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England, who should have performed the ceremony, was absent—in disgrace and a prisoner.

      Philip and Mary took their seats under a royal canopy, with an altar between them. The queen was surrounded by the ladies of her court; whose beauty, says an Italian writer, acquired additional lustre by contrast with the shadowy complexions of the south.[104] The aisles and spacious galleries were crowded with spectators of every degree, drawn together from the most distant quarters to witness the ceremony.

      The silence was broken by Figueroa, one of the imperial council, who read aloud an instrument of the emperor, Charles the Fifth. It stated that this marriage had been of his own seeking; and he was desirous that his beloved son should enter into it in a manner suitable to his own expectations and the dignity of his illustrious consort. He therefore resigned to him his entire right and sovereignty over the kingdom of Naples and the duchy of Milan. The rank of the parties would thus be equal, and Mary, instead of giving her hand to a subject, would wed a sovereign like herself.

      Some embarrassment occurred as to the person who should give the queen away—a part of the ceremony not provided for. After a brief conference, it was removed by the marquis of Winchester and the earls of Pembroke and Derby, who took it on themselves to give her away in the name of the whole realm; at which the multitude raised a shout that made the old walls of the cathedral ring again. The marriage service was then concluded by the bishop of Winchester. Philip and Mary resumed their seats, and mass was performed, when the bridegroom, rising, gave his consort the "kiss of peace," according to the custom of the time. The whole ceremony occupied nearly four hours. At the close of it Philip, taking Mary by the hand, led her from the church. The royal couple were followed by the long train of prelates and nobles, and were preceded by the earls of Pembroke and Derby, each bearing aloft a naked sword, the symbol of sovereignty. The effect of the spectacle was heightened by the various costumes of the two nations—the richly-tinted and picturesque dresses of the Spaniards, and the solid magnificence of the English and Flemings, mingling together in gay confusion. The glittering procession moved slowly on, to the blithe sounds of festal music, while the air was rent with the loyal acclamations of the populace, delighted, as usual, with the splendor of the pageant.

      In the great hall of the episcopal palace, a sumptuous banquet was prepared for the whole company. At one end of the apartment was a dais, on which, under a superb canopy, a table was set for the king and queen; and a third seat was added for Bishop Gardiner, the only one of the great lords who was admitted to the distinction of dining with royalty.

      Below the dais, the tables were set on either side through the whole length of the hall, for the English and Spanish nobles, all arranged—a perilous point of etiquette—with due regard to their relative rank. The royal table was covered with dishes of gold. A spacious beaufet, rising to the height of eight stages, or shelves, and filled with a profusion of gold and silver vessels, somewhat ostentatiously displayed the magnificence of the prelate, or of his sovereign. Yet this ostentation was rather Spanish than English; and was one of the forms in which the Castilian grandee loved to display his opulence.[105]

      At the bottom of the hall was an orchestra, occupied by a band of excellent performers, who enlivened the repast by their music. But the most interesting part of the show was that of the Winchester boys, some of whom were permitted to enter the presence, and recite in Latin their epithalamiums in honor of the royal nuptials, for which they received a handsome guerdon from the queen.

      ROYAL ENTERTAINMENTS.

      After the banquet came the ball, at which, if we are to take an old English authority, "the Spaniards were greatly out of countenance when they saw the English so far excel them."[106] This seems somewhat strange, considering that dancing is, and always has been, the national pastime of Spain. Dancing is to the Spaniard what music is to the Italian—the very condition of his social existence.[107] It did not continue late on the present occasion, and, at the temperate hour of nine, the bridal festivities closed for the evening.[108]

      Philip and Mary passed a few days in this merry way of life, at Winchester, whence they removed, with their court, to Windsor. Here a chapter of the order of the Garter was held, for the purpose of installing King Philip. The herald, on this occasion, ventured to take down the arms of England, and substitute those of Spain, in honor of the new sovereign—an act of deference which roused the indignation of the English lords, who straightway compelled the functionary to restore the national escutcheon to its proper place.[109]

      On the twenty-eighth of August, Philip and Mary made their public entry into London. They rode in on horseback, passing through the borough of Southwark, across London Bridge. Every preparation was made by the loyal citizens to give them a suitable reception. The columns of the buildings were festooned with flowers, triumphal arches spanned the streets, the walls were hung with pictures or emblazoned with legends in commemoration of the illustrious pair, and a genealogy was traced for Philip, setting forth his descent from John of Gaunt—making him out, in short, as much of an Englishman as possible.

      Among the paintings was one in which Henry the Eighth was seen holding in his hand a Bible. This device gave great scandal to the chancellor, Gardiner, who called the painter sundry hard names, rating him roundly for putting into King Harry's hand the sacred volume, which should rather have been given to his daughter, Queen Mary, for her zeal to restore the primitive worship of the Church. The unlucky artist lost no time in repairing his error by brushing out the offending volume, and did it so effectually, that he brushed out the royal fingers with it, leaving the old monarch's mutilated stump held up, like some poor mendicant's, to excite the compassion of the spectators.[110]

      But the sight which, more than all these pageants, gave joy to the hearts of the Londoners, was an immense quantity of bullion, which Philip caused to be paraded through the city on its way to the Tower, where it was deposited in the royal treasury. The quantity was said to be so great, that, on one occasion, the chests containing it filled twenty carts. On another, two wagons were so heavily laden with the precious metal as to require to be drawn by nearly a hundred horses.[111] The good people, who had looked to the coming of the Spaniards as that of a swarm of locusts which was to consume their substance, were greatly pleased to see their exhausted coffers so well replenished from the American mines.

      From London the royal pair proceeded to the shady solitudes of Hampton Court, and Philip, weary of the mummeries in which he had been compelled to take part, availed himself of the indisposition of his wife to indulge in that retirement and repose which were more congenial to his taste. This way of life in his pleasant retreat, however, does not appear to have been so well suited to the taste of his English subjects. At least, an old chronicler peevishly complains that "the hall-door within the court was continually shut, so that no man might enter unless his errand were first known; which seemed strange to Englishmen that had not been used thereto."[112]

      Yet Philip, although his apprehensions for his safety had doubtless subsided, was wise enough to affect the same conciliatory manners as on his first landing—and not altogether in vain. "He discovered," says the Venetian ambassador, in his report to the senate, "none of that sosiego—the haughty indifference of the Spaniards—which distinguished him when he first left home for Italy and Flanders.[113] He was, indeed, as accessible as any one could desire, and gave patient audience to all who asked it. He was solicitous," continues Micheli, "to instruct himself in affairs, and showed a taste for application to business,"—which, it may be added, grew stronger with years. "He spoke little. But his remarks, though brief, were pertinent. In short," he concludes, "he is a prince of an excellent genius, a lively apprehension, and a judgment ripe beyond his age."

      Philip's love of business, however, was not such as to lead him to take part prematurely in the management of affairs. He discreetly left this to the queen and her ministers, to whose judgment he affected to pay the greatest deference. He particularly avoided all appearance of an attempt to interfere with the administration of justice, unless it were to obtain some act of grace. Such interference only served to gain him the more credit with the people.[114]

      PHILIP'S INFLUENCE.

      That he gained largely on their good-will may be inferred from the casual remarks of more than one contemporary writer. They bear emphatic testimony to the affability of his manners,

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