LITMIR.BIZ

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who is Mad Margery?" asked Sir Charles.

      "No one knows, cousin. She does not know herself. Ten years ago a ship came in with servants, and she was on it. She was mad then. The captain could give no account of her, save that when, the day after sailing, he came to count the servants, he found one more than there should have been, and that one a woman, stupid from drugs. She had been spirited on board the ship, that was all he could say. It's a common occurrence, as you know. She never came to herself—has always been what she is now. She was sold to a small planter, and cruelly treated by him. After a time my father heard her story and bought her from her master. She has been with us ever since. Her term of service is long out; but there is nothing that could drive her from this plantation. She wanders about as she pleases, and has a cabin in the woods yonder; for she will not live in the quarters. They say that she is a white witch; and the Indians, who reverence the mad, lay maize and venison at her door."

      The voice, shrill and sweet, rang out close at hand.

"Thy years are young, thy face is fair,

Thy wits are weak, thy thoughts are green,

Time hath not given thee leave as yet,

For to commit so great a sin."

      "Margery!" called Patricia softly.

      The woman came towards them with a peculiar gliding step, swift and stealthy. Within a pace or two of them she stopped, and asked, "Who called me?" in a voice that seemed to come from far away. She was not old, and might once have been beautiful.

      "I called you, Margery," said Patricia gently. "Sit down beside us, and tell us what you have been doing."

      The woman came and sat herself down at Patricia's feet. She carried a stick, or light pole, wound with thick strings of wild hops, which she laid on the ground. Taking one of the wreaths from around it, she dropped the pale green mass into Patricia's lap.

      "Take it," she said. "They are flowers I gathered in Paradise, long ago. They wither in this air; but if you fan them with your sighs, and water them with your tears, they will revive. … Paradise is a long way from here. I have been seeking the road all day; but I have not found it yet. I think it must lie near Bristol Town, Bristol Town, Bristol Town."

      Her voice died away in a long sigh, and she sat plucking at the fragrant blooms.

      Patricia said softly, "She talks much of Bristol Town, and she is always seeking the road to Paradise. I think that once some one must have said to her, 'We will meet in Paradise.'"

      "I know little of Paradise, Margery," said Sir Charles, good-naturedly; "but Bristol Town is many leagues from here, across the great ocean."

      "Yes, I know. It lieth in the rising of the sun. I have never seen it except in my dreams. But it is a beautiful place—not like this world of trees. The church bells are ever ringing there, … and the children sing in the streets. It is all fair, and smiling and beautiful, all but one spot, one black, black, black spot. I will tell you." She sunk her voice to a whisper and looked fearfully around. "The mouth of the Pit is there, the Bottomless Pit that the Preacher tells about. It is a small room, dark, dark, … and there is a heavy smell in the air, … and there are fiends with black cloth over their faces. They hold a draught of hell to your mouth, and they make you drink it; … it burns, burns. And then you go down, down, down, into everlasting blackness." She broke off, and shuddered violently, then burst into eldritch laughter.

      "Shall I tell you what I found just now while I was looking for Paradise?"

      "Yes," said Patricia.

      "A breaking heart."

      "A breaking heart!"

      Margery nodded. "Yes," she said. "I thought it would surprise you. I find many things, looking for Paradise. The other day I found a brown pixie sitting beneath a mushroom, and he told me curious things. But a breaking heart is different. I know all about it, for once upon a time my heart broke; but mine was soft and easy to break. It was as soft and weak as a baby's wrist, a little, tender, helpless thing, you know, that melts under your kisses. But this heart that I found will take a long time to break. Proud anger will strengthen it at first; but one string will snap, and then another, and another, until, at last—" she swept her arms abroad with a wild and desolate gesture.

      "What does she mean?" asked Sir Charles.

      "I do not know," answered Patricia.

      Margery rose and took up her leafy staff.

      "Come," she said. "Come and see the breaking heart."

      "O Patricia!" cried Betty, "do not go with her!"

      "Why not?" asked Patricia resolutely. "Come, cousin, let us find out what she means. We will go with you, Margery; but you must not take us far. It grows late."

      Margery laughed weirdly. "It is never late for Margery. There is a star far up in heaven that is sorry for Margery, and it shines for her, bright, bright, all night long, that she may not miss the road to Paradise."

      She glided in front of them, and moved rapidly down the dim alley of trees, her feet seeming scarce to touch the short grass, and the long green wreaths, stirred by the wind, coiling and uncoiling around her staff like serpents. Patricia, with Betty and Sir Charles, followed her closely. She led them out of the mulberry grove, through a small vineyard, and into a patch of corn, beyond which could be seen the gleam of water, faintly pink from the faded sunset.

      "She is taking us towards the quarters!" exclaimed Patricia. "Margery! Margery!"

      But Margery held on, moving swiftly through the waist-deep corn. Betty looked down with a little sigh at her dainty shoes, which were suffering by their contact with the dew-laden leaves of pumpkins and macocks. Sir Charles put aside the long corn blades with his cane, and so made a way for the girls. He felt mildly curious and somewhat bored.

      Suddenly they emerged upon the banks of the inlet, within a hundred yards of the quarters. Patricia would have spoken, but Margery put her finger to her lips and flitted on towards the row of cabins.

      Before them stretched a long, narrow lane, sandy and barren, with a pine-tree rising here and there. Rude cabins, windowless and with mud chimneys, faced each other across the lane. Half way down was an open space, or small square, in the centre of which stood a dead tree with a board nailed across its trunk at about a man's height from the ground. In either end of the board was cut a round hole big enough for a man's hand to be squeezed through, and above hung a heavy stick with leathern thongs tied to it, the whole forming a pillory and whipping-post, rude, but satisfactory.

      It was almost dark. The larger stars had come out, and the fireflies began to sparkle restlessly. The wind sighed in the pines, and a strong salt smell came from the sea. Overhead a whip-poor-will uttered its mournful cry.

      The long day's work, from sunrise to sunset, was over, and the population of the quarter had drifted in from the fields of tobacco and maize, the boats, the carpenter's shop, the forge, the mill, the stables, and barns. Hard-earned rest was theirs, and they were prepared to enjoy it. It was supper-time. In the square a great fire of brush-wood had been kindled, and around it squatted a ring of negroes, busy with bowls of loblolly and great chunks of corn bread. They chattered like monkeys, and one who had finished his mess raised a chant in which one note was a yell of triumph, the next a long-drawn plaintive wail. The rich barbaric voice filled the night. A figure, rising, tossed aside an empty bowl, and began to dance in the red firelight.

      The white men ate at their cabin doors, sitting upon logs of wood, or in groups of three or four messed at tables made by stretching planks from one tree-stump to another. It was meat-day; and they, too, made merry. From the women's cabins also came shrill laughter. Snatches of song arose, altercations that suddenly began and as suddenly ceased, a babel of voices in many fashions of speech. Broad Yorkshire contended with the thin nasal tones of the cockney; the man from the banks of the Tweed thrust cautious sarcasms at the man from Galway. A mulatto, the color of pale

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