Memories, Portraits, Essays and Records - Robert Louis Stevenson

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of parlours and shades of manner and still-born niceties of motive, and begin to deal with fighting, sailoring, adventure, death or childbirth; and thus ancient outdoor crafts and occupations, whether Mr. Hardy wields the shepherd’s crook or Count Tolstoi swings the scythe, lift romance into a near neighbourhood with epic. These aged things have on them the dew of man’s morning; they lie near, not so much to us, the semi-artificial flowerets, as to the trunk and aboriginal taproot of the race. A thousand interests spring up in the process of the ages, and a thousand perish; that is now an eccentricity or a lost art which was once the fashion of an empire; and those only are perennial matters that rouse us to-day, and that roused men in all epochs of the past. There is a certain critic, not indeed of execution but of matter, whom I dare be known to set before the best: a certain low-browed, hairy gentleman, at first a percher in the fork of trees, next (as they relate) a dweller in caves, and whom I think I see squatting in cave-mouths, of a pleasant afternoon, to munch his berries—his wife, that accomplished lady, squatting by his side: his name I never heard, but he is often described as Probably Arboreal, which may serve for recognition. Each has his own tree of ancestors, but at the top of all sits Probably Arboreal; in all our veins there run some minims of his old, wild, tree-top blood; our civilised nerves still tingle with his rude terrors and pleasures; and to that which would have moved our common ancestor, all must obediently thrill.

      We have not so far to climb to come to shepherds; and it may be I had one for an ascendant who has largely moulded me. But yet I think I owe my taste for that hillside business rather to the art and interest of John Todd. He it was that made it live for me, as the artist can make all things live. It was through him the simple strategy of massing sheep upon a snowy evening, with its attendant scampering of earnest, shaggy aides-de-camp, was an affair that I never wearied of seeing, and that I never weary of recalling to mind: the shadow of the night darkening on the hills, inscrutable black blots of snow shower moving here and there like night already come, huddles of yellow sheep and dartings of black dogs upon the snow, a bitter air that took you by the throat, unearthly harpings of the wind along the moors; and for centre piece to all these features and influences, John winding up the brae, keeping his captain’s eye upon all sides, and breaking, ever and again, into a spasm of bellowing that seemed to make the evening bleaker. It is thus that I still see him in my mind’s eye, perched on a hump of the declivity not far from Halkerside, his staff in airy flourish, his great voice taking hold upon the hills and echoing terror to the lowlands; I, meanwhile, standing somewhat back, until the fit should be over, and, with a pinch of snuff, my friend relapse into his easy, even conversation.

      CHAPTER VII. THE MANSE

      I have named, among many rivers that make music in my memory, that dirty Water of Leith. Often and often I desire to look upon it again; and the choice of a point of view is easy to me. It should be at a certain water-door, embowered in shrubbery. The river is there dammed back for the service of the flour-mill just below, so that it lies deep and darkling, and the sand slopes into brown obscurity with a glint of gold; and it has but newly been recruited by the borrowings of the snuff-mill just above, and these, tumbling merrily in, shake the pool to its black heart, fill it with drowsy eddies, and set the curded froth of many other mills solemnly steering to and fro upon the surface. Or so it was when I was young; for change, and the masons, and the pruning-knife, have been busy; and if I could hope to repeat a cherished experience, it must be on many and impossible conditions. I must choose, as well as the point of view, a certain moment in my growth, so that the scale may be exaggerated, and the trees on the steep opposite side may seem to climb to heaven, and the sand by the water-door, where I am standing, seem as low as Styx. And I must choose the season also, so that the valley may be brimmed like a cup with sunshine and the songs of birds;—and the year of grace, so that when I turn to leave the riverside I may find the old manse and its inhabitants unchanged.

