank you, mademoiselle," which Bathilde said to Pierrette was a poem in many strophes. She was named Bathilde, and the other Pierrette. She was a Chargeboeuf, the other a Lorrain. Pierrette was small and weak, Bathilde was tall and full of life. Pierrette was living on charity, Bathilde and her mother lived on their means. Pierrette wore a stuff gown with a chemisette, Bathilde made the velvet of hers undulate. Bathilde had the finest shoulders in the department, and the arm of a queen; Pierrette's shoulder-blades were skin and bone. Pierrette was Cinderella, Bathilde was the fairy. Bathilde was about to marry, Pierrette was to die a maid. Bathilde was adored, Pierrette was loved by none. Bathilde's hair was ravishingly dressed, she had so much taste; Pierrette's was hidden beneath her Breton cap, and she knew nothing of the fashions. Moral, Bathilde was everything, Pierrette nothing. The proud little Breton girl understood this tragic poem.
