LITMIR.BIZ

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at a point where it is parted only by a low wall from the westward declivity, they paused and looked towards the setting sun.

      "What a noise from Fuorigrotta!" murmured Spence, when he had leaned for a moment on the wall. "It always amuses me. Only in this part of the world could so small a place make such a clamour."

      They were looking away from Naples. At the foot of the vine-covered hillside lay the noisy village, or suburb, named from its position at the outer end of the tunnel which the Romans pierced to make a shorter way between Naples and Puteoli; thence stretched an extensive plain, set in a deep amphitheatre of hills, and bounded by the sea. Vineyards and maizefields, pine-trees and poplars, diversify its surface, and through the midst of it runs a long, straight road, dwindling till it reaches the shore at the hamlet of Bagnoli. Follow the enclosing ridge to the left, to where its slope cuts athwart plain and sea and sky; there close upon the coast lies the island rock of Nisida, meeting-place of Cicero and Brutus after Caesar's death. Turn to the opposite quarter of the plain. First rises the cliff of Camaldoli, where from their oak-shadowed lawn the monks look forth upon as fair a prospect as is beheld by man. Lower hills succeed, hiding Pozzuoli and the inner curve of its bay; behind them, too, is the nook which shelters Lake Avernus; and at a little distance, by the further shore, are the ruins of Cumae, first home of the Greeks upon Italian soil. A long promontory curves round the gulf; the dark crag at the end of it is Cape Misenum, and a little on the hither side, obscured in remoteness, lies what once was Baiae. Beyond the promontory gleams again a blue line of sea. The low length of Procida is its limit, and behind that, crowning the view, stands the mountain-height of Ischia.

      Over all, the hues of an autumn evening in Campania. From behind a bulk of cloud, here and there tossed by high wind currents into fantastic shapes, sprang rays of fire, burning to the zenith. Between the sea-beach at Bagnoli and the summit of Ischia, tract followed upon tract of colour that each moment underwent a subtle change, darkening here, there fading into exquisite transparencies of distance, till by degrees the islands lost projection and became mere films against the declining day. The plain was ruddy with dead vine-leaves, and golden with the decaying foliage of the poplars; Camaldoli and its neighbour heights stood gorgeously enrobed. In itself, a picture so beautiful that the eye wearied with delight; in its memories, a source of solemn joy, inexhaustible for ever.

      "I suppose," said Mallard, in the undertone of reflection, "the pagan associations of Naples are a great obstacle to Mrs. Baske's enjoyment of the scenery."

      "She admits that."

      "By-the-bye, what are likely to be the relations between her and Miss Doran?"

      "I have wondered. They seem to keep on terms of easy correspondence. But doesn't Cecily herself throw any light on that point?"

      Mallard made a pause before answering.

      "You must remember that I know very little of her. I have never spoken more intimately with her than you yourself have. Naturally, since she has ceased to be a child, I have kept my distance. In fact, I shall be heartily glad when the next three years are over, and we can shake hands with a definite good-bye."

      "What irritates you?" inquired Spence, with a smile which recognized a phase of his friend's character.

      "The fact of my position. A nice thing for a fellow like me to have charge of a fortune! It oppresses me—the sense of responsibility; I want to get the weight off my shoulders. What the deuce did her father mean by burdening me in this way?"

      "He foresaw nothing of the kind," said Spence, amused. "Only the unlikely event of Trench's death left you sole trustee. If Doran purposed anything at all—why, who knows what it may have been?"

      Mallard refused to meet the other's look; his eyes were fixed on the horizon.

      "All the same, the event was possible, and he should have chosen another man of business. It's worse than being rich on my own account. I have dreams of a national repudiation of debt; I imagine dock-companies failing and banks stopping payment. It disturbs my work; I am tired of it. Why can't I transfer the affair to some trustworthy and competent person; yourself, for instance? Why didn't Doran select you, to begin with—the natural man to associate with Trench?"

      "Who never opened a book save his ledger; who was the model of a reputable dealer in calicoes; who—"

      "I apologize," growled Mallard. "But you know in what sense I spoke."

      "Pray, what has Cecily become since I saw her in London?" asked the other, after a pause, during which he smiled his own interpretation of Mallard's humour.

      "A very superior young person, I assure you," was the reply, gravely spoken. "Miss Doran is a young woman of her time; she ranks with the emancipated; she is as far above the Girton girl as that interesting creature is above the product of an establishment for young ladies. Miss Doran has no prejudices, and, in the vulgar sense of the word, no principles. She is familiar with the Latin classics and with the Parisian feuilletons; she knows all about the newest religion, and can tell you Sarcey's opinion of the newest play. Miss Doran will discuss with you the merits of Sarah Bernhardt in 'La Dame aux Camelias,' or the literary theories of the brothers Goncourt. I am not sure that she knows much about Shakespeare, but her appreciation of Baudelaire is exquisite. I don't think she is naturally very cruel, but she can plead convincingly the cause of vivisection. Miss Doran—"

      Spence interrupted him with a burst of laughter.

      "All which, my dear fellow, simply means that you—"

      Mallard, in his turn, interrupted gruffly.

      "Precisely: that I am the wrong man to hold even the position of steward to one so advanced. What have I to do with heiresses and fashionable ladies? I have my work to get on with, and it shall not suffer from the intrusion of idlers."

      "I see you direct your diatribe half against Mrs. Lessingham. How has she annoyed you?"

      "Annoyed me? You never were more mistaken. It's with myself that I am annoyed."

      "On what account?"

      "For being so absurd as to question sometimes whether my responsibility doesn't extend beyond stock and share. I ask myself whether Doran—who so befriended me, and put such trust in me, and paid me so well in advance for the duties I was to undertake—didn't take it for granted that I should exercise some influence in the matter of his daughter's education? Is she growing up what he would have wished her to be? And if—"

      "Why, it's no easy thing to say what views he had on this subject. The lax man, we know, is often enough severe with his own womankind. But as you have given me no description of what Cecily really is, I can offer no judgment. Wait till I have seen her. Doubtless she fulfils her promise of being beautiful?"

      "Yes; there is no denying her beauty."

      "As for her modonite, why, Mr. Ross Mallard is a singular person to take exception on that score."

      "I don't know about that. When did I say that the modern woman was my ideal?"

      "When had you ever a good word for the system which makes of woman a dummy and a kill-joy?"

      "That has nothing to do with the question," replied Mallard, preserving a tone of gruff impartiality. "Have I been faithful to my stewardship? When I consented to Cecily's—to Miss Doran's passing from Mrs. Elgar's care to that of Mrs. Lessingham, was I doing right?"

      "Mallard, you are a curious instance of the Puritan conscience surviving in a man whose intellect is liberated. The note of your character, including your artistic character, is this conscientiousness. Without it, you would have had worldly success long ago. Without it, you wouldn't talk nonsense of Cecily Doran. Had you rather she were co-operating with Mrs. Baske in a scheme to rebuild all the chapels in Lancashire?"

      "There is a medium."

      "Why, yes. A neither this nor that, an insipid refinement, a taste for culture moderated by reverence for Mrs. Grundy."

      "Perhaps you are right. It's only occasionally that I am troubled in this way. But I heartily wish

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