LITMIR.BIZ

      Published by Good Press, 2019

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      EAN 4057664562418

Table of Contents

       PREFACE.

       LIST OF ETCHINGS.

       Theological Fragments.

PREFACE.

       Table of Contents

      I must be allowed to say a few words in explanation of the contents of this little volume, which is truly what its name sets forth—a book of common-places, and nothing more. If I have never, in any work I have ventured to place before the public, aspired to teach, (being myself a learner in all things,) at least I have hitherto done my best to deserve the indulgence I have met with; and it would pain me if it could be supposed that such indulgence had rendered me presumptuous or careless.

      For many years I have been accustomed to make a memorandum of any thought which might come across me—(if pen and paper were at hand), and to mark (and remark) any passage in a book which excited either a sympathetic or an antagonistic feeling. This collection of notes accumulated insensibly from day to day. The volumes on Shakspeare’s Women, on Sacred and Legendary Art, and various other productions, sprung from seed thus lightly and casually sown, which, I hardly know how, grew up and expanded into a regular, readable form, with a beginning, a middle, and an end. But what was to be done with the fragments which remained—without beginning, and without end—links of a hidden or a broken chain? Whether to preserve them or destroy them became a question, and one I could not answer for myself. In allowing a portion of them to go forth to the world in their original form, as unconnected fragments, I have been guided by the wishes of others, who deemed it not wholly uninteresting or profitless to trace the path, sometimes devious enough, of an “inquiring spirit,” even by the little pebbles dropped as vestiges by the way side.

      A book so supremely egotistical and subjective can do good only in one way. It may, like conversation with a friend, open up sources of sympathy and reflection; excite to argument, agreement, or disagreement; and, like every spontaneous utterance of thought out of an earnest mind, suggest far higher and better thoughts than any to be found here to higher and more productive minds. If I had not the humble hope of such a possible result, instead of sending these memoranda to the printer, I should have thrown them into the fire; for I lack that creative faculty which can work up the teachings of heart-sorrow and world-experience into attractive forms of fiction or of art; and having no intention of leaving any such memorials to be published after my death, they must have gone into the fire as the only alternative left.

      The passages from books are not, strictly speaking, selected; they are not given here on any principle of choice, but simply because that by some process of assimilation they became a part of the individual mind. They “found me,”—to borrow Coleridge’s expression—“found me in some depth of my being;” I did not “find them.”

      For the rest, all those passages which are marked by inverted commas must be regarded as borrowed, though I have not always been able to give my authority. All passages not so marked are, I dare not say, original or new, but at least the unstudied expression of a free discursive mind. Fruits, not advisedly plucked, but which the variable winds have shaken from the tree: some ripe, some “harsh and crude.”

      Wordsworth’s famous poem of “The Happy Warrior” (of which a new application will be found at page 87.), is supposed by Mr. De Quincey to have been first suggested by the character of Nelson. It has since been applied to Sir Charles Napier (the Indian General), as well as to the Duke of Wellington; all which serves to illustrate my position, that the lines in question are equally applicable to any man or any woman whose moral standard is irrespective of selfishness and expediency.

      With regard to the fragment on Sculpture, it may be necessary to state that it was written in 1848. The first three paragraphs were inserted in the Art Journal for April, 1849. It was intended to enlarge the whole into a comprehensive essay on “Subjects fitted for Artistic Treatment;” but this being now impossible, the fragment is given as originally written; others may think it out, and apply it better than I shall live to do.

       August, 1854.

      PART I.

      Ethics and Character.

Ethical Fragments.		Page
	Vanity	1
	Truths and Truisms	3
	Beauty and Use	5
	What is Soul?	7
	The Philosophy of Happiness	9
	Cheerfulness a Virtue	10
	Intellect and Sympathy	11
	Old Letters	12
	The Point of Honour	13
	Looking up	14
	Authors	14
	Thought and Theory	15 Скачать книгу 1 2 3 4 5 > В конец