LITMIR.BIZ

      Published by Good Press, 2019

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      EAN 4064066204594

Table of Contents

       I.

       II.

       III.

       IV.

       V

       VI.

       VII.

       VIII.

       IX

       X.

       XI.

       XII.

       XIII.

       XIV.

       XV.

       XVI.

       XVII.

       XVIII.

       XIX.

       XX.

       XXI.

       THE TALE OF A SCULPTOR By HUGH CONWAY

       CHAPTER I.

       CHAPTER II.

       CHAPTER III.

       CHAPTER IV.

       CARRISTON’S GIFT.

       PART I. TOLD BY PHILIP BRAND, M.D., LONDON.

       PART II. TOLD BY RICHARD FENTON, OF FRENCHAY, GLOUCESTERSHIRE, ESQUIRE.

I.

       Table of Contents

      The Hotel Helicon stood on a great rock promontory that jutted far out into a sea of air whose currents and eddies filled a wide, wild valley in the midst of our southern mountain region. It was a new hotel, built by a Cincinnati man who founded his fortune in natural gas speculations, and who had conceived the bright thought of making the house famous at the start by a stroke of rare liberality.

      Viewing the large building from any favorable point in the valley, it looked like a huge white bird sitting with outstretched wings on the gray rock far up against the tender blue sky. All around it the forests were thick and green, the ravines deep and gloomy and the rocks tumbled into fantastic heaps. When you reached it, which was after a whole day of hard zig-zag climbing, you found it a rather plain three-story house, whose broad verandas were worried with a mass of jig-saw fancies and whose windows glared at you between wide open green Venetian shutters. Everything look new, almost raw, from the stumps of fresh-cut trees on the lawn and the rope swings and long benches, upon which the paint was scarcely dry, to the resonant floor of the spacious halls and the cedar-fragrant hand-rail of the stairway.

      There were springs among the rocks. Here the water trickled out with a red gleam of iron oxide, there it sparkled with an excess of carbonic acid, and yonder it bubbled up all the more limpid and clear on account of the offensive sulphuretted hydrogen it was bringing forth. Masses of fern, great cushions of cool moss and tangles of blooming shrubs and vines fringed the sides of the little ravines down which the spring-streams sang their way to the silver thread of a river in the valley.

      It was altogether a dizzy perch, a strange, inconvenient, out-of-the-way spot for a summer hotel. You reached it all out of breath, confused as to the points of the compass and disappointed, in every sense of the word, with what at first glance struck you as a colossal pretense, empty, raw, vulgar, loud—a great trap into which you had been inveigled by an eloquent hand-bill! Hotel Helicon, as a name for the place, was considered a happy one. It had come to the proprietor, as if in a dream, one day as he sat smoking. He slapped his thigh with his hand and sprang to his feet. The word that went so smoothly with hotel, as he fancied, had no special meaning in his mind, for the gas man had never been guilty of classical lore-study, but it furnished a taking alliteration.

      “Hotel Helicon, Hotel Helicon,” he repeated; “that’s just a dandy name. Hotel Helicon on Mount Boab, open for the season! If that doesn’t get ’em I’ll back down.”

      His plans matured themselves very rapidly in his mind. One brilliant idea followed another in swift succession, until at last he fell upon the scheme of making Hotel Helicon free for the initial season to a select company of authors chosen from among the most brilliant and famous in our country.

      “Zounds!” he exclaimed, all to himself, “but won’t that be a darling old advertisement! I’ll have a few sprightly newspaper people along with ’em, too, to do the interviewing and puffing. By jacks, it’s just the wrinkle to a dot!”

      Mr. Gaslucky was of the opinion that, like Napoleon, he was in the hands of irresistible destiny which would ensure the success of whatever he might undertake; still he was also a realist and depended largely upon tricks for his results. He had felt the great value of what he liked to term legitimate advertising, and he was fond of saying to himself that any scheme would succeed if properly set before the world. He regarded it a maxim that anything which can be clearly described is a fact. His realism was the gospel of success, he declared, and needed but to be stated to be adopted by all the world.

      From

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