ТОП просматриваемых книг сайта:
Celebrated Women Travellers of the Nineteenth Century. W. H. Davenport Adams
Читать онлайн.Название Celebrated Women Travellers of the Nineteenth Century
Год выпуска 0
isbn 4057664596475
Автор произведения W. H. Davenport Adams
Жанр Языкознание
Издательство Bookwire
"We were now," writes Madame de Hell, "in an enchanted region, though but just beyond the verge of the steppes. The faint lines that chequered the sky gradually assumed a greater distinctness of form and colour; at first the mountains seemed so many light, transparent vapours, floating upon the wind; but by degrees the airy vision developed into forest-crowned mountains, deep shadowy gorges, and domes clothed with mists. Our minds were almost overwhelmed with a multitude of emotions, excited by the prodigal nature before us, the magnificent vegetation, and the various hues of forest and mountain, peak, crag, ravine, and snowy summits. It was beautiful, superbly beautiful, and then it was the Caucasus! The Caucasus—a name associated with so many grand historic memories, with the earliest traditions and most fabulous creeds—the abode, in the world's grey morning, of the races whence have sprung so many famous nations. Around it hangs all the vague poetry of the ages, visible only to the imagination through the mysterious veil of antiquity."
At Georgief they rested on the threshold of the Caucasus. Thence they proceeded to Piatigorsk, celebrated for its mineral waters. On the road they fell in with a troop of Circassians. "I shall never forget," says Madame de Hell, "the glances which they flung on our Cossacks as they passed by, though it was only in looks they durst manifest the hatred that seethed in their hearts against everything Russian. They were all fully armed. Beneath their black bourkas glittered the sheen of their pistols and their damasked poniards. I confess their appearance pleased me most when they were just vanishing from sight on the summit of a hill, where their martial figures were outlined against the sky. Seeing them through the mist, I began to think of Ossian's heroes."
Piatigorsk is not so much a town as a pleasant cluster of country-houses, inhabited for some months of the year by a rich aristocracy. All about it is gay and pretty, and everywhere are those signs of affluence which the Russian nobles love to see around them. Nothing offends the eye; nothing touches the heart; there are no poor, no squalid huts, no indication of the wretchedness of poverty. It is a terrestrial Elysium, where great ladies and princes, courtiers and generals, look out upon none but agreeable images, selected from all that is charming in art and nature. Thermal springs are found on most of the surrounding heights, and the works that afford access to them do credit to the skill of the Russian engineers and the liberality of the Russian government. On one of the loftiest peaks rises an octagonal building, consisting of a cupola resting upon slender shapely columns, which are encircled at their base by a graceful balustrade. The interior, open on all sides, contains an Æolian harp, the melancholy notes of which, blending with all the mountain echoes, descend softly to the valley.
The route of our travellers, after quitting Piatigorsk, lay along the broad deep valley of the Pod Kouwa, which, on the right, is bounded by rocks piled one upon another, like billows suddenly petrified, and bearing witness to some great upheaval in the past; on the left, tier after tier of richly wooded mountains rise gradually to the majestic chain of the Kazbek. Eventually the road leaves the valley, at a point where it has become very narrow, and traverses a long sinuous ledge, parallel with the course of the torrent, until it begins to enter the mountains. Here the miry soil through which their horses had laboured with much difficulty, and the grey sky, and the moist atmosphere that had hitherto accompanied them, were at once exchanged for a dry air, cold, dust, and sunshine. This sudden contrast is a phenomenon peculiar to elevated regions.
Madame de Hell was strongly impressed by the wild picturesque character of the scenery of this part of the Caucasus. At certain intervals, conical mounds of earth, about sixty feet high, stood conspicuous—watch towers, where sentinels are stationed day and night. Their outlines, sharply marked against the sky, produce a curious and striking effect amidst the profound solitude. The sight of these Cossacks, with muskets shouldered, pacing up and down the small platform on the summit of each eminence, conveyed to the spectator's mind a knowledge of the rapid advance which Russian civilization had made into this remote region.
It was mid-October, but vegetation still retained its freshness. The steep mountain sides were covered with rich greenswards, which afforded abundant pasture for the scattered flocks of goats. Their keepers, clothed in sheepskins, and carrying, instead of the traditional crook, long guns slung across their shoulders, with two or three powder and ball cases at their waists, seemed in strange contrast to the pastoral sentiment of the landscape. Gigantic eagles, roused from their eyries, swept with heavy wing from crag to crag, the monarchs of these solitudes. Here our travellers really looked out upon those features of the Caspian wilderness on which their imaginations had so often dwelt.
Of the Circassian inhabitants of this mountain region, before they were completely subjugated by the despotism of the white Czar, Madame de Hell furnishes a graphic account. Bred amid the sights and sounds of war they went always well armed, carrying a rifle, a sabre, a long dagger, which they wore in front, and a pistol in the belt. Their picturesque costume consisted of tight pantaloons, and a short tunic, which was belted round the waist, and had cartridge pockets worked on the breast; a round laced cap, encircled with a black or white border of long-wooled sheepskin, formed their head-gear. In cold or rainy weather, they wore a bashlik, or hood, and a bourka, or cloak, of impervious felt. They were bold and skilful riders, and their horses, though small, were remarkable for spirit and endurance. It is well known that a Circassian horseman would cover twenty-five or even thirty leagues of ground in a night. When pursued by the Russians, they would leap the most rapid torrents. If their steeds were young, and unaccustomed to such perilous exploits, they would gallop them up to the brink of the ravine, cover the head with their bourkas, and then dash, almost always without mishap, down precipices from twenty to fifty feet in depth.
It is unnecessary to dwell on their address in the use of fire-arms and of their two-edged daggers. Armed only with the latter weapon, they were often known, during their long and heroic struggle for independence, to leap their horses over the Muscovite bayonets, stab the soldiers, and break up and put to flight their serried battalions. When surrounded in their forts or villages, and shut out from all hope of escape, they frequently sacrificed their wives and children—like the Jews in the last agonies of their war with Rome—set fire to their dwellings, and perished heroically in the flames. With true Oriental devotedness they stand by their dead and wounded to the last extremity, and fight with the most dogged courage to prevent them from falling into the hands of the enemy.
Madame de Hell is not disposed to endorse the reputation for beauty which so many writers have agreed in bestowing upon the Circassian women. She considers them even inferior, physically, to the men. "It is true," she says, "we were unable to visit any of the great centres of population, or to travel amongst the independent tribes, but we saw several aouls on the banks of the Kouban, and were entertained in a princely family, and nowhere did we meet with any of those surpassing beauties whom more fortunate travellers have celebrated." What she did observe in those daughters of the mountains was the elegance of their shape and the natural grace of their movements. A Circassian woman is never awkward. Dressed in rags or in brocade, she never fails to assume, spontaneously and without thought of display, the most graceful and picturesque attitudes. "In this respect," says Madame de Hell, "she is unquestionably superior to the highest efforts of fascination which Parisian art can achieve."
A visit to the family of a Circassian prince "at home" is thus narrated by our travellers:
The dwelling was a wretched mud hut, in front of which, on a mat, lay the prince in his shirt, and barefooted. He received his visitors very