LITMIR.BIZ

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      "She is very sensitive," Mrs. Le Marchant answers slowly; "perhaps it would be safer not to say anything about herself to her."

      "Perhaps it would be safer," rejoins Jim, with some ill-humour, "if you were to draw up a list of subjects for me to avoid; I have no wish to play the part of bull in a china shop; and yet I seem to be always doing it; imprimis" (striking the forefinger of his left hand with the right), "imprimis the Moat."

      He pauses, as if expecting a disclaimer, but none such comes—"The past generally" (moving on to the second finger and again halting; but with no more result than before). "Yourselves" (reaching the third finger). Still that silence, which, if it mean anything, must mean assent. He looks impatiently in her face, to seek the response which her lips refuse him.

      "On your own showing," she says gently, though in a rather troubled voice, "you have the whole field of the present and the future left you; are not they wide enough for you?"

      His brows draw together into a painful frown.

      "Perhaps I have as little cause to be fond of them as you have of the past."

      It is a random shot, a bow drawn at a venture; but it could not have hit more true apparently had it been levelled with the nicest aim.

      As her daughter had done before her, Mrs. Le Marchant rises hastily, and leaves him—leaves him to reflect ironically upon how wisely Amelia had acted in insisting upon his visiting these "dear old friends," upon whom the effect of his conversation is so obviously exhilarating.

      "I wish I had not come; I wish it was time to go home!"

      The small fractious voice that wails the two preceding sentences seems to be Jim's own mouthpiece. It is, in point of fact, the voice of Bertie, who, tired of uttering his unregarded request for the repetition of the concert which had filled him with such delight, has of late been trying the effect of his unassisted powers to bring about the desired consummation, by putting his arms as far as he can round the dog's body, and endeavouring to lug him towards the music-stool. The collie has been enduring this treatment for five minutes—enduring it with an expression of magnanimous patience, which seems to say, that, though it is undoubtedly an unpleasant experience, yet, as it is inflicted upon him by one of his own family, he must of course put up with it, when Elizabeth goes to the rescue. Elizabeth goes alone, since Byng is held in converse by her mother at the other side of the room. Verbal persuasions having entirely failed, she tries to loosen the child's arms; but his grasp, though puny, is obstinate, and the only perceptible result of her endeavours is the utterance by her young friend of the two polite aspirations above recorded.

      "He does not want to sing any more to-day," Jim hears her saying in her gentle voice; "you really are hurting him; he is too polite to say so; but you are squeezing him so tight that you really are hurting him. Why now" (with a little accent of pain), "you are hurting me."

      Jim has been looking with a lack-lustre eye out of the open window at the young plane trees exchanging their frowsy buds for infant leaves; at the one Judas tree pranking in its purple blossoms in the Piazza; but at that low complaint he makes one step across the room, and, whipping off Master Bertie alike from long-enduring dog and plaintive woman, stoops over the latter as she sits upon the floor, passing one hand over the other, upon which the child's angry fingers, transferred from his first victim, have left rosy prints of pain.

      "I wish I had not come; I wish it was time to go home!" whimpers the little boy.

      "Since he is so anxious to go home, I will take him, if you like," says Jim in a stiff voice; "I must be going myself."

      She looks up at him from her lowly posture, a charming, half-apologetic, wholly peace-making smile fleeting across her small face, while she still chafes her hand—that little pinched hand which makes him feel so ridiculously tender.

      "Are you, too, sorry that you came?" she asks.

      The question takes him by surprise. He is not prepared for so friendly and almost intimate a sequel to her short, shy answers, and her abrupt quitting of him. He hesitates how to answer it; and as he hesitates, she rises and stands beside him. It is not easy for a grown person to rise gracefully from a seat on the floor. Jim catches himself thinking with what a roll and a flounder Cecilia would have executed the same manœuvre; but Elizabeth, supple and light, rises as smoothly as an exhalation from a summer meadow.

      "If I was rude to you just now," she says, rather tremulously; "if I am ever rude to you in the future, I hope you will understand—I hope you will put it down to the fact that I—I—am very ignorant of—that I know very little of the world."

      The two men are gone; so is the child; so is the dog; and Elizabeth is shutting up the piano and removing the score.

      "What a noise we made!" she says, smiling at the recollection.

      "If you make such a shocking noise again, the signora and the other lodgers will infallibly interfere."

      Mrs. Le Marchant has followed her daughter, and now throws one arm about her slight neck, with a gesture of passionate affection.

      "If you knew," she says, in a voice of deep and happy agitation, "what it was to me to hear you laugh as you did to-day!"

      "I have a good many arrears in that way to make up, have not I, mammy? And so have you too," answers the younger woman, laying her sleek head down caressingly on her mother's shoulder; then, in a changed and restless voice: "Oh, if we could stop that man talking about the Moat! Why does he go on hammering about it?"

      "Why indeed?" replies Mrs. Le Marchant with a shrug. "Men are so thick-skinned; but it is rather touching, his having remembered us all these years, is not it? For my part, I had almost entirely forgotten his existence—had not you?"

      "Absolutely!" replies Elizabeth, with emphasis; "and if he will only let me, I am more than willing to forget it over again. Oh, mammy" (turning her face round, and burying it on her mother's breast), "why can't we forget everything? begin everything afresh from now—this delightful now?"

CHAPTER XI.

       Table of Contents

      A reconciliation is seldom effected without some price being paid for it. Jim's with Elizabeth, if it can be called such, is bought at the cost of a small sacrifice of principle on his part. No later than this morning he had laid it down as a Median rule that he should avoid opportunities of finding himself in Miss Le Marchant's company; and yet, not only has he spent the major part of the afternoon in her society, but, as he walks away from her door, he finds that he has engaged himself to help Byng, on no distant day, in doing the honours of the Certosa Monastery to her and her mother. On reflection, he cannot quite explain to himself how the arrangement has come about. The proposal certainly did not originate with him, and still less with the two ladies so strangely shy of all society. The three have somehow been swept into it by Byng, who, either with the noblest altruism, or because he feels justly confident that he has no cause for jealousy of his friend (Jim's cynical reflection is that the latter is the much more probable reason), has insisted on drawing him into the project.

      Jim Burgoyne is not a man whom, as a rule, it is easy either to wile or cudgel into any course that does not recommend itself to his own judgment or taste—a fact of which he himself is perfectly aware, and which makes him remorsefully acknowledge that there must indeed have been a traitor in the citadel of his own heart before he could have so weakly yielded at the first push to what his reason sincerely disapproves. But yet it is not true that remorse is the leading feature of his thoughts, as he walks silently beside his friend down the Via di Servi. It ought to be, perhaps; but it is not. The picture that holds the foreground of his memory is that of Elizabeth sitting on the floor, and sending him peace-offerings from her pathetic eyes and across her sensitive lips. It was very sweet of her to think it necessary to make him amends at all for her trifling incivility, and nothing could be sweeter than the manner of it. How gladly would he buy some little rudeness from her every day at

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