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The Greatest Works of Edith Wharton - 31 Books in One Edition. Edith Wharton
Читать онлайн.Название The Greatest Works of Edith Wharton - 31 Books in One Edition
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isbn 9788027234769
Автор произведения Edith Wharton
Жанр Языкознание
Издательство Bookwire
A new life began for Undine. The Princess, chained her mother’s side, and frankly restive under her filial duty, clung to her new acquaintance with a persistence too flattering to be analyzed. “My dear, I was on the brink of suicide when I saw your name in the visitors’ list,” she explained; and Undine felt like answering that she had nearly reached the same pass when the Princess’s thin little hand had been held out to her. For the moment she was dizzy with the effect of that random gesture. Here she was, at the lowest ebb of her fortunes, miraculously rehabilitated, reinstated, and restored to the old victorious sense of her youth and her power! Her sole graces, her unaided personality, had worked the miracle; how should she not trust in them hereafter?
Aside from her feeling of concrete attainment. Undine was deeply interested in her new friends. The Princess and her mother, in their different ways, were different from any one else she had known. The Princess, who might have been of any age between twenty and forty, had a small triangular face with caressing impudent eyes, a smile like a silent whistle and the gait of a baker’s boy balancing his basket. She wore either baggy shabby clothes like a man’s, or rich draperies that looked as if they had been rained on; and she seemed equally at ease in either style of dress, and carelessly unconscious of both. She was extremely familiar and unblushingly inquisitive, but she never gave Undine the time to ask her any questions or the opportunity to venture on any freedom with her. Nevertheless she did not scruple to talk of her sentimental experiences, and seemed surprised, and rather disappointed, that Undine had so few to relate in return. She playfully accused her beautiful new friend of being cachottiere, and at the sight of Undine’s blush cried out: “Ah, you funny Americans! Why do you all behave as if love were a secret infirmity?”
The old Duchess was even more impressive, because she fitted better into Undine’s preconceived picture of the Faubourg Saint Germain, and was more like the people with whom she pictured the former Nettie Wincher as living in privileged intimacy. The Duchess was, indeed, more amiable and accessible than Undine’s conception of a Duchess, and displayed a curiosity as great as her daughter’s, and much more puerile, concerning her new friend’s history and habits. But through her mild prattle, and in spite of her limited perceptions. Undine felt in her the same clear impenetrable barrier that she ran against occasionally in the Princess; and she was beginning to understand that this barrier represented a number of things about which she herself had yet to learn. She would not have known this a few years earlier, nor would she have seen in the Duchess anything but the ruin of an ugly woman, dressed in clothes that Mrs. Spragg wouldn’t have touched. The Duchess certainly looked like a ruin; but Undine now saw that she looked like the ruin of a castle.
The Princess, who was unofficially separated from her husband, had with her her two little girls. She seemed extremely attached to both—though avowing for the younger a preference she frankly ascribed to the interesting accident of its parentage—and she could not understand that Undine, as to whose domestic difficulties she minutely informed herself, should have consented to leave her child to strangers. “For, to one’s child every one but one’s self is a stranger; and whatever your egarements—” she began, breaking off with a stare when Undine interrupted her to explain that the courts had ascribed all the wrongs in the case to her husband. “But then—but then—” murmured the Princess, turning away from the subject as if checked by too deep an abyss of difference.
The incident had embarrassed Undine, and though she tried to justify herself by allusions to her boy’s dependence on his father’s family, and to the duty of not standing in his way, she saw that she made no impression. “Whatever one’s errors, one’s child belongs to one,” her hearer continued to repeat; and Undine, who was frequently scandalized by the Princess’s conversation, now found herself in the odd position of having to set a watch upon her own in order not to scandalize the Princess.
Each day, nevertheless, strengthened her hold on her new friends. After her first flush of triumph she began indeed to suspect that she had been a slight disappointment to the Princess, had not completely justified the hopes raised by the doubtful honour of being one of Sacha Adelschein’s intimates. Undine guessed that the Princess had expected to find her more amusing, “queerer,” more startling in speech and conduct. Though by instinct she was none of these things, she was eager to go as far as was expected; but she felt that her audacities were on lines too normal to be interesting, and that the Princess thought her rather school-girlish and old-fashioned. Still, they had in common their youth, their boredom, their high spirits and their hunger for amusement; and Undine was making the most of these ties when one day, coming back from a trip to Monte-Carlo with the Princess, she was brought up short by the sight of a lady—evidently a new arrival—who was seated in an attitude of respectful intimacy beside the old Duchess’s chair. Undine, advancing unheard over the fine gravel of the garden path, recognized at a glance the Marquise de Trezac’s drooping nose and disdainful back, and at the same moment heard her say: “—And her husband?”
“Her husband? But she’s an American—she’s divorced,” the Duchess replied, as if she were merely stating the same fact in two different ways; and Undine stopped short with a pang of apprehension.
The Princess came up behind her. “Who’s the solemn person with Mamma? Ah, that old bore of a Trezac!” She dropped her long eyeglass with a laugh. “Well, she’ll be useful—she’ll stick to Mamma like a leech and we shall get away oftener. Come, let’s go and be charming to her.”
She approached Madame de Trezac effusively, and after an interchange of exclamations Undine heard her say “You know my friend Mrs. Marvell? No? How odd! Where do you manage to hide yourself, chere Madame? Undine, here’s a compatriot who hasn’t the pleasure—”
“I’m such a hermit, dear Mrs. Marvell—the Princess shows me what I miss,” the Marquise de Trezac murmured, rising to give her hand to Undine, and speaking in a voice so different from that of the supercilious Miss Wincher that only her facial angle and the droop of her nose linked her to the hated vision of Potash Springs.
Undine felt herself dancing on a flood-tide of security. For the first time the memory of Potash Springs became a thing to smile at, and with the Princess’s arm through hers she shone back triumphantly on Madame de Trezac, who seemed to have grown suddenly obsequious and insignificant, as though the waving of the Princess’s wand had stripped her of all her false advantages.
But upstairs, in her own room. Undine’s courage fell. Madame de Trezac had been civil, effusive even, because for the moment she had been taken off her guard by finding Mrs. Marvell on terms of intimacy with the Princess Estradina and her mother. But the force of facts would reassert itself. Far from continuing to see Undine through her French friends’ eyes she would probably invite them to view her compatriot through the searching lens of her own ampler information. “The old hypocrite—she’ll tell them everything,” Undine murmured, wincing at the recollection of the dentist’s assistant from Deposit, and staring miserably at her reflection in the dressing-table mirror. Of what use were youth and grace and good looks, if one drop of poison distilled from the envy of a narrow-minded woman was enough to paralyze them? Of course Madame de Trezac knew and remembered, and, secure in her own impregnable position, would never rest till she had driven out the intruder.
XXVIII
“What do you say to Nice tomorrow, dearest?” the Princess suggested a few evenings later as she followed Undine upstairs after a languid evening at bridge with the Duchess and Madame de Trezac.
Halfway down the passage she stopped to open a door and, putting her finger to her lip, signed to Undine to enter. In the taper-lit dimness stood two small white beds, each surmounted by a crucifix and a palm branch, and each containing a small brown sleeping child with a mop of hair and a curiously finished little face. As the Princess stood gazing on their innocent slumbers she seemed for a moment like a third little girl scarcely bigger