Stories of King Arthur and His Knights - Sir Thomas Malory

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century, Walter Map worked the same stories over into French prose, and at the same time put so much of his own knowledge and imagination with them, that we may almost say that he was the maker of the Arthur romances.

      Soon after the year twelve hundred—a half century after Geoffrey of Monmouth first set our English ancestors to thinking about the legendary old hero of the times of the Anglo-Saxon conquest—Layamon, parish priest of Ernly, in Worcestershire, gave to the English language (as distinct from the earlier Anglo-Saxon) his poem "Brut." This was a translation and enlargement of Wace's old French poem having Arthur as hero. So these stories of King Arthur, of Welsh or Celtic origin, came through the Latin, and then through French verse and prose, into our own speech, and so began their career down the centuries of our more modern history.

      After giving ideas to generation after generation of romance writers of many countries and in many languages, these same romantic stories were, in the fifteenth century, skilfully brought together into one connected prose narrative—one of the choicest of the older English classics, "Le Morte Darthur," by Sir Thomas Malory. Those were troublous times when Sir Thomas, perhaps after having himself fought and suffered in the Wars of the Roses then in progress, found some quiet spot in Warwickshire in which to put together in lasting form the fine old stories that already in his day were classics.

      Malory finished his book in 1470, and its permanence for all time was assured fifteen years later, when Caxton, after the "symple connynge" that God had sent him (to use the quaint forms of expression then common), "under the favour and correctyon of al noble lordes and gentylmen emprysed to emprynte a book of the noble hystoryes of the sayd Kynge Arthur and of certeyn of his knyghtes after a copye unto him delyuerd whyche copye Syr Thomas Malorye dyd take oute of certeyn bookes of Frensche and reduced it in to Englysche." This hard-headed business man—this fifteenth-century publisher—was rather doubtful about the Briton king of a thousand years before his day, and to those urging upon him the venture of printing Malory's book he answered: "Dyuers men holde oppynyon that there was no suche Arthur and that alle suche bookes as been maad of hym ben fayned and fables by cause that somme cronycles make of him no mencyon ne remember him noo thynge ne of his knyghtes."

      But the arguments of those in favour of the undertaking prevailed, greatly to the advantage of the four centuries that have followed, during which "Le Morte Darthur" has been a constant source of poetic inspiration. Generation after generation of readers and of writers have drawn life from its chapters, and the new delight in Tennyson's "Idylls of the King," almost of our own time, shows that the fountain has not yet been drained dry.

      Malory's "Morte Darthur" is a long book, and its really great interest is partly hidden from us by forms of expression that belong only to the time when it was first written. Besides this, the ideas of what was right and proper in conduct and speech—moral standards—were far lower in Malory's day than they are now.

      The purpose of this new little volume is to bring the old tales freshly to the attention of young people of the present time. It keeps, as far as may be, the exact language and the spirit of the original, chooses such stories as best represent the whole, and modifies these only in order to remove what could possibly hide the thought, or be so crude in taste and morals as to seem unworthy of the really high-minded author of five hundred years ago. It aims also so to condense the book that, in this age of hurry, readers may not be repelled from the tales merely because of their length.

      Chivalry of just King Arthur's kind was given up long ago, but that for which it stood—human fellowship in noble purpose—is far older than the institution of knighthood or than even the traditions of the energetic, brave, true, helpful King Arthur himself. It links us with all the past and all the future. The knights of the twentieth century do not set out in chain-armour to right the wrongs of the oppressed by force of arms, but the best influences of chivalry have been preserved for the quickening of a broader and a nobler world than was ever in the dreams of knight-errant of old. Modern heroes of the genuine type owe more than they know to those of Arthur's court who swore:

      "To reverence the King, as if he were

       Their conscience, and their conscience as their King,

       To break the heathen and uphold the Christ,

       To ride abroad redressing human wrongs,

       To speak no slander, no, nor listen to it,

       To honour his own word as if his God's,

       To lead sweet lives in purest chastity,

       To love one maiden only, cleave to her,

       And worship her by years of noble deeds,

       Until they won her."

      "Antiquity produced heroes, but not gentlemen," someone has said. In the days of Charlemagne and Alfred began the training which, continued in the days of Chaucer and Sir Thomas Malory and many, many more, has given to this our age that highest type of manhood, the Christian gentleman.

      U. W. C.

       Table of Contents

       Table of Contents

       Table of Contents

      It befell in the days of Uther Pendragon, when he was king of all England, that there was a mighty duke in Cornwall that held war against him a long time. And the duke was named the Duke of Tintagil. Ten miles away from his castle, called Terrabil, there was, in the castle Tintagil, Igraine of Cornwall, that King Uther liked and loved well, for she was a good and fair lady, and passing wise. He made her great cheer out of measure, and desired to have her love in return; but she would not assent unto him, and for pure anger and for great love of fair Igraine King Uther fell sick.

      At that time there lived a powerful magician named Merlin, who could appear in any place he chose, could change his looks as he liked, and at will could do wonderful things to help or to harm knights and ladies. So to King Uther came Sir Ulfius, a noble knight, and said, "I will seek Merlin, and he shall do you remedy so that your heart shall be pleased." So Ulfius departed, and by adventure met Merlin in beggar's array, and made him promise to be not long behind in riding to Uther's pavilion.

      Soon Merlin stood by the king's side and said: "I know all your heart, and promise ye shall have your desire, if ye will be sworn to fulfil my wish." This the king solemnly agreed to do, and then Merlin said: "After ye shall win Igraine as wife, a child shall be born to you that is to be given unto me to be brought up as I will; this shall be for your honour and the child's avail."

      That night King Uther met in battle the Duke of Tintagil, who had protected Igraine in her castle, and overcame him. Then Igraine welcomed Uther as her true lover, for Merlin had given him the appearance of one dear to her, and, the barons being all well accorded, the two were married on a morning with great mirth and joy.

      When the time came that Igraine should bear a son, Merlin came again unto the King to claim his promise, and he said: "I know a lord of yours in this land, a passing true man and a faithful, named Sir Ector, and he shall have the nourishing of your child. Let the young Prince be delivered to me at yonder privy postern, when I come for him."

      So the babe, Arthur Pendragon, bound in a cloth of gold, was taken by two knights and two ladies to the postern gate of the castle and delivered unto Merlin, disguised as a poor man, and by him was carried forth to Sir Ector, whose wife nourished him as her own child.

      Then within two years King Uther fell sick of a great malady. Wherefore all the barons made great sorrow, and asked Merlin what counsel were best, for few of them had ever seen or heard

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