Emily Brontë - A. Mary F. Robinson

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shall never see it; for—and it is by this that most of us remember her—suddenly and silently she died.

      She died, before a single word of worthy praise had reached her. She died with her work misunderstood and neglected. And yet not unhappy. For her home on the moors was very dear to her, the least and homeliest duties pleasant; she loved her sisters with devoted friendship, and she had many little happinesses in her patient, cheerful, unselfish life. Would that I could show her as she was!—not the austere and violent poetess who, cuckoo-fashion, has usurped her place; but brave to fate and timid of man; stern to herself, forbearing to all weak and erring things; silent, yet sometimes sparkling with happy sallies. For to represent her as she was would be her noblest and most fitting monument.

       Table of Contents

       Table of Contents

      Emily Brontë was born of parents without any peculiar talent for literature. It is true that her mother's letters are precisely and prettily written. It is true that her father published a few tracts and religious poems. But in neither case is there any vestige of literary or poetical endowment. Few, indeed, are the Parish Magazines which could not show among their contents poems and articles greatly superior to the weak and characterless effusions of the father of the Brontës. The fact seems important; because in this case not one member of a family, but a whole family, is endowed in more or less degree with faculties not derived from either parent.

      For children may inherit genius from parents who are themselves not gifted, as two streaming currents of air unite to form a liquid with properties different from either; and never is biography more valuable than when it allows us to perceive by what combination of allied qualities, friction of opposing temperaments, recurrence of ancestral traits, the subtle thing we call character is determined. In this case, since, as I have said, the whole family manifested a brilliance not to be found in either parent, such a study would be peculiarly interesting. But, unfortunately, the history of the children's father and the constitution of the children's mother is all that is clear to our investigation.

      Yet even out of this very short pedigree two important factors of genius declare themselves—two potent and shaping inheritances. From their father, Currer, Ellis, and Acton derived a strong will. From their mother, the disease that slew Emily and Anne in the prime of their youth and made Charlotte always delicate and ailing. In both cases the boy, Patrick Branwell, was very slightly affected; but he too died young, from excesses that suggest a taint of insanity in his constitution.

      Insanity and genius stand on either side consumption, its worse and better angels. Let none call it impious or absurd to rank the greatest gift to mankind as the occasional result of an inherited tendency to tubercular disease. There are of course very many other determining causes; yet is it certain that inherited scrofula or phthisis may come out, not in these diseases, or not only in these diseases, but in an alteration, for better or for worse, of the condition of the mind. Out of evil good may come, or a worse evil.

      The children's father was a nervous, irritable and violent man, who endowed them with a nervous organisation easily disturbed and an indomitable force of volition. The girls, at least, showed both these characteristics. Patrick Branwell must have been a weaker, more brilliant, more violent, less tenacious, less upright copy of his father; and seems to have suffered no modification from the patient and steadfast moral nature of his mother. She was the model that her daughters copied, in different degrees, both in character and health. Passion and will their father gave them. Their genius came directly from neither parent; but from the constitution of their natures.

      In addition, on both sides, the children got a Celtic strain; and this is a matter of significance, meaning a predisposition to the superstition, imagination and horror that is a strand in all their work. Their mother, Maria Branwell, was of a good middle-class Cornish family, long established as merchants in Penzance. Their father was the son of an Irish peasant, Hugh Prunty, settled in the north of Ireland, but native to the south.

      The history of the Rev. Patrick Brontë, B.A. (whose fine Greek name, shortened from the ancient Irish appellation of Bronterre, was so naïvely admired by his children), is itself a remarkable and interesting story.

      The Reverend Patrick Brontë was one of the ten children of a peasant proprietor at Ahaderg in county Down. The family to which he belonged inherited strength, good looks, and a few scant acres of potato-growing soil. They must have been very poor, those ten children, often hungry, cold and wet; but these adverse influences only seemed to brace the sinews of Patrick Prunty and to nerve his determination to rise above his surroundings. He grew up a tall and strong young fellow, unusually handsome with a well-shaped head, regular profile and fine blue eyes. A vivacious impressible manner effectually masked a certain selfishness and rigour of temperament which became plain in after years. He seemed a generous, quick, impulsive lad. When he was sixteen years of age Patrick left his father's roof resolved to earn a position for himself. At Drumgooland, a neighbouring hamlet, he opened what is called in Ireland a public school; a sort of hedge-school for village children. He stuck to his trade for five or six years, using his leisure to perfect himself in general knowledge, mathematics, and a smattering of Greek and Latin.

      His efforts deserved to be crowned with success. The Rev. Mr. Tighe, the clergyman of the parish, was so struck with Patrick Prunty's determination and ability that he advised him to try for admittance at one of the English universities; and when the young man was about five-and-twenty he went, with Mr. Tighe's help, to Cambridge, and entered at St. John's.

      He left Ireland in July, 1802, never to visit it again. He never cared to look again on the scenes of his early struggle. He never found the means to revisit mother or home, friends or country. Between Patrick Brontë, proud of his Greek profile and his Greek name, the handsome undergraduate at St. John's, and the nine shoeless, hungry young Pruntys of Ahaderg, there stretched a distance not to be measured by miles. Under his warm and passionate exterior a fixed resolution to get on in the world was hidden; but, though cold, the young man was just and self-denying, and as long as his mother lived she received twenty pounds a year, spared with difficulty from his narrow income.

      Patrick Brontë stayed four years at Cambridge; when he left he had dropped his Irish accent and taken his B.A. On leaving St. John's he was ordained to a curacy in Essex.

      The young man's energy, of the sort that only toils to reach a given personal end, had carried him far on the way to success. At twenty hedge-schoolmaster at Drumgooland, Patrick Brontë was at thirty a respectable clergyman of the Church of England, with an assured position and respectable clerical acquaintance. He was getting very near the goal.

      He did not stay long in Essex. A better curacy was offered to him at Hartshead, a little village between Huddersfield and Halifax in Yorkshire. While he was at Hartshead the handsome inflammable Irish curate met Maria Branwell at her uncle's parsonage near Leeds. It was not the first time that Patrick Brontë had fallen in love; people in the neighbourhood used to smile at his facility for adoration, and thought it of a piece with his enthusiastic character. They were quite right; in his strange nature the violence and the coldness were equally genuine, both being a means to gratify some personal ambition, desire, or indolence. It is not an uncommon Irish type; self-important, upright, honourable, yet with a bent towards subtlety: abstemious in habit, but with freaks of violent self-indulgence; courteous and impulsive towards strangers, though cold to members of the household; naturally violent, and often assuming violence as an instrument of authority; selfish and dutiful; passionate, and devoid of intense affection.

      Miss Branwell was precisely the little person with whom it was natural that such a man, a self-made man, should fall in love. She was very small, quiet and gentle, not exactly pretty, but elegant and ladylike. She was, indeed, a well-educated young lady of good connections; a very Phœnix she must have seemed in the eyes of a lover conscious of a background of Pruntyism

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