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meaning, utterly and entirely unlike anything else that is American. It is not like the Mexican pantheon; it has not the same sounds, colors, or feelings; and though many of its incidents or tales are the same as those of the Chippewas, or other tribes, we still feel that there is an incredible difference in the spirit. Its ways are not as their ways. This Wabanaki mythology, which was that which gave a fairy, an elf, a naiad, or a hero to every rock and river and ancient hill in New England, is just the one of all others which is least known to the New Englanders. When the last Indian shall be in his grave, those who come after us will ask in wonder why we had no curiosity as to the romance of our country, and so much as to that of every other land on earth.

      Much is allowed to poets and painters, and no fault was found with Mr. Longfellow for attributing to the Iroquois Hiawatha the choice exploits of the Chippewa demi-devil Manobozho. It was "all Indian" to the multitude, and one name answered as well in poetry as another, at a time when there was very little attention paid to ethnology. So that a good poem resulted, it was of little consequence that the plot was a melange of very different characters, and characteristics. And when, in connection with this, Mr. Longfellow spoke of the Chippewa tales as forming an Indian Edda, the term was doubtless in a poetic and very general sense permissible. But its want of literal truth seems to have deeply impressed the not generally over particular or accurate Schoolcraft, since his first remarks in the Introduction to the Hiawatha Legends are as follows:—

      "Where analogies are so general, there is a constant liability to mistakes. Of these foreign analogies of myth-lore, the least tangible, it is believed, is that which has been suggested with the Scandinavian mythology. That mythology is of so marked and peculiar a character that it has not been distinctly traced out of the great circle of tribes of the Indo-Germanic family. Odin and his terrific pantheon of war gods and social deities could only exist in the dreary latitudes of storms and fire which produce a Hecla and a Maelstrom. These latitudes have invariably produced nations whose influence has been felt in an elevating power over the world. From such a source the Indian could have derived none of him vague symbolisms and mental idiosyncrasies which have left him as he is found to-day, without a government and without a god."

      This is all perfectly true of the myths of Hiawat'ha-Manobozho. Nothing on earth could be more unlike the Norse legends than the "Indian Edda" of the Chippewas and Ottawas. But it was not known to this writer that there already existed in Northeastern America a stupendous mythology, derived from a land of storms and fire more terrible and wonderful than Iceland; nay, so terrible that Icelanders themselves were appalled by it. "This country," says the Abbe Morillot, "is the one most suggestive of superstition. Everything there, sea, earth, or heaven, is strange." The wild cries which rise from the depths of the caverned ice-hills, and are reechoed by the rocks, icebergs, or waves, were dreadful to Egbert Olafson in the seventeenth century. The interior is a desert without parallel for desolation. A frozen Sahara seen by Northern lightning and midnight suns is but a suggestion of this land. The sober Moravian missionary Crantz once only in his life rose to poetry, when more than a century ago he spoke of its scenery. Here then was the latitude of storm and fire required by Schoolcraft to produce something wilder and grander than he had ever found among Indians. And here indeed there existed all the time a cycle of mythological legends or poems such as he declared Indians incapable of producing. But strangest of all, this American mythology of the North, which has been the very last to become known to American readers, is literally so nearly like the Edda itself that as this work fully proves, there is hardly a song in the Norse collection which does not contain an incident found in the Indian poem-legends, while in several there are many such coincidences. Thus, in the Edda we are told that the first birth on earth was that of a giant girl and boy, begotten by the feet of a giant and born from his armpit. In the Wabanaki legends, the first birth was of Glooskap, the Good principle, and Malsum the Wolf, or Evil principle. The Wolf was born from his mother's armpit. He is sometimes male and sometimes female. His feet are male and female, and converse. We pass on only twelve lines in the Edda (Vafthrudnismal, 36) to be told that the wind is caused by a giant in eagle's plumage, who sits on a rock far in the north "at the end of heaven." This is simply and literally the Wochowsen or Windblower of the Wabanaki word for word—not the "Thunder-Bird" of the Western Indians. The second birth on earth, according to the Edda, was that of man. Odin found Ash and Elm "nearly powerless," and gave them sense. This was the first man and woman. According to the Indians of Maine, Glooskap made the first men from the ash-tree. They lived or were in it, "devoid of sense" till he gave it to them. It is to be observed that primevally among the Norse the ash alone stood for man. So it goes on through the whole Edda, of which all the main incidents are to be found among the sagas of the Wabanaki. The most striking of these are the coincidences between Lox (lynx, wolf, wolverine, badger, or raccoon, and sometimes man) and Loki. It is very remarkable indeed that the only two religions in the world which possess a devil in whom mischief predominates should also give to each the same adventures, if both did not come from the same source. In the Hymiskvida of the Edda, two giants go to fish for whales, and then have a contest which is actually one of heat against cold. This is so like a Micmac legend in every detail that about twenty lines are word for word the same in the Norse and Indian. The Micmac giants end their whale fishing by trying to freeze one another to death.

