William Wycherley [Four Plays] - William Wycherley

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judge of Wycherley by him: they have the same manly way of Thinking and Writing, the same Candour, Modesty, Humanity, and Integrity of Manners: It is impossible not to love them for their own Sakes, abstracted from the Merit of their Works." In conclusion Lansdowne invites his correspondent to his lodging, to meet Wycherley, as well as "a young Poet, newly inspired," whose "Name is Pope," who "is not above seventeen or eighteen years of age, and promises Miracles," and whom Wycherley and Walsh "have taken under their Wing."

      The foregoing testimonies are, I venture to think, sufficiently explicit. Johnson, indeed, supposes Wycherley to have been "esteemed without virtue, and caressed without good-humour," but a statement so obviously self-contradictory deserves no consideration. One thing is clear: that Wycherley was both beloved and honoured by men whose temper and capacity give irrefragable authority to their judgment, and that judgment, based, as it was upon personal and intimate acquaintance, it were presumption to dispute.

      The present text is that of the first editions, which I have carefully collated with, and occasionally corrected by, the text of the edition of 1713 (the last published during the author's life), and that of Leigh Hunt's edition of 1849. I have usually followed the punctuation of Leigh Hunt, who was the first to punctuate the plays accurately.

      Wm. C. Ward.

      WILLIAM WYCHERLEY.[7]

      William Wycherley was born in 1640. He was the son of a Shropshire gentleman of old family,[8] and of what was then accounted a good estate. The property was estimated at £600 a year, a fortune which, among the fortunes at that time, probably ranked as a fortune of £2,000 a year would rank in our days.

      William was an infant when the civil war broke out; and, while he was still in his rudiments, a Presbyterian hierarchy and a republican government were established on the ruins of the ancient church and throne. Old Mr. Wycherley was attached to the royal cause, and was not disposed to intrust the education of his heir to the solemn Puritans who now ruled the universities and the public schools. Accordingly, the young gentleman was sent at fifteen to France. He resided some time in the neighbourhood of the Duke of Montausier, chief of one of the noblest families of Touraine. The Duke's wife, a daughter of the house of Rambouillet, was a finished specimen of those talents and accomplishments for which her house was celebrated. The young foreigner was introduced to the splendid circle which surrounded the duchess, and there he appears to have learned some good and some evil. In a few years he returned to this country a fine gentleman and a Papist. His conversion, it may safely be affirmed, was the effect not of any strong impression on his understanding or feelings, but partly of intercourse with an agreeable society in which the Church of Rome was the fashion, and partly of that aversion to Calvinistic austerities which was then almost universal amongst young Englishmen of parts and spirit, and which, at one time, seemed likely to make one half of them Catholics and the other half Atheists.

      But the Restoration came. The universities were again in loyal hands, and there was reason to hope that there would be again a national church fit for a gentleman. Wycherley became a member of Queen's College, Oxford, and abjured the errors of the Church of Rome. The somewhat equivocal glory of turning, for a short time, a good-for-nothing Papist into a very good-for-nothing Protestant is ascribed to Bishop Barlow.

      Wycherley left Oxford without taking a degree, and entered at the Temple, where he lived gaily for some years, observing the humours of the town, enjoying its pleasures and picking up just as much law as was necessary to make the character of a pettifogging attorney or of a litigious client entertaining in a comedy.

      From an early age, he had been in the habit of amusing himself by writing. Some wretched lines of his on the Restoration are still extant. Had he devoted himself to the making of verses, he would have been nearly as far below Tate and Blackmore as Tate and Blackmore are below Dryden. His only chance for renown would have been that he might have occupied a niche in a satire between Flecknoe and Settle. There was, however, another kind of composition in which his talents and acquirements qualified him to succeed; and to that he judiciously betook himself.

      In his old age he used to say that he wrote Love in a Wood at nineteen, The Gentleman Dancing-Master at twenty-one, the Plain Dealer at twenty-five, and The Country Wife at one or two and thirty. We are incredulous, we own, as to the truth of this story. Nothing that we know of Wycherley leads us to think him incapable of sacrificing truth to vanity. And his memory in the decline of his life played him such strange tricks that we might question the correctness of his assertion without throwing any imputation on his veracity. It is certain that none of his plays was acted till 1672,[9] when he gave Love in a Wood to the public. It seems improbable that he should resolve, on so important an occasion as that of a first appearance before the world, to run his chance with a feeble piece, written before his talents were ripe, before his style was formed, before he had looked abroad into the world; and this when he had actually in his desk two highly finished plays, the fruit of his matured powers. When we look minutely at the pieces themselves, we find in every part of them reason to suspect the accuracy of Wycherley's statement. In the first scene of Love in a Wood, to go no further, we find many passages which he could not have written when he was nineteen. There is an allusion to gentlemen's periwigs, which first came into fashion in 1663; an allusion to guineas, which were first struck in 1663; an allusion to the vests which Charles ordered to be worn at court in 1666; an allusion to the fire of 1666; and several allusions to political and ecclesiastical affairs which must be assigned to times later than the year of the Restoration—to times when the government and the city were opposed to each other, and when the Presbyterian ministers had been driven from the parish churches to the conventicles. But it is needless to dwell on particular expressions. The whole air and spirit of the piece belong to a period subsequent to that mentioned by Wycherley. As to The Plain Dealer, which is said to have been written when he was twenty-five, it contains one scene unquestionably written after 1675, several which are later than 1668, and scarcely a line which can have been composed before the end of 1666.

      Whatever may have been the age at which Wycherley composed his plays, it is certain that he did not bring them before the public till he was upwards of thirty. In 1672, Love in a Wood was acted with more success than it deserved, and this event produced a great change in the fortunes of the author. The Duchess of Cleveland cast her eyes upon him and was pleased with his appearance. This abandoned woman, not content with her complaisant husband and her royal keeper, lavished her fondness on a crowd of paramours of all ranks, from dukes to rope-dancers. In the time of the Commonwealth she commenced her career of gallantry, and terminated it under Anne, by marrying, when a great grandmother, that worthless fop, Beau Fielding. It is not strange that she should have regarded Wycherley with favour. His figure was commanding, his countenance strikingly handsome, his look and deportment full of grace and dignity. He had, as Pope said long after, "the true nobleman look," the look which seems to indicate superiority, and a not unbecoming consciousness of superiority. His hair indeed, as he says in one of his poems, was prematurely grey. But in that age of periwigs this misfortune was of little importance.

      The Duchess admired him, and proceeded to make love to him after the fashion of the coarse-minded and shameless circle to which she belonged. In the Ring, when the crowd of beauties and fine gentlemen was thickest, she put her head out of her coach-window and bawled to him—"Sir, you are a rascal; you are a villain;" and, if she is not belied, she added another phrase of abuse which we will not quote, but of which we may say that it might most justly have been applied to her own children. Wycherley called on her Grace the next day, and with great humility[Pg xxviii] begged to know in what way he had been so unfortunate as to disoblige her.[10] Thus began an intimacy from which the poet probably expected wealth and honours. Nor were such expectations unreasonable. A handsome young fellow about the court, known by the name of Jack Churchill was, about the same time, so lucky as to become the object of a short-lived fancy of the Duchess. She had presented him with £4,500, the price, in all probability, of some title or some pardon. The prudent youth had lent the money on high interest and on landed security; and this judicious investment was the beginning of the most splendid private fortune in Europe. Wycherley was not so lucky. The partiality with which the great lady regarded him was indeed the talk of the whole town; and, sixty years later, old men who remembered those days told Voltaire that she often stole from

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