LITMIR.BIZ

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Among civilians I am what they call in Scotland a ne'er-do-weel. I have no head for papers, sir. I can stand any fire better than a fire of cross questions. I mentioned to Mr. Smallweed, only an hour or so ago, that when I come into things of this kind I feel as if I was being smothered. And that is my sensation," says Mr. George, looking round upon the company, "at the present moment."

      With that, he takes three strides forward to replace the papers on the lawyer's table and three strides backward to resume his former station, where he stands perfectly upright, now looking at the ground and now at the painted ceiling, with his hands behind him as if to prevent himself from accepting any other document whatever.

      Under this provocation, Mr. Smallweed's favourite adjective of disparagement is so close to his tongue that he begins the words "my dear friend" with the monosyllable "brim," thus converting the possessive pronoun into brimmy and appearing to have an impediment in his speech. Once past this difficulty, however, he exhorts his dear friend in the tenderest manner not to be rash, but to do what so eminent a gentleman requires, and to do it with a good grace, confident that it must be unobjectionable as well as profitable. Mr. Tulkinghorn merely utters an occasional sentence, as, "You are the best judge of your own interest, sergeant." "Take care you do no harm by this." "Please yourself, please yourself." "If you know what you mean, that's quite enough." These he utters with an appearance of perfect indifference as he looks over the papers on his table and prepares to write a letter.

      Mr. George looks distrustfully from the painted ceiling to the ground, from the ground to Mr. Smallweed, from Mr. Smallweed to Mr. Tulkinghorn, and from Mr. Tulkinghorn to the painted ceiling again, often in his perplexity changing the leg on which he rests.

      "I do assure you, sir," says Mr. George, "not to say it offensively, that between you and Mr. Smallweed here, I really am being smothered fifty times over. I really am, sir. I am not a match for you gentlemen. Will you allow me to ask why you want to see the captain's hand, in the case that I could find any specimen of it?"

      Mr. Tulkinghorn quietly shakes his head. "No. If you were a man of business, sergeant, you would not need to be informed that there are confidential reasons, very harmless in themselves, for many such wants in the profession to which I belong. But if you are afraid of doing any injury to Captain Hawdon, you may set your mind at rest about that."

      "Aye! He is dead, sir."

      "IS he?" Mr. Tulkinghorn quietly sits down to write.

      "Well, sir," says the trooper, looking into his hat after another disconcerted pause, "I am sorry not to have given you more satisfaction. If it would be any satisfaction to any one that I should be confirmed in my judgment that I would rather have nothing to do with this by a friend of mine who has a better head for business than I have, and who is an old soldier, I am willing to consult with him. I—I really am so completely smothered myself at present," says Mr. George, passing his hand hopelessly across his brow, "that I don't know but what it might be a satisfaction to me."

      Mr. Smallweed, hearing that this authority is an old soldier, so strongly inculcates the expediency of the trooper's taking counsel with him, and particularly informing him of its being a question of five guineas or more, that Mr. George engages to go and see him. Mr. Tulkinghorn says nothing either way.

      "I'll consult my friend, then, by your leave, sir," says the trooper, "and I'll take the liberty of looking in again with the final answer in the course of the day. Mr. Smallweed, if you wish to be carried downstairs—"

      "In a moment, my dear friend, in a moment. Will you first let me speak half a word with this gentleman in private?"

      "Certainly, sir. Don't hurry yourself on my account." The trooper retires to a distant part of the room and resumes his curious inspection of the boxes, strong and otherwise.

      "If I wasn't as weak as a brimstone baby, sir," whispers Grandfather Smallweed, drawing the lawyer down to his level by the lapel of his coat and flashing some half-quenched green fire out of his angry eyes, "I'd tear the writing away from him. He's got it buttoned in his breast. I saw him put it there. Judy saw him put it there. Speak up, you crabbed image for the sign of a walking-stick shop, and say you saw him put it there!"

      This vehement conjuration the old gentleman accompanies with such a thrust at his granddaughter that it is too much for his strength, and he slips away out of his chair, drawing Mr. Tulkinghorn with him, until he is arrested by Judy, and well shaken.

      "Violence will not do for me, my friend," Mr. Tulkinghorn then remarks coolly.

      "No, no, I know, I know, sir. But it's chafing and galling—it's—it's worse than your smattering chattering magpie of a grandmother," to the imperturbable Judy, who only looks at the fire, "to know he has got what's wanted and won't give it up. He, not to give it up! HE! A vagabond! But never mind, sir, never mind. At the most, he has only his own way for a little while. I have him periodically in a vice. I'll twist him, sir. I'll screw him, sir. If he won't do it with a good grace, I'll make him do it with a bad one, sir! Now, my dear Mr. George," says Grandfather Smallweed, winking at the lawyer hideously as he releases him, "I am ready for your kind assistance, my excellent friend!"

      Mr. Tulkinghorn, with some shadowy sign of amusement manifesting itself through his self-possession, stands on the hearth-rug with his back to the fire, watching the disappearance of Mr. Smallweed and acknowledging the trooper's parting salute with one slight nod.

      It is more difficult to get rid of the old gentleman, Mr. George finds, than to bear a hand in carrying him downstairs, for when he is replaced in his conveyance, he is so loquacious on the subject of the guineas and retains such an affectionate hold of his button—having, in truth, a secret longing to rip his coat open and rob him—that some degree of force is necessary on the trooper's part to effect a separation. It is accomplished at last, and he proceeds alone in quest of his adviser.

      By the cloisterly Temple, and by Whitefriars (there, not without a glance at Hanging-Sword Alley, which would seem to be something in his way), and by Blackfriars Bridge, and Blackfriars Road, Mr. George sedately marches to a street of little shops lying somewhere in that ganglion of roads from Kent and Surrey, and of streets from the bridges of London, centring in the far-famed elephant who has lost his castle formed of a thousand four-horse coaches to a stronger iron monster than he, ready to chop him into mince-meat any day he dares. To one of the little shops in this street, which is a musician's shop, having a few fiddles in the window, and some Pan's pipes and a tambourine, and a triangle, and certain elongated scraps of music, Mr. George directs his massive tread. And halting at a few paces from it, as he sees a soldierly looking woman, with her outer skirts tucked up, come forth with a small wooden tub, and in that tub commence a-whisking and a-splashing on the margin of the pavement, Mr. George says to himself, "She's as usual, washing greens. I never saw her, except upon a baggage-waggon, when she wasn't washing greens!"

      The subject of this reflection is at all events so occupied in washing greens at present that she remains unsuspicious of Mr. George's approach until, lifting up herself and her tub together when she has poured the water off into the gutter, she finds him standing near her. Her reception of him is not flattering.

      "George, I never see you but I wish you was a hundred mile away!"

      The trooper, without remarking on this welcome, follows into the musical-instrument shop, where the lady places her tub of greens upon the counter, and having shaken hands with him, rests her arms upon it.

      "I never," she says, "George, consider Matthew Bagnet safe a minute when you're near him. You are that restless and that roving—"

      "Yes! I know I am, Mrs. Bagnet. I know I am."

      "You know you are!" says Mrs. Bagnet. "What's the use of that? WHY are you?"

      "The nature of the animal, I suppose," returns the trooper good-humouredly.

      "Ah!" cries Mrs. Bagnet, something shrilly. "But what satisfaction will the nature of the animal be to me when the animal shall have tempted my Mat away from the musical business to New Zealand or Australey?"

      Mrs. Bagnet is not at all an ill-looking woman. Rather large-boned, a little coarse in the grain, and freckled by the sun and wind which

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