The Wandering Jew - Эжен Сю

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were fifteen years of age; were dressed in mourning; were so like, that one might be taken for the other; one of them wore round her neck a chain with a bronze medal; he could scarcely doubt that they were the daughters of General Simon. But how could those sisters be amongst the number of shipwrecked passengers? How could they have escaped from the prison at Leipsic? How did it happen, that he had not been informed of it? Could they have fled, or had they been set at liberty? How was it possible that he should not be apprise of such an event? But these secondary thoughts, which offered themselves in crowds to the mind of M. Rodin, were swallowed up in the one fact: "the daughters of General Simon are here!"—His plan, so laboriously laid, was thus entirely destroyed.

      "When I speak of the deliverer of these young girls," resumed the bailiff, addressing his wife, and without remarking M. Rodin's absence of mind, "you are expecting no doubt to see a Hercules?—well, he is altogether the reverse. He is almost a boy in look, with fair, sweet face, and light, curling locks. I left him a cloak to cover him, for he had nothing on but his shirt, black knee-breeches, and a pair of black worsted stockings—which struck me as singular."

      "Why, it was certainly not a sailor's dress."

      "Besides, though the ship was English, I believe my hero is a Frenchman, for he speaks our language as well as we do. What brought the tears to my eyes, was to see the young girls, when they came to themselves. As soon as they saw him, they threw themselves at his feet, and seemed to look up to him and thank him, as one would pray. Then they cast their eyes around them, as if in search of some other person, and, having exchanged a few words, they fell sobbing into each other's arms."

      "What a dreadful thing it is! How many poor creatures must have perished!"

      "When we quitted the rocks, the sea had already cast ashore seven dead bodies, besides fragments of the wrecks, and packages. I spoke to some of the coast-guard, and they will remain all day on the look-out; and if, as I hope, any more should escape with life, they are to be brought here. But surely that is the sound of voices!—yes, it is our shipwrecked guests!"

      The bailiff and his wife ran to the door of the room—that door, which opened on the long gallery—whilst Rodin, biting convulsively his flat nails, awaited with angry impatience the arrival of the strangers. A touching picture soon presented itself to his view.

      From the end of the dark some gallery, only lighted on one side by several windows, three persons, conducted by a peasant, advanced slowly. This group consisted of the two maidens, and the intrepid young man to whom they owed their lives. Rose and Blanche were on either side of their deliverer, who, walking with great difficulty, supported himself lightly on their arms.

      Though he was full twenty-five years of age, the juvenile countenance of this man made him appear younger. His long, fair hair, parted on the forehead, streamed wet and smooth over the collar of a large brown cloak, with which he had been covered. It would be difficult to describe the adorable expression of goodness in his pale, mild face, as pure as the most ideal creations of Raphael's pencil—for that divine artist alone could have caught the melancholy grace of those exquisite features, the serenity of that celestial look, from eyes limpid and blue as those of an archangel, or of a martyr ascended to the skies.

      Yes, of a martyr! for a blood-red halo already encircled that beauteous head. Piteous sight to see! just above his light eyebrows, and rendered still more visible by the effect of the cold, a narrow cicatrix, from a wound inflicted many months before, appeared to encompass his fair forehead with a purple band; and (still more sad!) his hands had been cruelly pierced by a crucifixion—his feet had suffered the same injury—and, if he now walked with so much difficulty, it was that his wounds had reopened, as he struggled over the sharp rocks.

      This young man was Gabriel, the priest attached to the foreign mission, the adopted son of Dagobert's wife. He was a priest and martyr—for, in our days, there are still martyrs, as in the time when the Caesars flung the early Christians to the lions and tigers of the circus.

      Yes, in our days, the children of the people—for it is almost always amongst them that heroic and disinterested devotion may still be found—the children of the people, led by an honorable conviction, because it is courageous and sincere, go to all parts of the world, to try and propagate their faith, and brave both torture and death with the most unpretending valor.

      In their ingenuous gratitude, the daughters of General Simon, as soon as they recovered their senses after the shipwreck, and felt themselves able to ascend the cliffs, would not leave to any other person the care of sustaining the faltering steps of him who had rescued them from certain death.

      The black garments of Rose and Blanche streamed with water; their faces were deadly pale, and expressive of deep grief; the marks of recent tears were on their cheeks, and, with sad, downcast eyes, they trembled both from agitation and cold, as the agonizing thought recurred to them, that they should never again see Dagobert, their friend and guide; for it was to him that Gabriel had stretched forth a helping hand, to assist him to climb the rocks. Unfortunately the strength of both had failed, and the soldier had been carried away by a retreating wave.

      The sight of Gabriel was a fresh surprise for Rodin, who had retired on one side, in order to observe all; but this surprise was of so pleasant a nature, and he felt so much joy in beholding the missionary safe after such imminent peril, that the painful impression, caused by the view of General Simon's daughters, was a little softened. It must not be forgotten, that the presence of Gabriel in Paris, on the 13th of February, was essential to the success of Rodin's projects.

      The bailiff and his wife, who were greatly moved at sight of the orphans, approached them with eagerness. Just then a farm-boy entered the room, crying: "Sir! sir! good news—two more saved from the wreck!"

      "Blessing and praise to God for it!" said the missionary.

      "Where are they?" asked the bailiff, hastening towards the door.

      "There is one who can walk, and is following behind me with Justin; the other was wounded against the rocks, and they are carrying him on a litter made of branches."

      "I will run and have him placed in the room below," said the bailiff, as he went out. "Catherine, you can look to the young ladies."

      "And the shipwrecked man who can walk—where is he?" asked the bailiff's wife.

      "Here he is," said the peasant, pointing to some one who came rapidly along the gallery; "when he heard that the two young ladies were safe in the chateau—though he is old, and wounded in the head, he took such great strides, that it was all I could do to get here before him."

      Hardly had the peasant pronounced these words, when Rose and Blanche, springing up by a common impulse, flew to the door. They arrived there at the same moment as Dagobert.

      The soldier, unable to utter a syllable, fell on his knees at the threshold, and extended his arms to the daughters of General Simon; while Spoil-sport, running to them licked their hands.

      But the emotion was too much for Dagobert; and, when he had clasped the orphans in his arms, his head fell backward, and he would have sunk down altogether, but for the care of the peasants. In spite of the observations of the bailiff's wife, on their state of weakness and agitation, the two young girls insisted on accompanying Dagobert, who was carried fainting into an adjoining apartment.

      At sight of the soldier, Rodin's face was again violently contracted, for he had till then believed that the guide of General Simon's daughters was dead. The missionary, worn out with fatigue, was leaning upon a chair, and had not yet perceived Rodin.

      A new personage, a man with a dead yellow complexion, now entered

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