Romantic Ireland - M. F. Mansfield

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       A JIG DANCER A JIG DANCER

      Therein lies the charm of association which surrounds the very shores and rocks and rills of Ireland.

      Here are a few brief lines from McCarthy which express it far more succinctly and with more feeling than it would perhaps be possible for any other living historian to write, be he Irishman or not:

      “Every stream, well, and cavern, every indentation of the seashore, every valley and mountain peak, has its own stories and memories of beings who did not belong to this earth. A distinguished Englishman once said that whereas in the inland counties of England he had found many a peasant who neither knew the name of the river within sight of his cottage, nor troubled himself about its early history, he never met with an Irish peasant who was not ready to give him a whole string of legends and stories about the stream which flowed under his eyes every day.”

      An American writer, Horatio Krans, has recently attempted to dissect the motives of the Irish novelist of the first half of the nineteenth century. He has put his finger upon one notably weak spot in the earlier novels,—the delineation of female character. He claims particularly (though the Irish novelist is not alone in this sinning) that the heroines, with a few exceptions—Lady Geraldine in Miss Edgeworth’s “Ennui” and Baby Blake in “Charles O’Malley,”—are hopelessly conventional in speech, in sentiment, and in manner; all of which is undeniably true.

      The Irish novelists of the time divided their product into two distinct classes, “the novels of the gentry” and “the novels of the peasantry,” and there is, as a fact, much in favour of the heroine of the peasantry class.

      The names of the novelists of that time most generally known, and most readily recalled, are unquestionably, first of all, Goldsmith, then perhaps Miss Edgeworth, Charles Lever, Maxwell, and Samuel Lover. Among themselves they have apportioned the various types which we of a later generation have come to recognize as of the soil. The most notable, and one common to all, is that strange product of Irish life (to which, it may be observed, Oliver Goldsmith called attention), the “squireen,” who was without an idea beyond a dog, a gun, and a horse.

      It is a commonplace to remark here that many of the gentry of that time lived in barbaric and slovenly splendour, led devil-may-care lives, hunted during the day, and drank, played cards, and quarrelled at night.

      But new forces are certainly bestirring themselves in the Ireland of to-day, and a new standard of life, a wider knowledge, and a finer culture is broadcast. Nowhere is this more apparent than in the realm of Ireland’s imaginative literature, in prose as well as verse.

      Of the actual life of the times, the present-day Irish novelist draws not with so firm a hand as his predecessor, but he makes a more pleasing picture.

      The duel, as an institution, is extinct to-day, but much the same mode of life as that of a former day is depicted in the stories of Miss Sommerville and Miss Martin Ross. In these modern novels are found the horse-dealing, hunt-loving gentry; but the peasants appear only as retainers and as necessary adjuncts to the occupations of their betters. The Ireland of these writers, then, is a land of happy-go-lucky and thriftless enjoyment and cheerful impecuniosity, with an occasional glimpse of tragedy. Miss Katherine Tynan, too, deals with the same class and succeeds in depicting Irish landscape, in its quick-changing colours, its gloom and sunshine strangely mingled, mountain and bog, dew and rain, in a manner which suggests that her books are a genuine distillation of Ireland itself.

      The soul of a country is to be sought in the literature of the people, and the literature of Ireland is yet, to the vast majority, an unopened book; and, paradoxically, it is in the pages of fiction that one seeks a record of many facts which are otherwise unwritten.

      Besides the “gentry” and the “peasantry,” the two distinctive classes into which writers divide the Irish, there is another class in Ireland, and an important class, which has been practically neglected by Irish writers of fiction—the shopkeeper. Here Ireland is at once the most aristocratic as well as the most democratic country in the world. In the learned professions you will find the sons of butchers and publicans jostling the offspring of peers and gentlemen of lineage in the race for preferment, and, like enough, beating them at their own game. In England the expected sometimes happens; in Ireland even the fairy-tales may come true; and there will be found a delicate refinement in life which, those competent to explain suggest, has been imported by the daughters of the house from the convents of Ireland, of France, and of Belgium.

      Few countries so small have given the same opportunities to the novelist as has Ireland. Village life is dull enough from within, no doubt; from without, unlike English village life, it is, in Ireland, quite dramatic. It has been said that the people are unconsciously dramatic and that even their grief is picturesque. The possibilities of the race are great.

      An Irish villager may become a Dublin shopkeeper, a London barrister, or, in America, a politician of the first rank. He would never once so much as get a glimmering of this in his native village; but news of the outside world filters through and attracts the ingenious and soulful Irishman to the betterment of himself, and, truly enough, in many cases no doubt, to the poverty of Ireland; for it has come to be admitted that the desertion of Ireland by those who have since become classed among the world’s great is one of the plausibly acceptable explanations of Ireland’s poverty.

      Every French soldier was said to carry the field-marshal’s baton in his knapsack. Every Irish peasant who crosses the Atlantic has his marshal’s baton in his knotted handkerchief on the end of his blackthorn. It is a young race in modern development; its energies are fresh and unexhaustible, and therein lies a field for the novelist which is not yet worked out.

      One other type should be mentioned here, if only to proclaim their unselfish devotion to their vocation—that of the parish priest, the poor cleric who, with a parish of a few score of souls in some barren bog, finds his life-work full in ministering to their souls, and often, as well, to their bodies.

      The pseudo-Irish priests of melodrama, and too frequently of novels, are huge travesties on the devoted and valiant fathers who are hidden away in innumerable corners of Ireland, surrounded only by a dwindling score of communicants.

      The Ireland with which the present-day traveller has most to do is the Ireland which came more or less under English influences in the time of Henry II.

      The legendary and romantic period of the Phœnician settlers, the Spanish colonists, and the warfares of petty kings and chieftains has left little but a vague impress upon Irish national life and sentiment, if we except a certain imaginative and romantic temperament, which seems to be the true birthright alike of the Irish poet, peasant, and politician.

      The crafty, ambitious Henry obtained from Adrian II., the first and only English Pope, in 1159, a bull authorizing him “to enter Ireland and execute therein whatever should pertain to the honour of God and the welfare of that land.”

      English power in Ireland rooted, grew, and flourished, and propagated no end of internal troubles, which are to this day, if we are to believe all that we see and hear, the cause of much of Ireland’s unrest.

      During four centuries Ireland was visited by but three English sovereigns, Henry II., John, and Richard II., and during the fourteenth and fifteenth centuries English influences gradually declined, reaching their lowest ebb at the time of Henry VII. The Reformation, under Henry VIII., took place in 1536, and was in all respects the most remarkable era of Ireland’s history, and from that time on—until the events which rose out of the tenantry laws, and home rule, and their attendant and satellite conditions—her troubles have been solely a warfare more or less dependent upon religious influences and conditions.

      Commencing with the seventeenth century, the population sprang forward with leaps and bounds. Its estimated growth for the succeeding two hundred years is as follows:

1652 …

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