LITMIR.BIZ

III

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      It is not easy for me to keep away from Lucy Fulton either on paper or in real life. The latter I have to do, for I think that I am able to keep a promise, and I ought to do the former as much as I can, if I am to tell her story and her husband's and my own in their true proportions. Otherwise we should but appear as one of those "eternal triangles" to which so much of French dramatic genius has been devoted; whereas it appears to me, though not, I am afraid, to Fulton, that if our relations to each other could be symbolized by a figure, that figure would not be a triangle; but a cross, let us say, between a triangle and a square.

      Fulton and I are the same age. We were in the same class at Mr. Cutter's school for a year or two, and were quite friendly at times. But except that we both collected postage stamps, we had no tastes in common. It is almost enough to say that he was full of character and reserve, and that I was unstable and kept the whole of my goods displayed in the shop window. I cannot imagine thirteen-year-old Fulton in love with fifteen-year-old Nell or Nancy, but I was frequently in love with both at the same time, or so fancied myself, and, almost consciously, as it seems, he was conserving his powers of loving for the one great passion of his life, when he should give all that a man may have in him of purity and faith and purpose. But when my time for a great passion came, though I gave all that I had to give, it is true, still that all was not the whole that I might have had; it was only all that was left, all that had not already been given. But there was enough at that to hurt and do harm.

      Fulton was studious and enamored of knowledge for its own sake. I was lazy and only interested in such pieces of knowledge as I felt might be of use to me. But we both stood well in our classes; he because he had brains and knew how to use them, and I because the Lord had gifted me with a capital sight memory.

      Perhaps I should do better to state who our intimates were in those days, and what has become of them. Fulton's most intimate friend was a boy named Lansing, who made a practice of cutting open dead things to see what was inside of them. Today Lansing (of course that's not his real name) is so great a surgeon that even the man in the street knows him by sight. My most intimate friend was Harry Colemain, and we were mixed up in all sorts of deviltries together. To me he has been always a faithful friend and a charming companion, but of his career, what can I say that is really pleasant? Nothing, unless I modify each statement by pages of explanation and reminiscence. As he danced the old dances, so he dances the new, to greater perfection than any man in New York. He is gorgeously built, and has a carriage of the head, an eye and a smile, and a way with him that can shake a man from the water wagon or a woman from her virtue. He smokes like a factory, and drinks like a fish, yet at a moment's notice he is ready for some great feat of endurance—such as playing through the racket championship, or swimming from Newport to Narragansett Pier. He might have been—anything you please. But what can I say definitely that he is? Well, at this very moment, he is co-respondent in a divorce suit which is delighting the newspapers, and it looks as if he'd have to marry her in the end. And that's a pity because they were tired of each other before they got found out, and she's not the kind of woman that his friends are going to like.

      Fulton's friend Ludlow has just published the best book on the birds of New York, past and present, that was ever written. My friend Pierson died the other day of pneumonia. As a boy he had the constitution of an ox, and ought to have thrown off pneumonia as I would throw off a cold in the head, but the doctors say that he had simply burned up his powers of resistance with overdoses of alcohol. You never saw him drunk or off his balance or merry in any way; he simply and slowly soaked himself till his insides were like sponges dipped in the stuff. And Pierson's not the only man in my circle who has gone out like that; and as they went so will others go; strong and well Saturday to the casual eye, and dead Monday.

      This is not the time to take up those great issues which have risen between those who are tempted by drink and fall, and those who are not tempted and don't. But I am very sure of this: that a vast majority of the men who make the world go round drink or have drunk; and that when at last the world comes to be governed by those who don't and haven't, it will be even worse governed, more pettily and meddlesomely, than it is at present. And that is saying a good deal, even for a butterfly.

      You mustn't gather that Fulton and his friends were a goody-goody set of boys. They erred and strayed from their ways at times, like the worst of us. There was Browning for instance, a born experimenter, who so experimented with cocktails one fine morning (at the corner of Sixth Avenue and Forty-third Street) that he marched into Madame Castignet's French class, drunk as a lord, full of argument, and was presently expelled from the school. It was commonly said that the disgrace of it would hound him through life. Far from it! Those who at this day pack Carnegie Lyceum to hear him play the violin, and who listen, laughing and crying, and comparing him to the incomparable Kreisler, perceive no disgrace in that youthful episode, rather they see in it an early indication of the divine temperament trying to shake off its fetters and be free.

      One boy that I went to school with is on the famous Meadowbrook team; another has played in Davis Cup matches; another brought home a First from the Olympic games. In the pack that I run with there is even one Roper who achieves a large income by writing fiction for the magazines, but even he isn't in the least like that brilliant little circle to which Fulton belonged. For we feel that we are paying him an immense compliment when we say, "Would you ever suspect that he was an author?" Good at games, fond of late hours and laughter, with the easiest and most affectionate good manners, he is quite convinced, if you can get him to talk shop, at all, that art for art's sake is bunk, and that there is more amusement and inspiration to be had on Bailey's Beach and in the Casino at Newport than in the whole of Italy.

      I must set Roper off against Fulton's friend Garrick. Poor Garrick slaved and slaved and reached after perfection. Some say that in the thin little volume that he succeeded at last in getting published, and leaving behind for the delight of posterity, he actually touched perfection. Perhaps he did. I don't know. But I do know this: that he had enough talent and energy to make a living, and didn't. That he loved his art more than his wife and family, and that they all starved together. Is it worse to starve your family for love of liquor than for love of art? Roper loves his liquor but he fights against it and makes a handsome income; Garrick gave himself up body and soul to his love for art, and if it wasn't for his friends Mrs. Garrick would be working in a sweatshop.

      Fulton and I discussed him once (when I was going to the Fulton house a good deal), but we had to give it up as a topic. Fulton saw something

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