      It was a place in that time like no other: the garden cut into provinces by a great hedge of beech, and over-looked by the church and the terrace of the churchyard, where the tombstones were thick, and after nightfall “spunkies” might be seen to dance at least by children; flower-plots lying warm in sunshine; laurels and the great yew making elsewhere a pleasing horror of shade; the smell of water rising from all round, with an added tang of paper-mills; the sound of water everywhere, and the sound of mills—the wheel and the dam singing their alternate strain; the birds on every bush and from every corner of the overhanging woods pealing out their notes until the air throbbed with them; and in the midst of this, the manse. I see it, by the standard of my childish stature, as a great and roomy house. In truth, it was not so large as I supposed, nor yet so convenient, and, standing where it did, it is difficult to suppose that it was healthful. Yet a large family of stalwart sons and tall daughters were housed and reared, and came to man and womanhood in that nest of little chambers; so that the face of the earth was peppered with the children of the manse, and letters with outlandish stamps became familiar to the local postman, and the walls of the little chambers brightened with the wonders of the East. The dullest could see this was a house that had a pair of hands in divers foreign places: a well-beloved house—its image fondly dwelt on by many travellers.

      Here lived an ancestor of mine, who was a herd of men. I read him, judging with older criticism the report of childish observation, as a man of singular simplicity of nature; unemotional, and hating the display of what he felt; standing contented on the old ways; a lover of his life and innocent habits to the end. We children admired him: partly for his beautiful face and silver hair, for none more than children are concerned for beauty and, above all, for beauty in the old; partly for the solemn light in which we beheld him once a week, the observed of all observers, in the pulpit. But his strictness and distance, the effect, I now fancy, of old age, slow blood, and settled habit, oppressed us with a kind of terror. When not abroad, he sat much alone, writing sermons or letters to his scattered family in a dark and cold room with a library of bloodless books—or so they seemed in those days, although I have some of them now on my own shelves and like well enough to read them; and these lonely hours wrapped him in the greater gloom for our imaginations. But the study had a redeeming grace in many Indian pictures, gaudily coloured and dear to young eyes. I cannot depict (for I have no such passions now) the greed with which I beheld them; and when I was once sent in to say a psalm to my grandfather, I went, quaking indeed with fear, but at the same time glowing with hope that, if I said it well, he might reward me with an Indian picture.

      “Thy foot He’ll not let slide, nor will

       He slumber that thee keeps,”

      it ran: a strange conglomerate of the unpronounceable, a sad model to set in childhood before one who was himself to be a versifier, and a task in recitation that really merited reward. And I must suppose the old man thought so too, and was either touched or amused by the performance; for he took me in his arms with most unwonted tenderness, and kissed me, and gave me a little kindly sermon for my psalm; so that, for that day, we were clerk and parson. I was struck by this reception into so tender a surprise that I forgot my disappointment. And indeed the hope was one of those that childhood forges for a pastime, and with no design upon reality. Nothing was more unlikely than that my grandfather should strip himself of one of those pictures, love-gifts and reminders of his absent sons; nothing more unlikely than that he should bestow it upon me. He had no idea of spoiling children, leaving all that to my aunt; he had fared hard himself, and blubbered under the rod in the last century; and his ways were still Spartan for the young. The last word I heard upon his lips was in this Spartan key. He had over-walked in the teeth of an east wind, and was now near the end of his many days. He sat by the dining-room fire, with his white hair, pale face and bloodshot eyes, a somewhat awful figure; and my aunt had given him a dose of our good old Scotch medicine, Dr. Gregory’s powder. Now that remedy, as the work of a near kinsman of Rob Roy himself, may have a savour of romance for the imagination; but it comes uncouthly to the palate. The old gentleman had taken it with a wry face; and that being accomplished, sat with perfect simplicity, like a child’s, munching a “barley-sugar kiss.” But when my aunt, having the canister open in her hands, proposed to let me share in the sweets, he interfered at once. I had had no Gregory; then I should have no barley-sugar kiss: so he decided with a touch of irritation. And

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