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to think of you in London, instead of in your country home.

      “Our visit to Hurstmonceaux was thoroughly enjoyed by Mr. and Mrs. Pile.[21] For myself, I shall always feel such short visits produce such extreme tension of conflicting feelings that they are scarcely a pleasure. Most lovely was the drive for miles through Ashburnham beech and pine woods and by its old timber-yard. At Lime Cross we saw Mrs. Isted at her familiar window, and the dear woman sat there all the afternoon to have another glimpse on our return. We drove to the foot of the hill and walked up to the church. Our sacred spot looked most peaceful, its double hedge of fuchsia in full flower, and the turf as smooth as velvet. We had luncheon in the church porch, and then went to the castle, and back through the park uplands, high with fern, to Hurstmonceaux Place. How often, at Hurstmonceaux especially, I now feel the force of Wordsworth’s lines:

      ‘Thanks to the human heart by which we live,

       Thanks to its tenderness, its joys and fears,

       To me the meanest flower that blows can give

       Thoughts that do often lie too deep for tears.’ ”

      To Miss Wright.

      “Holmhurst, Sept. 6, 1872.—If my many guests of the last weeks have liked their visits, I have most entirely enjoyed having them and the pleasant influx of new life and new ideas. Dear old Mrs. Robert Hare is now very happy here, and most grateful for the very small kindness I am able to show. I have pressed her to make a long visit, as it is a real delight to give so much pleasure, though humbling to think that, when one can do it so easily, one does not do it oftener. She is quite stone-deaf, so we sit opposite one another and correspond on a slate.[22] On Tuesday I fetched Marcus Hare from Battle. He also is intensely happy here; but his aunts, the Miss Stanleys, have written to refuse to see him again or allow him to visit them, because he has been to see the author of the ‘Memorials.’ I took him to Hurstmonceaux yesterday, and lovely was the first flush of autumn on our dear woods, while the castle looked most grand in the solemn stillness of its misty hollow. Next week I shall have George Sheffield here.”

      enlarge-image FROM THE LIBRARY WINDOW, FORD. FROM THE LIBRARY WINDOW, FORD. [24]

      “Did you never hear the story of ‘La Jolie Jambe’? Well, then, I will tell it you. Robert, my brother-in-law, told me. He knew the old lady it was all about in Paris, and had very often gone to sit with her.

      “It was an old lady who lived at ‘le pavillon dans le jardin.’ The great house in the Faubourg was given up to the son, you know, and she lived in the pavillon. It was a very small house, only five or six rooms, and was magnificently furnished, for the old lady was very rich indeed, and had a great many jewels and other valuable things. She lived quite alone in the pavillon with her maid, but it was considered quite safe in that high-terraced garden, raised above everything else, and which could only be approached through the house.

      “However, one morning the old lady was found murdered, and all her jewels and valuables were gone. Of course suspicion fell upon the maid, for who else could it be? She was taken up and tried. The evidence was insufficient to convict her, and she was released, but every one believed her guilty. Of course she could get no other place, and she was so shunned and pointed at as a murderess that her life was a burden to her.

      “One day, eleven years after, the maid was walking down a street when she met a man, who, as she passed, looked suddenly at her and exclaimed, ‘Oh, la jolie jambe!’ She immediately rushed up to a sergeant-de-ville and exclaimed, ‘Arrêtez-moi cet homme.’ The man was confused and hesitated, but she continued in an agony, ‘Arrêtez-le, je vous dis: je l’accuse, je l’accuse du meurtre de ma maîtresse.’ Meanwhile the man had made off, but he was pursued and taken.

      “The maid said at the trial, that, on the night of the murder, the windows of the pavilion had been open down to the ground; that they were so when she was going to bed; that as she was getting into bed she sat for a minute on its edge to admire her legs, looked at them, patted one of them complacently, and exclaimed, ‘Oh, la jolie jambe!’

      “The man then confessed that while he had been hidden in the bushes of the garden waiting to commit his crime, he had seen the maid and heard her, and that, when he met her in the street, the scene and the words rushed back upon his mind so suddenly, that, as if under an irresistible impulse, his lips framed the words ‘Oh, la jolie jambe.’ The man was executed.”

      Lady Herbert also told us that—

      “Hogg, the Ettrick Shepherd, had a sheep-dog to which he was quite devoted, and which used to go out and collect his sheep. One day in winter a thick snow came on, and Hogg was in the greatest anxiety about his flocks. He called his dog and explained all the matter to him, telling him how he was going all round one side of the moors himself to drive in his sheep, and that he was to go the other way and collect. The dog understood perfectly. Late in the evening the Shepherd returned perfectly exhausted, bringing in his flock through the deep snow, but the dog had not come back. Hour after hour passed and the dog did not return. The Shepherd, who was devoted to his dog, was very anxious about it, when at last he heard a whining and scratching at the door, and going out, found the dog bringing all his sheep safe, and in its mouth a little puppy, which it laid at its master’s feet, and instantly darted off through the snow to seek another and bring it in. The poor thing had puppied in the snow, but would not on that account neglect one iota of its duty. It brought in its second puppy, laid it in its master’s lap, looked up wistfully in his face as if beseeching him to take care of it, and—died.”

      Lady Marion Alford is a real grande dame. Some one, Miss Mary Boyle, I think, wrote a little book called the “Court of Queen Marion,” descriptive of her and her intimate circle. At Ford she talked much of the pleasure of Azeglio’s Ricordi, how he was the first Italian writer who had got out of the ‘conciosiachè style,’ and she was delightful with her reminiscences of Italy:—

      “Once when I was spending the summer in Italy I wanted models, and I was told by an old general, a friend of mine, that I had better advertise, send up to the priests in the mountains, and tell them to send down all the prettiest children in their villages to be looked at: the lady wanted models; those she chose she should pay, the others should each have sixpence and a cake. I was told I had better prepare for a good many—perhaps a hundred might come. When the day came, I never shall forget our old servant’s face when he rushed in—‘Miladi, Miladi, the lane is full of them.’ There

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