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some crazy way it became our picture—Timmy's and mine. I took it off his body after he died and it became mine. It represented an alien world of sanity and kindness and strength. I looked at it often.

      Now I took it out again and lay on the motel bed and looked at it in the lamplight. And felt a tingle of anticipation. For the first time I permitted myself to wonder if this pilgrimage to Hillston was in part due to the picture of a girl I had never seen. And to wonder if this picture had something to do with the death of love for Charlotte.

      I put the picture away. It took a long time to get to sleep. But the sleep that came was deep and good.

      Chapter III

       Table of Contents

      On Friday morning it was not until I opened the bureau drawer to take out a clean shirt that I knew somebody had been in the room. I had stacked the clean shirts neatly in one corner of the big middle drawer. They were scattered all over the drawer as if stirred by a hasty hand. I went over all my things and saw more and more evidence of quick, careless search. There was nothing for anyone to find. I had written down nothing about the elusive Cindy.

      It did not seem probable that the maid or the woman who had rented me the room had done this. Nor did it seem probable that it had occurred on the previous day while I was out. I checked the door. I distinctly remembered locking it. It was unlocked. That meant someone had come in while I had slept. Fortunately, from long habit, I had put my wallet inside the pillowcase. My money was safe. Some cool morning air came through the door, chilling my face and chest, and I realized I was sweating lightly. I remembered how Fitz could move so quietly at night. I did not like the thought of his being in the room, being able to unlock the door. I did not see how it could have been anyone else. I wondered how he had found the motel so easily. I had given the address to no one. Yet it could not have taken too long on the phone. Maybe an hour or an hour and a half to find where I was registered. It would take patience. But Fitzmartin had waited over a year.

      I had breakfast, looked up an address and drove off to see the girl of the cracked, treasured picture—the girl who, unknown to herself, had eased great loneliness, and strengthened frail courage.

      Dr. Buck Stamm was a veterinary. His home and place of business was just east of town, a pleasant old frame house with the animal hospital close by. Dogs made a vast clamor when I drove up. They were in individual runways beside the kennels. There were horses in a corral beyond the house.

      Dr. Stamm came out into the waiting-room when the bell on the door rang. He was an enormous man with bushy red hair that was turning gray. He had a heavy baritone voice and an impressive frown.

      "We're not open around here yet unless it's an emergency, young man."

      "No emergency. I wanted to see your daughter for a minute."

      "What about?"

      "It's a personal matter. I was a friend of Timmy Warden."

      He did not look pleased. "I guess I can't stop you from seeing her. She's at the house, wasting time over coffee. Go on up there. Tell her Al hasn't showed up yet and I need help with the feeding. Tell her Butch died in the night and she'll have to phone the Bronsons. Got that?"

      "I can remember it."

      "And don't keep her too long. I need help down here. Go around to the back door. She's in the kitchen."

      I went across the lawn to the house and up the back steps. It was a warm morning and the door was open. The screens weren't on yet. The girl came to the back door. She was medium tall. Her hair was dark red, a red like you can see in old furniture made of cherry wood, oiled and polished so the sun glints fire streaks in it. She wore dungarees and a pale blue blouse. Her eyes were tilted gray, her mouth a bit heavy and quite wide. She had good golden skin tones instead of the blotched pasty white of most redheads. Her figure was lovely. She was twenty-six, or perhaps twenty-seven.

      There are many women in the world as attractive as Ruth Stamm. But the expression they wear for the world betrays them. Their faces are arrogant, or petulant, or sensuous. That is all right because their desirability makes up for it, and you know they will be good for a little time and when you have grown accustomed to the beauty, there will be just the arrogance or the petulance left.

      But Ruth wore her own face for the world—wore an expression of strength and humility and goodness. Should you become accustomed to her loveliness, there would still be all that left. This was a for-keeps girl. She couldn't be any other way because all the usual poses and artifices were left out of her. This was a girl you could hurt, a girl who would demand and deserve utter loyalty.

      "I guess I'm staring," I said.

      She smiled. "You certainly are." She tried to make smile and words casual, but in those few moments, as it happens so very rarely, a sharp awareness had been born, an intense and personal curiosity.

      I took the picture out of my pocket and handed it to her. She looked at it and then looked sharply at me, eyes narrowed. "Where did you get this?"

      "Timmy Warden had it."

      "Timmy! I didn't know he had this. Were you at—that place?"

      "In the camp with him? Yes. Wait a minute. Your father gave me some messages for you. He says Al hasn't showed up and he needs help with the feeding. And you're to phone the Bronsons that Butch died during the night."

      Her face showed immediate concern. "That's too bad."

      "Who was Butch?"

      "A nice big red setter. Some kid in a jalopy hit him, and didn't even stop. I should phone right away."

      "I would like to talk to you when you have more time. Could I take you to lunch today?"

      "What do you want to talk to me about?"

      The lie was useful again. "I'm doing a book on the ones who didn't come back. I thought you might help fill me in on Timmy. He mentioned you many times."

      "We used to go together. I—yes, I'll help all I can. Can you pick me up at twelve-fifteen here?"

      "I'll be glad to. And—may I have the picture back?"

      She hesitated and then handed it to me. "The girl in this picture was eighteen. That's a long time ago—" She frowned. "You didn't tell me your name yet."

      "Howard. Tal Howard."

      Our glances met for a few seconds. Again there was that strong awareness and interest. I believe it startled her as much as it did me. The figure in the picture was a girl. This was a woman, a fulfillment of all the promises in the picture—a mature and lovely woman—and we were shyly awkward with each other. She said good-by and went into the house. I drove back into town. For a long time I had carried the picture in the photograph in my mind. Now reality was superimposed on that faded picture. I had imagined that I had idealized the photo image, given it qualities it did not possess. Now at last I knew that the reality was stronger, more persuasive than the dreaming.

      I found the old Warden house and chatted for a time with the amiable Mr. Syler who had purchased it from George Warden. It was a big, high-shouldered frame house and he had cut it into four apartments. Mr. Syler needed no encouragement to talk. In fact, it was difficult to get away from him. He complained of the condition of the inside of the house when he took it over. "That George Warden lived here alone for a while and that man must have lived like a darn bear."

      In addition he complained about the yard. "When I took it over I didn't expect much grass. But the whole darn place had been spaded up like somebody was going to plant every inch of it and then just left it alone."

      That was a clue to some of Fitzmartin's activities. He was a man who would do a good job of searching. And the isolation of the house behind high plantings would give him an uninterrupted opportunity to dig.

      I drove back out through April warmth and picked up Ruth Stamm at the time she suggested.

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