LITMIR.BIZ

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proceeded with such dramatic grace and skill that we needed very little help to understand its action.

      In groups of eight, in perfect order, the young men rose from their seats, advanced to the center of the circle, and there reënacted by means of signs, attitudes and groupings, various notable personal or tribal achievements of the past. With stealthy, silent stride this one delineated the exploit of some ancestral chief, who had darted forth alone on a solitary scouting expedition. Others depicted the enemy, representing his detection and his capture. A third band arose, and trailing the hero spy, swiftly, silently, discovered the captors, attacked and defeated them and with triumphant shouts released the captive and brought him to camp—all in perfect unison with the singers at the drum whose varying rhythm set the pace for each especial episode, almost as precisely as a Chinese orchestra augments or diminishes the action on the stage.

      To me this was a thrilling glimpse into prehistoric America, for these young men, stripped of their tainted white-man rags, were wholly admirable, painted lithe-limbed warriors, rejoicing once again in the light of their ancestral moons. On every face was a look like that of a captive leopard, dreaming of far-seen, familiar sands. The present was forgot, the past was momentarily restored. At midnight we went away but the strangely-moving beat of that barbaric drum was still throbbing in my ears as I fell asleep.

      * * * * * *

      Early the following morning, eager to reach the scene of the Cheyenne outbreak we hired saddle horses and rode away directly across the Custer battle field on our way toward Lame Deer, where we were told the troops were still in camp to protect the agency.

      What a ride that was! Our trail led us beyond the plow and the wagon wheel, far into the midst of hills where herds of cattle were feeding as the bison had fed for countless ages. Every valley had its story, for here the last battles of the Cheyennes had taken place. I had overtaken the passing world of the red nomad.

      We stopped that night at a ranch about half way across the range, and in its cabin I listened while the cattlemen expressed their hatred of the Cheyenne. The violence of their antagonism, their shameless greed for the red man's land revealed to me once and for all the fomenting spirit of each of the Indian Wars which had accompanied the exterminating, century-long march of our invading race. In a single sentence these men expressed the ruthless creed of the land-seeker. "We intend to wipe these red sons-of-dogs from the face of the earth." Here was displayed shamelessly the seamy side of western settlement.

      At about ten o'clock next morning we topped the scantily-timbered ridge which walls in the Lame Deer Agency, and looked down upon the tents of the troops. A company of cavalry drilling on the open field to the north gave evidence of active service, and as I studied the mingled huts and tepees of the village, I realized that I had arrived in time to witness some part of the latest staging of the red man's final stand.

      Reporting at once to the agent, Major George Stouch, I found him to be a veteran officer of the regular army "On Special Duty," a middle-aged, pleasant-faced man of unassuming dignity whose crooked wrist (caused by a bullet in the Civil War) gave him a touch of awkwardness; but his eyes were keen, and his voice clear and decisive.

      "The plans of the cattlemen have been momentarily checked," he said, "but they are still bitter, and a single pistol-shot may bring renewed trouble. The Cheyennes, as you know, are warriors."

      He introduced me to Captain Cooper, in command of the troopers, and to Captain Reed, Commander of the Infantry, who invited us to join his mess, an invitation which we gladly accepted.

      Cooper was a soldier of wide experience, a veteran of the Civil War, and an Indian fighter of distinction. But his Lieutenant, a handsome young West Pointer named Livermore, interested me still more keenly, for he was a student of the sign language and had been at one time in command of an experimental troop of red "rookies." Like Major Stouch he was a broad-minded friend of all primitive peoples, and his experiences and stories were of the greatest value to me.

      With the aid of Major Stouch I won the confidence of White Bull, Two Moon, Porcupine, American Horse and other of the principal Cheyennes, and one of the Agency policemen, a fine fellow called Wolf Voice, became my interpreter. Though half-Cheyenne and half-Assiniboin, he spoke English well, and manifested a marked sense of humor. He had served one summer as guide to Frederick Remington, and had some capital stories concerning him. "Remington fat man—too heavy on pony. Him 'fraid Injuns sure catch him," he said with a chuckle. "Him all-time carry box—take pictures. Him no warrior."

      For two weeks I absorbed "material" at every pore, careless of other duties, thinking only of this world, avid for the truth, yet selecting my facts as every artist must, until, at last, measurably content I announced my intention to return to the railway. "We have tickets to Seattle," I said to Stouch, "and we must make use of them."

      "I'm sorry to have you go," he replied, "but if you must go I'll send Wolf Voice with you as far as Custer."

      We had no real need of a guide but I was glad to have Wolf Voice riding with me, for I had grown to like him and welcomed any opportunity for conversing with him. He was one of the few full-bloods who could speak English well enough to enjoy a joke.

      As we were passing his little cabin, just at the edge of the Agency, he said, "Wait, I get you somesing."

      In a few moments he returned, carrying a long eagle feather in his hand. This he handed to me, saying, "My little boy—him dead. Him carry in dance dis fedder. You my friend. You take him."

      Major Stouch had told me of this boy, a handsome little fellow of only five years of age, who used to join most soberly and cunningly with the men in their ceremonial dances; and so when Wolf Voice said, "I give you dis fedder—you my friend. You Indian's friend," I was deeply moved.

      "Wolf Voice, I shall keep this as a sign, a sign that we are friends."

      He pointed toward a woman crouching over a fire in the corral, "You see him—my wife? Him cry—all time cry since him son die. Him no sleep in house. Sleep all time in tepee. Me no sleep in house. Spirit come, cry, woo-oo-oo in chimney. My boy spirit come—cry—me 'fraid! My heart very sore."

      The bronze face of the big man was quivering with emotion as he spoke, and not knowing what to say to comfort him I pretended to haste. "Let us go. You can tell me about it while we ride."

      As we set forth he recovered his smile, for he was naturally of a cheerful disposition, and in our long, leisurely journey I obtained many curious glimpses into his psychology—the psychology of the red man. He led us to certain shrines or "medicine" rocks and his remarks concerning the offerings of cartridges, calico, tobacco and food which we found deposited beside a twisted piece of lava on the side of a low hill were most revealing.

      "Wolf Voice, do you believe the dead come back to get these presents," I asked.

      "No," he soberly replied. "Spirit no eat tobacco, spirit eat spirit of tobacco."

      His reply was essentially Oriental in its philosophy. It was the essence of the offering, the invisible part which was taken by the invisible dead.

      Many other of his remarks were almost equally revelatory. "White soldier heap fool," he said. "Stand up in rows to be shot at. Injun fight running—in bush—behind trees."

      We stopped again at The Half-Way Ranch, and the manner in which the cattlemen treated Wolf Voice angered me. He was much more admirable than they, and yet they would not allow him to sleep in the house.

      He rode all the way back to Fort Custer with us and when we parted I said, "Wolf Voice, I hope we meet again," and I meant it. His spirit is in all that I have since written of the red men. He, Two Moon, American Horse, and Porcupine were of incalculable value to me in composing The Captain of the Gray Horse Troop, which was based upon this little war.

      From Billings we went almost directly to the Flat Head Reservation. We had heard that a herd of buffalo was to be seen in its native pastures just west of Flat Head Lake and as I put more value on seeing that herd than upon any other "sight" in the state of Montana, we made it our next objective.

      Outfitting at Jocko we rode across the divide to

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