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What clay remains to mould the face of Brutus?

       Do you not see a straining of the stuff,

       Making that big and salient which should be

       Little and hidden in a group of figures?

       And why, I ask? Here is the irony:

       Shakespeare has minted Plutarch, stamped the coin

       With the face of Brutus. It’s his inner genius,

       The very flavor of his genius’ flesh

       To do this thing. Here is a world that’s mad,

       A Cæsar mad with power, a Brutus madder,

       Being a dreamer, student, patriot

       Who can’t see things as clearly as the madman

       Cæsar sees them, Brutus sees through books.

       A mad-man butchered by a man more mad.

       His father mad before him. Why, it’s true

       That every one is mad, because the world

       Cannot be solved. Why are we here and why

       This agony of being? Why these tasks

       Imposed upon us never done, which drive

       Our souls to desperation. So to print

       The tragedy of life, our Shakespeare takes,

       And by the taking shows he deems the theme

       Greater than Cæsar’s greatness: human will,

       A dream, a hope, a love, and makes them big.

       Strains all the clay to that around a form

       Too weak to hold the moulded stuff in place.

       Thus from his genius fashioning the tales

       Of human life he passes judgment on

       The mystery of life. Which could he do

       By making Cæsar great, and would it be

       So bitter and so hopeless if he did,

       So adequate to curse this life of ours?

       Why make a man as great as Nature can

       The gods will raise a manakin to kill him,

       And over-turn the order that he founds.

       A grape seed strangles Sophocles, a turtle

       Falls from an eagle’s claws on Aeschylos,

       And cracks his shiny pate.

      So at the last

       The question is, is history the truth,

       Or is the Shakespeare genius, which arranges

       History to speak the Shakespeare mood,

       Reaction to our life, the truth?

      And here

       I leave you to reflect. Let’s one more ale

       And then I go.

       (The Revolutionary Tribunal; July 17th, 1793)

       Table of Contents

      Montané, Presiding judge. Fouquer-Tinville, Prosecutor. Chaveau-lagarde, Defending counsel. Danton,} Leaders of the Jacobins. Robespierre,} Madam Evard, Marat’s friend. Charlotte Corday.

      Montané

      Where is your home?

      Charlotte

       Caen.

      Montané

      Why did you come to Paris?

      Charlotte

      To kill Marat.

      Montané

      Why?

      Charlotte

      His crimes.

      Montané

      What crimes?

      Charlotte

      The woes of France! His readiness to fire

       All France with civil war.

      Montané

      You meant to kill

       When you struck?

      Charlotte

      Yes! I meant to kill.

      Montané

      How old are you?

      Charlotte

      Twenty-four.

      Montané

      A woman

       Young as you are could not have done this murder

       Unless abetted.

      Charlotte

      No! You little know

       The human heart. The hatred of one’s heart

       Impels the hand better than other’s hate.

      Montané

      You hated Marat?

      Charlotte

      Hated! I did not kill

       A man, I killed a wild beast eating up

       The people and the nation.

      Fouquer-Tinville

      She’s familiar

       With crime, no doubt.

      Charlotte

      You monster! Do you take me

       For just a common murderer?

      Fouquer-Tinville

      Yes! Why not?

       Here is your knife!

      Charlotte

      Oh! Yes, I recognize it.

       I bought it at the cutler’s shop.

      Montané

      What for?

      Charlotte

      To kill Marat with; cost me forty sous.

       After I came to Paris—

      Fouquer-Tinville

      When?

      Charlotte

      Four days ago.

      Fouquer-Tinville

      That was the day you wrote Marat?

      Charlotte

      Same day.

      Fouquer-Tinville

      Saying you knew of news in Caen, knew

       Means by the which Marat could render service

       To the Republic!

      Charlotte

      By his death!

      Fouquer-Tinville

      But yet

       You gave him credit in this note for love

       Of France, our France. You tricked him.

      Charlotte

      Like a viper.

       He was a mad-dog, dog-leech, alley rat,

       With bits of carrion festering ’twixt his teeth,

       Hair glued with ordure, urine. Why not trick

       By best means, so to catch a beast with fangs

      

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