A Modern Chronicle — Complete - Winston Churchill

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was not until after she had posted it that she felt a sudden, sharp regret as she thought of them in their loneliness. But the postponement of her homecoming would only be for a fortnight at best. And she had seen so little!

      In due time Aunt Mary's letter arrived. There was no mention of loneliness in it, only of joy that Honora was to have the opportunity to visit such a place as Silverdale. Aunt Mary, it seems, had seen pictures of it long ago in a magazine of the book club, in an article concerning one of Mrs. Holt's charities—a model home for indiscreet young women. At the end of the year, Aunt Mary added, she had bought the number of the magazine, because of her natural interest in Mrs. Holt on Honora's account. Honora cried a little over that letter, but her determination to go to Silverdale was unshaken.

      June came at last, and the end of school. The subject of Miss Turner's annual talk was worldliness. Miss Turner saw signs, she regretted to say, of a lowering in the ideals of American women: of a restlessness, of a desire for what was a false consideration and recognition; for power. Some of her own pupils, alas! were not free from this fault. Ethel Wing, who was next to Honora, nudged her and laughed, and passed her some of Maillard's chocolates, which she had in her pocket. Woman's place, continued Miss Turner, was the home, and she hoped they would all make good wives. She had done her best to prepare them to be such. Independence, they would find, was only relative: no one had it completely. And she hoped that none of her scholars would ever descend to that base competition to outdo one's neighbours, so characteristic of the country to-day.

      The friends, and even the enemies, were kissed good-by, with pledges of eternal friendship. Cousin Eleanor Hanbury came for Edith and Mary, and hoped Honora would enjoy herself at Silverdale. Dear Cousin Eleanor! Her heart was large, and her charity unpretentious. She slipped into Honora's fingers, as she embraced her, a silver-purse with some gold coins in it, and bade her not to forget to write home very often.

      “You know what pleasure it will give them, my dear,” she said, as she stepped on the train for New York.

      “And I am going home soon, Cousin Eleanor,” replied Honora, with a little touch of homesickness in her voice.

      “I know, dear,” said Mrs. Hanbury. But there was a peculiar, almost wistful expression on her face as she kissed Honora again, as of one who assents to a fiction in order to humour a child.

      As the train pulled out, Ethel Wing waved to her from the midst of a group of girls on the wide rear platform of the last car. It was Mr. Wing's private car, and was going to Newport.

      “Be good, Honora!” she cried.

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      Lying back in the chair of the Pullman and gazing over the wide Hudson shining in the afternoon sun, Honora's imagination ran riot until the seeming possibilities of life became infinite. At every click of the rails she was drawing nearer to that great world of which she had dreamed, a world of country houses inhabited by an Olympian order. To be sure, Susan, who sat reading in the chair behind her, was but a humble representative of that order—but Providence sometimes makes use of such instruments. The picture of the tall and brilliant Ethel Wing standing behind the brass rail of the platform of the car was continually recurring to Honora as emblematic: of Ethel, in a blue tailor-made gown trimmed with buff braid, and which fitted her slender figure with military exactness. Her hair, the colour of the yellowest of gold, in the manner of its finish seemed somehow to give the impression of that metal; and the militant effect of the costume had been heightened by a small colonial cocked hat. If the truth be told, Honora had secretly idealized Miss Wing, and had found her insouciance, frankness, and tendency to ridicule delightful. Militant—that was indeed Ethel's note—militant and positive.

      “You're not going home with Susan!” she had exclaimed, making a little face when Honora had told her. “They say that Silverdale is as slow as a nunnery—and you're on your knees all the time. You ought to have come to Newport with me.”

      It was characteristic of Miss Wing that she seemed to have taken no account of the fact that she had neglected to issue this alluring invitation. Life at Silverdale slow! How could it be slow amidst such beauty and magnificence?

      The train was stopping at a new little station on which hung the legend, in gold letters, “Sutton.” The sun was well on his journey towards the western hills. Susan had touched her on the shoulder.

      “Here we are, Honora,” she said, and added, with an unusual tremor in her voice, “at last!”

      On the far side of the platform a yellow, two-seated wagon was waiting, and away they drove through the village, with its old houses and its sleepy streets and its orchards, and its ancient tavern dating from stage-coach days. Just outside of it, on the tree-dotted slope of a long hill, was a modern brick building, exceedingly practical in appearance, surrounded by spacious grounds enclosed in a paling fence. That, Susan said, was the Sutton Home.

      “Your mother's charity?”

      A light came into the girl's eyes.

      “So you have heard of it? Yes, it is the thing that interests mother more than anything else in the world.”

      “Oh,” said Honora, “I hope she will let me go through it.”

      “I'm sure she will want to take you there to-morrow,” answered Susan, and she smiled.

      The road wound upwards, by the valley of a brook, through the hills, now wooded, now spread with pastures that shone golden green in the evening light, the herds gathering at the gate-bars. Presently they came to a gothic-looking stone building, with a mediaeval bridge thrown across the stream in front of it, and massive gates flung open. As they passed, Honora had a glimpse of a blue driveway under the arch of the forest. An elderly woman looked out at them through the open half of a leaded lattice.

      “That's the Chamberlin estate,” Susan volunteered. “Mr. Chamberlin has built a castle on the top of that hill.”

      Honora caught her breath.

      “Are many of the places here like that?” she asked. Susan laughed.

      “Some people don't think the place is very—appropriate,” she contented herself with replying.

      A little later, as they climbed higher, other houses could be discerned dotted about the country-side, nearly all of them varied expressions of the passion for a new architecture which seemed to possess the rich. Most of them were in conspicuous positions, and surrounded by wide acres. Each, to Honora, was an inspiration.

      “I had no idea there were so many people here,” she said.

      “I'm afraid Sutton is becoming fashionable,” answered Susan.

      “And don't you want it to?” asked Honora.

      “It was very nice before,” said Susan, quietly.

      Honora was silent. They turned in between two simple stone pillars that divided a low wall, overhung from the inside by shrubbery growing under the forest. Susan seized her friend's hand and pressed it.

      “I'm always so glad to get back here,” she whispered. “I hope you'll like it.”

      Honora returned the pressure.

      The grey road forked, and forked again. Suddenly the forest came to an end in a sort of premeditated tangle of wild garden, and across a wide lawn the great house loomed against the western sky. Its architecture was of the '60's and '70's, with a wide porte-cochere that sheltered the high entrance doors. These were both flung open,

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