      It is to the Rev. Silas T. Rand that the credit belongs of having discovered Glooskap, and of having first published in the Dominion Monthly several of these Northern legends. After I had collected nearly a hundred among the Passamaquoddy and Penobscot Indians, this gentleman, with unexampled kindness, lent me a manuscript of eighty-four Micmac tales, making in all nine hundred folio pages. Many were similar to others in my collection, but I have never yet received a duplicate which did not contain something essential to the whole. Though the old Indians all declare that most of their lore has perished, especially the more recondite mythic poems, I am confident that much more remains to be gathered than I have given in this work. As it is, I have omitted many tales simply because they were evidently Canadian French stories. Yet all of these, without exception, are half Indian, and it may be old Norse modified; for a French story is sometimes the same with one in the Eddas. Again, for want of room I have not given any Indian tales or chronicles of the wars with the Mohawks. Of these I have enough to make a very curious volume.

      These legends belong to all New England. Many of them exist as yet among the scattered fragments of Indian tribes here and there. The Penobscots of Oldtown, Maine, still possess many. In fact, there is not an old Indian, male or female, in New England or Canada who does not retain stories and songs of the greatest interest. I sincerely trust that this work may have the effect of stimulating collection. Let every reader remember that everything thus taken down, and deposited in a local historical society, or sent to the Ethnological Bureau at Washington, will forever transmit the name of its recorder to posterity. Archaeology is as yet in its very beginning; when the Indians shall have departed it will grow to giant-like proportions, and every scrap of information relative to them will be eagerly investigated. And the man does not live who knows what may be made of it all. I need not say that I should be grateful for such Indian lore of any kind whatever which may be transmitted to me.

      It may very naturally be asked by many how it came to pass that the Indians of Maine and of the farther north have so much of the Edda in their sagas; or, if it was derived through the Eskimo tribes, how these got it from Norsemen, who were professedly Christians. I do not think that the time has come for fully answering the first question. There is some great mystery of mythology, as yet unsolved, regarding the origin of the Edda and its relations with the faiths and folk-lore of the elder Shamanic beliefs, such as Lapp, Finn, Samoyed, Eskimo, and Tartar. This was the world's first religion; it is found in the so-called Accadian Turanian beginning of Babylon, whence it possibly came from the West. But what we have here to consider is whether the Norsemen did directly influence the Eskimo and Indians. Let us first consider that these latter were passionately fond of stories, and that they had attained to a very high standard of culture as regards both appreciation and invention. They were as fond of recitations as any white man is of reading. Their memories were in this respect very remarkable indeed. They have taken into their repertory during the past two hundred years many French fairy tales, through the Canadians. Is it not likely that they listened to the Northmen?

      It is not generally noted among our learned men how long the Icelanders remained in Greenland,

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