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      "No, he patronized me. He meant no harm, but that old hat has worn a deep place in my brain through carrying it so long, and it is a subject that galls me to mention it. Yet, I must be consistent with my only eccentricity. Wherever I may go, there goes my hat; it makes my identity, my inflexibility; it achieves my promise to myself, that men shall respect my hat before I die."

      "Pardon me," said Vesta, not uninterested in his character, "I can understand an eccentricity founded on family respect. We were Virginians, and that is next to religion there. The negroes of our family share it with us. You had a family, then?"

      Milburn shook his head.

      "No; not a family in the sense you mean. Generations of obscurity, a parentage only virtuous; no tombstone anywhere, no crest nor motto, not even a self-deluding lie of some former gentility, shaped from hand to hand till it commits a larceny on history, and is brazen on a carriage panel! We were foresters. We came forth and existed and perished, like the families of ants upon the ant-hills of sand. We migrated no more than the woodpeckers in your sycamore trees, and made no sound in events more than their insectivorous tapping. Out yonder beyond Dividing Creek, in the thickets of small oak and low pines, many a little farm, scratched from the devouring forest, speckling the plains and wastes with huts and with little barns of logs, once bore the name of Milburn through all the localities of the Pocomoke to and beyond the great Cypress Swamp. They are dying, but never dead. The few who live expect no recognition from me, and, happy in their poverty, envy me nothing I have accumulated. My name has grown hard to them, my hat is the subject of their superstitions, my ambition and success have lost me their sympathy without giving me any other social compensation. You behold a desperate man, a merciless creditor, a tussock of ore from the bogs of Nassawongo, yet one whose only crimes have been to adore you, and to wear his forefathers' hat."

      "Is this pride, then, wholly insulted sensibility, Mr. Milburn?"

      "I cannot say, Miss Custis. You may smile, but I think it is aristocracy."

      "I think so, too," exclaimed Vesta reflectively; "you are a proud man. My father, who has had reason to be proud, is less an aristocrat, sir, than you."

      Milburn's flush came and stayed a considerable while. He was not displeased at Vesta's compliment, though it bore the nature of an accusation.

      "You are aristocratic," explained Vesta, "because you adopted the obsolete hat of your people. Whatever vanity led you to do it, it was the satisfaction of some origin, I think."

      She checked herself, seeing that she was entering into his affairs with too much freedom.

      "I suppose that somewhere, some time," spoke the strange visitor, "some person of my race has been influential and prosperous. Indeed, I have been told so. He was elevated to both the magistracy and the scaffold, but my hat had even an older origin."

      "Tell me about that ancestor," said Vesta, the heartache from his greater errand instigating her to defer it, while she was yet barely conscious that the man was original, if not interesting.

      He told a singular tale, tracing his hat to Raleigh's times and through Sir Henry Vane to America, till it became the property of Jacob Milborne, the popular martyr who was executed in New York, and his brethren driven into Maryland, bringing with them the harmless hat as their only patrimony.[1]

      Before he began, Milburn drew up his compact little figure and opened the door to the hall. The wind or air from some of the large, cold apartments of the long house, coming in by some crack or open sash, gave almost a shriek, and scattered the fire in the chimney.

      Vesta felt her blood chill a moment as her visitor re-entered with the antediluvian hat, and placed it upon the table beneath the lamp.

      It had that look of gentility victorious over decay, which suggested the mummy of some Pharaoh, brought into a drawing-room on a learned society's night. Vesta repressed a smile, rising through her pain, at the gravity of the forester guest, who was about to demonstrate his aristocracy through this old hat. It seemed to her, also, that the portraits of the Custises, on the wall, carried indignant noses in the air at their apparently conscious knowledge of the presence of some unburied pretender, as if, in Westminster Abbey, the effigies of the Norman kings had slightly aroused to feel Oliver Cromwell lying among them in state.

      The hat, Vesta perceived, was Flemish, such as was popular in England while the Netherlands was her ally against the house of Spain, and, stripped of its ornaments, was lengthened into the hat of the Puritans.

      Vesta attempted to exert her liberality and perceive some beauty in this hat, but the utmost she could admit was the tyranny of fashion over the mind—it seemed, over the soul itself, for this old hat, inoffensive as it was, weighed down her spirits like a diving-bell.

      The man, without his hat, had somewhat redeemed himself from low conversation and ideas, but now, that he brought this hat in and associated his person with it, she shrank from him as if he had been a triple-hatted Jew, peddling around the premises.

      The obnoxious hat also exercised some exciting influence over Meshach Milburn, if his changed manner could be ascribed to that article, for he resumed his strong, wild-man's stare, deepened and lowered his voice, and without waiting for any query or expression of his listener, told the tale.

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      It was twilight when Meshach Milburn closed his story, and silence and pallid eve drew together in the Custis sitting-room, resembling the two people there, thinking on matrimony, the one grave as conscious serpenthood could make him, the other fluttering like the charmed bird. Vesta spoke first:

      "How intense must be your head to create so many objects around it within the world of a hat! You have only brought the story down a little way towards our times."

      "I began the tale of Raleigh out of proportion," said Milburn, "and it grew upon the same scale, like the passion I conceived for you so intensely at the outset, that in the climax of this night I am scarcely begun."

      "Yet, like Raleigh, I see the scaffold," said Vesta, with an attempt at humor that for the first time broke her down, and she raised her hands to her face to hush the burst of anguish. It would not be repressed, and one low cry, deep with the sense of desertion and captivity, sounded through the deepening room and smote Milburn's innermost heart. He obeyed an impulse he had not felt since his mother died, starting towards Vesta and throwing his arms around her, and drawing her to his breast.

      "Honey, honey," he whispered, kissing her like a child, "don't cry now, honey. It will break my heart."

      The act of nature seldom is misinterpreted; Vesta, having labored so long alone with this obdurate man, her young faculties of the head strained by the first encounter beyond her strength, accepted the friendship of his sympathy and contrition, as if he had been her father. In a few moments the paroxysm of grief was past, and she disengaged his arms.

      "You are not merciless," said Vesta. "Tell me what I must do! You have broken my father down and he cannot come to my help. Take pity on my inequality and advise me!"

      "Alas! child," said Milburn, "my advice must be in my own interest, though I wish I could find your confidence. I am a poor creature, and do not know how. It is you who must encourage the faith I feel starting somewhere in this room, like a chimney swallow that would fain fly out. Chirrup, chirrup to it, and it may come!"

      Standing a moment, trying to collect her thoughts and wholly failing, Vesta accepted the confidence he held out to her with open arms. Blushing as she had never blushed in her life, though he could not know it in the evening dark,

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