LITMIR.BIZ

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speak, for you know. Mr. Torrance says—he thinks——" here Lady Car came to herself, perceiving the disturbed looks of her sister, and remembering her own past reserve. She paused, and forced herself into a miserable smile. "It is not worth while entering into the story," she said; "it does not—matter much. It is only a mistake, a—a difference of opinion. You can tell Mr. Torrance——"

      "I don't want any information," said Torrance, sulkily. He, too, felt embarrassed by the sudden introduction of Edith into the discussion. He moved away from the fire with a rude attempt at civility. Edith, in her youthful absolutism, and want of toleration or even understanding of himself, overawed him a little. She was not, he thought, nearly so aristocratic in appearance as his wife; but he was slightly afraid of her, and had never been at his ease in her presence. What was the opinion of this little chit to him? He asked himself the question often, but it did not divest him of that vague perception of his own appearance in her eyes, which is the most mortifying of all reflections. No caricature made of us can be so disconcerting. Just so Haman must have seen himself, a wretched pretender, through the eyes of that poor Jew in the gate. Torrance saw himself an exaggerated boor, a loud-speaking, underbred clown, in the clear regard, a little contemptuous, never for a moment overawed by him, of Edith Lindores. He had perhaps believed his wife's denial in respect to John Erskine while they were alone, but he believed her entirely when she called Edith to witness. He was subdued at once—he drew away from before the fire with sulky politeness, and pushed forward a chair. "It's a cold day," he said. The quarrel died in a moment a natural death. He hung about the room for a few minutes, while Edith, to lessen the embarrassment of the situation, occupied herself with the children. As for Lady Car, she had been too much disturbed to return at once to the pensive calm which was her usual aspect. She leant back in her chair, pushed up into the corner as she had been by her husband's approach, and with her thin hands clasped together. Her breath still came fast, her poor breast heaved with the storm—she said nothing to aid in the gradual restoration of quiet. The spell being once broken, perhaps she was not sorry of the opportunity of securing Edith's sympathy. There is a consolation in disclosing such pangs, especially when the creator of them is unbeloved. To tell the cruelties to which she was subject, to pour out her wrongs, seemed the only relief which poor Carry could look forward to. It had not been her will to betray it to her sister; but now that the betrayal had taken place, it was almost a pleasure to her to anticipate the unburdening of her heart. All that she desired for the moment was that he would go away, that she might be free to speak. The words seemed bursting from her lips even while he was still there. Perhaps Torrance himself had a perception of this; but then he did not believe that his wife had not a hundred times made her complaint to Edith before. And thus there ensued a pause which was not a pleasant one. Neither the husband nor the wife spoke, and Edith's agitated discourses with the children were the only sounds audible. They were not prattling, happy children, capable of making a diversion in such circumstances; and Edith was not so fond of the nephew and niece, who so distinctly belonged to their father, as she ought to have been. The situation was relieved by a summons to Torrance to see some one below. He went away reluctantly, jealously, darting a threatening look at his wife as he looked back. Edith was as much alarmed for what was coming as Torrance was. She redoubled her attentions to the children, hoping to avert the disclosure which she, too, saw was so near.

      "It is their time to—go back to the nursery," said Carry, with a voice full of passion, ringing the bell; and the children were scarcely out of hearing when the storm burst forth: "I have borne a great deal, oh, a great deal—more, far more, than you can ever know; but think, think! what he intended for me. To invite John Erskine here, thinking he was—some one else; to bring us into each other's company day after day; to tempt me to the old conversations, the old walks. Don't contradict me—he said so: that I might feel my misery, and drink my cup to the last dregs."

      "Carry, Carry! you must be mistaking him; he could not wish that; it would be an insult—it would be impossible."

      "That is why it pleases him," cried the poor wife; "he likes to watch and make sure that I suffer. If I did not suffer, it would do him no good. He says I am too proud and too cold to—go wrong, Edith! That is how he speaks to your sister; and he wishes to show me—to show me, as if I did not know—what I have and what I have lost!"

      "Carry, you must not. Oh, don't let us even think of what is past now!"

      "It is easy for you to say so. I have tried—oh, how I have tried!—never to think of the past—even now, even to-day. Think, only think! Because he supposed that, he went expressly to see John Erskine, to ask him to come here, planning to torture me—no matter to him, because he was sure I was too proud to go wrong. He wanted to watch the meeting—to see how we would look at each other, what we would say, how we would behave ourselves at such a moment. Can you believe it, Edith? Was there ever anything in a book, in the theatre, so cruel, so terrible? Do you suppose one can help, after that, thinking of the past, thinking of the future too?—for suppose it had been—Edward——Oh no, no! I don't want to name his name; but suppose it had been—he. Another time it may be he. He may come to visit John Erskine. We may meet in the world; and then I know—I know what is before me. This man—oh, I cannot call him by any name!—this man, whom I belong to, who can do what he pleases with my life—I know now what his pleasure will be—to torture me, Edie!—for no purpose but just to see me suffer—in a new way. He has seen me suffer already—oh, how much!—and he is blasé! he wants something more piquant, a newer torture, a finer invention to get more satisfaction out of me. And you tell me I must not think of the past!"

      "Carry, Carry!" cried Edith, trembling; "what can I say? You ought not to bear it. Come home; come back to us. Don't stay with him, if this is how you feel about him, another day."

      Carry shook her head. "There is no going back," she said; "alas! I know that now, if never before. To go back is impossible: my father would not allow it; my mother would not approve it. I dare not myself. No, no, that cannot be. However dreadful the path may be, all rocks or thorns, and however your feet may be torn and bleeding—forward, forward one must go. There is no escape. I have learned that."

      There was a difference of about six years between them—not a very great period; and yet what a difference it made! Edith had in her youthful mind the certainty that there was a remedy for every evil, and that what was wrong should not be permitted to exist. Carry knew no remedy at all for her own condition, or indeed, in the reflection of her own despair, for any other. Nothing was to be done that she knew of; nothing could do any good. To go back was impossible. She sat leaning back in her chair, clasping her white thin hands, looking into the vacant air—knowing of no aid, but only a little comfort in the mere act of telling her miseries—nothing more; while Edith sat by her, trembling, glowing, impatient, eager for something to be done.

      "Does mamma know?" the girl asked, after a pause.

      Carry did not move from her position of quiet despair. "Do you think," she said, "it is possible that mamma, who has seen so much, should not know?"

      To this Edith could make no reply, knowing how often the subject had been discussed between her mother and herself, with the certainty that Carry was unhappy, though without any special explanation to each other of the manner of her unhappiness.

      "But if my father were to speak to him, Carry? My father ought to do it; it was he who made you—it was he who——"

      "No one can say anything; no one can do anything. I am sorry I told you, Edie; but how could I help it? And it does me a little good to speak. I must complain, or I should die."

      "Oh, my poor Car, my poor Car!" Edith cried, throwing herself upon her knees beside her sister. Die! she said, within herself; would it not be better—far better—to die? It was living that seemed to her impossible. But this was another of the sad pieces of knowledge which Carry had acquired: that you cannot die when you please, as the young and untried are apt to suppose—that mortal anguish does not always kill. It was Edith who was agitated and excited, seeking eagerly for a remedy—any remedy—even that heroic and tragical one; but Carry did not feel that even in that there was any refuge for her now.

      This was by no means John Erskine's fault. He was as innocent of it, as unconscious of it, as any man could be; but Edith,

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