LITMIR.BIZ

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on both sides are so imperfect, that it is almost impossible to determine to which the palm is due. To Professor Beckmann, therefore, those fond of such researches are much indebted for the pains he has been at to collect information on this subject; and though he has perhaps not been able to clear up every doubt respecting the objects on which he treats, he has certainly thrown much light on many curious circumstances hitherto buried in oblivion.

      The author, with much modesty, gives to this work in the original the title of only Collections towards a History of Inventions: but as he has carefully traced out the rise and progress of all those objects which form the subject of his inquiry, from the earliest periods of their being known, as far as books supplied information, and arranged his matter in chronological order, the original title may admit, without being liable to much criticism, of the small variation adopted in the translation. The author, indeed, has not in these volumes comprehended every invention and discovery, but he has given an account of a great many, most of them very important.

      Should any one be disposed to find fault with the author for introducing into his work some articles which on the first view may appear trifling, his own words, taken from the short preface prefixed to the first volume of the original, will perhaps be considered as a better exculpation than anything the translator might advance in his favour. “I am sensible,” says he, “that many here will find circumstances which they may think unworthy of the labour I have bestowed upon them; but those who know how different our judgements are respecting utility, will not make theirs a rule for mine. Those whose self-conceit would never allow them to be sensible of this truth, and who reject as useless all ore in which they do not observe pure gold, as they display very little acuteness, must be often duped by the tinsel glare of false metal; and they give me as little uneasiness as those who have no desire to know the origin of inventions, or how they were brought to their present utility. If my extending the term Invention farther than is perhaps usual, by comprehending under it several police-establishments, be a fault, it is at any rate harmless, and on that account may be pardoned without much apology.”

      FOOTNOTES

1 Montfaucon, notwithstanding all his researches in France and Italy, was not able to discover any charter or diploma written on common paper, older than the year 1270. Paper, however, made of cotton, is said to be much older, and to have been introduced into Europe by the Arabs. If we can believe an Arabian author, who wrote in the thirteenth century, quoted by Casiri, in Biblioth. Arabico-Hispana, vol. ii. p. 9, paper (doubtless of cotton) was invented at Mecca by one Joseph Amru, about the year of the Hegira 88, or of the Christian æra 706. According to other Arabian authors, quoted by Casiri and Abulfeda, the Arabs found a manufactory of paper at Samarcand in Bucharia, when they conquered that country in the year of the Hegira 85, or of our æra 704. The art of making paper from silk was, as some pretend, known to the Chinese 180 years before Jesus Christ. See a letter from Father de Mailla to Father Etienne Souciet, in Mémoires des Inscript. et des Belles Lettres, vol. xv. 520.

2 The oldest picture, known at present, painted in oil-colours on wood is preserved in the Imperial Gallery at Vienna. It was painted in the year 1297, by a painter named Thomas de Mutina, or de Muttersdorf, in Bohemia. Two other paintings in the same gallery are of the year 1357; one of them is by Nicholas Wurmser of Strasburg, and the other by Thierry of Prague. It appears therefore that painting in oil was known long before the epoch at which that invention is generally fixed; and that it is erroneously ascribed to Hubert van Eyck and his brother and pupil, John van Eyck, otherwise called John of Bruges, who lived about the end of the fourteenth century, and not the beginning of the fifteenth, as is commonly supposed. [There is evidence in the books of the Painters’ Company, under the date of the 11th of Edward I. (1283), that oil painting was in use at that time. See a communication from Sir Francis Palgrave given in the new edition of Carter’s Ancient Sculpture and Paintings in England, page 80.]

3 The person who first speaks of the magnetic needle and its use in navigation, is a Provençal poet, who lived in the beginning of the thirteenth century, and who wrote a poem entitled Bible Guyot. This work is a satire, in which the author lashes with great freedom the vices of that age. Comparing the Pope to the polar star, he introduces a description of the compass, such as it appears to have been in its infancy. This invention however is claimed by the Italians, who maintain that we are indebted for it to a citizen of Amalphi, named Flavius Gioja, and in support of this assertion quote commonly the following line of Panormitanus:

      Prima dedit nautis usum magnetis Amalfis.

4 Of the use of gunpowder in Europe no certain traces occur till towards the middle of the fourteenth century. It seems pretty well proved, that artillery was known in France after the year 1345. In 1356, the city of Nuremberg purchased the first gunpowder and cannon. The same year the city of Louvain employed thirty cannon at the battle of Santfliet against the Flemings. In 1361, a fire broke out at Lubec, occasioned by the negligence of those employed in making gunpowder. In 1363, the Hans-towns used cannon for the first time, in a naval combat which they fought against the Danes. After 1367, the use of fire-arms became general throughout Italy, into which they had been introduced from Germany.

5 The invention of printing has given rise to many researches. Meermann in his Origines Typographicæ, published in 1768, endeavours to prove that Laurence Coster of Haarlem was the inventor, about the year 1430. Most authors however agree that John Gutenberg was the inventor of moveable types, but they differ respecting the place of the invention. Some make it to be Strasburg, others Mentz, and some fix the epoch of the invention at 1440, and others at 1450.

6 Vasari, in Vite de’ Pittori, vol. iv. p. 264, ascribes the invention of engraving on copper to a goldsmith of Florence, named Maso Finiguerra, about 1460. The oldest engravers whose names and marks are known, were Israel de Mecheln, of Bokholt, in the bishopric of Munster; Martin Schœn, who worked at Colmar in Alsace, where he died in 1486; and Michael Wolgemuth of Nuremberg, who was preceptor to the famous Albert Durer, and engraved the plates in the well-known Nuremberg Chronicle. It may be proper here to observe, that the art of engraving on wood seems to be older than the invention of printing, to which perhaps it gave rise. The names of the first engravers on wood are however not known. [In the Athenæum Journal for 1845, page 965, is given a fac-simile of a large wood-engraving, bearing the date of 1418, which was discovered at Malines in 1844, and is now preserved in the public library at Brussels.]

MEMOIR OF THE AUTHOR.

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John Beckmann, Professor of Œconomy at Göttingen during a period of forty-five years, was born at Hoye, a small town in the kingdom of Hanover, in 1739. His father held the appointment of postmaster and receiver of taxes in that place, and at the same time cultivated a small farm, which appears to have inspired his son with a taste for agricultural pursuits. The superintendence of his education devolved principally on his mother, a woman of great prudence and strength of mind, who was left a widow when young Beckmann was scarcely seven years old. In a lonely house, amid examples of industry and daily labour, he passed his youth in the perusal of works, which, although of a common-place description, were not without their use, as they led him to contract a methodical habit of mind, and afforded considerable information on various subjects, which in the sequel greatly assisted him in the pursuits to which he owed his celebrity. He himself relates that, when quite a boy, he was in the habit of making extracts of all the striking passages he met with in the course of his reading, by which means he acquired a ready use of the pen. The insufficient circumstances of his family prevented his education being cultivated in the schools

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