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she stepped softly across to an old, worn-out sofa in a far corner and knelt down, stowing away her letter and her “letterbills” snugly on a little shelf formed by a board nailed across it underneath. Emily had discovered this one day when playing in the garret and had noted it as a lovely hiding-place for secret documents. Nobody would ever come across them there. She had writing-paper enough to last for months — there must be hundreds of those jolly old letterbills.

      “Oh,” cried Emily, dancing down the garret stairs, “I feel as if I was made out of star-dust.”

      Thereafter few evenings passed on which Emily did not steal up to the garret and write a letter, long or short, to her father. The bitterness died out of her grief. Writing to him seemed to bring him so near; and she told him everything, with a certain honesty of confession that was characteristic of her — her triumphs, her failures, her joys, her sorrows, everything went down on the letterbills of a Government which had not been so economical of paper as it afterwards became. There was fully half a yard of paper in each bill and Emily wrote a small hand and made the most of every inch.

      “I like New Moon. It’s so stately and splendid here,” she told her father. “And it seems as if we must be very aristokratik when we have a sun dyal. I can’t help feeling proud of it all. I am afraid I have too much pride and so I ask God every night to take most of it away but not quite all. It is very easy to get a repputation for pride in Blair Water school. If you walk straight and hold your head up you are a proud one. Rhoda is proud, too, because her father ought to be King of England. I wonder how Queen Victoria would feel if she knew that. It’s very wonderful to have a friend who would be a princess if every one had their rites. I love Rhoda with all my heart. She is so sweet and kind. But I don’t like her giggles. And when I told her I could see the school wallpaper small in the air she said You lie. It hurt me awfully to have my dearest friend say that to me. And it hurt me worse when I woke up in the night and thought about it. I had to stay awake ever so long, too, because I was tired lying on one side and I was afraid to turn over because Aunt Elizabeth would think I was figitting.

      “I didn’t dare tell Rhoda about the Wind Woman because I suppose that really is a kind of lie, though she seems so real to me. I hear her now singing up on the roof around the big chimneys. I have no Emily-in-the-glass here. The looking-glasses are all too high up in the rooms I’ve been in. I’ve never been in the lookout. It is always locked. It was Mother’s room and Cousin Jimmy says her father locked it up after she ran away with you and Aunt Elizabeth keeps it locked still out of respect to his memory, though Cousin Jimmy says Aunt Elizabeth used to fight with her father something scandalus when he was alive though no outsider knew of it because of the Murray pride. I feel that way myself. When Rhoda asked me if Aunt Elizabeth burned candles because she was old-fashioned I answered hawtily no, it was a Murray tradishun. Cousin Jimmy has told me all the tradishuns of the Murrays. Saucy Sal is very well and bosses the barns but still she will not have kittens and I can’t understand it. I asked Aunt Elizabeth about it and she said nice little girls didn’t talk about such things but I cannot see why kittens are improper. When Aunt Elizabeth is away Aunt Laura and I smuggle Sal into the house but when Aunt Elizabeth comes back I always feel gilty and wish I hadn’t. But the next time I do it again. I think that very strange. I never hear about dear Mike. I wrote Ellen Greene and asked about him and she replyed and never mentioned Mike but told me all about her roomatism. As if I cared about her roomatism.

      “Rhoda is going to have a birthday party and she is going to invite me. I am so excited. You know I never was to a party before. I think about it a great deal and picture it out. Rhoda is not going to invite all the girls but only a favered few. I hope Aunt Elizabeth will let me ware my white dress and good hat. Oh, Father, I pinned that lovely picture of the lace ball dress up on the wall of Aunt Elizabeth’s room, just like I had it at home and Aunt Elizabeth took it down and burned it and skolded me for making pin marks in the paper. I said Aunt Elizabeth you should not have burned that picture. I wanted to have it when I grow up to have a dress made like it for balls. And Aunt Elizabeth said Do you expect to attend many balls if I may ask and I said Yes when I am rich and famus and Aunt Elizabeth said Yes when the moon is made of green cheese.

      “I saw Dr Burnley yesterday when he came over to buy some eggs from Aunt Elizabeth. I was disappointed because he looks just like other people. I thought a man who didn’t believe in God would look queer in some way. He did not sware either and I was sorry for I have never heard any one sware and I am very angshus to. He has big yellow eyes like Ilse and a loud voice and Rhoda says when he gets mad you can hear him yelling all over Blair Water. There is some mystery about Ilse’s mother which I cannot fathom. Dr Burnley and Ilse live alone. Rhoda says Dr Burnley says he will have no devils of women in that house. That speech is wikked but striking. Old Mrs Simms goes over and cooks dinner and supper for them and then vamooses and they get their own breakfast. The doctor sweeps out the house now and then and Ilse never does anything but run wild. The doctor never smiles so Rhoda says. He must be like King Henry the Second.

      “I would like to get akwanted with Ilse. She isn’t as sweet as Rhoda but I like her looks, too. But she doesn’t come to school much and Rhoda says I mustn’t have any chum but her or she will cry her eyes out. Rhoda loves me as much as I love her. We are both going to pray that we may live together all our lives and die the same day.

      “Aunt Elizabeth always puts up my school dinner for me. She won’t give me anything but plain bread and butter but she cuts good thick slices and the butter is thick too and never has the horrid taste Ellen Greene’s butter used to have. And Aunt Laura slips in a cooky or an apple turnover when Aunt Elizabeth’s back is turned. Aunt Elizabeth says apple turnovers are not helthy for me. Why is it that the nicest things never are helthy, Father? Ellen Greene used to say that too.

      “My teacher’s name is Miss Brownell. I don’t like the cut of her jib. (That is a naughtical frays that Cousin Jimmy uses. I know frays is not spelled right but there is no dixonary at New Moon but that is the sound of it.) She is too sarkastik and she likes to make you rediklus. Then she laughs at you in a disagreeable, snorting way. But I forgave her for slapping me and I took a bouquet to her to school next day to make up. She receeved it very coldly and let it fade on her desk. In a story she would have wepped on my neck. I don’t know whether it is any use forgiving people or not. Yes, it is, it makes you feel more comfortable yourself. You never had to ware baby aprons and sunbonnets because you were a boy so you can’t understand how I feel about it. And the aprons are made of such good stuff that they will never ware out and it will be years before I grow out of them. But I have a white dress for church with a black silk sash and a white leghorn hat with black bows and black kid slippers, and I feel very elegant in them. I wish I could have a bang but Aunt Elizabeth will not hear of it. Rhoda told me I had beautiful eyes. I wish she hadn’t. I have always suspekted my eyes were beautiful but I was not sure. Now that I know they are I’m afraid I’ll always be wondering if people notis it. I have to go to bed at half past eight and I don’t like it but I sit up in bed and look out of the window till it gets dark, so I get square with Aunt Elizabeth that way, and I listen to the sound the sea makes. I like it now though it always makes me feel sorrowful, but it’s a kind of a nice sorrow. I have to sleep with Aunt Elizabeth and I don’t like that either because if I move ever so little she says I figit but she admits that I don’t kick. And she won’t let me put the window up. She doesn’t like fresh air or light in the house. The parlour is dark as a toomb. I went in one day and rolled up all the blinds and Aunt Elizabeth was horrified and called me a little hussy and gave me the Murray look. You would suppose I had committed a crime. I felt so insulted that I came up to the garret and wrote a deskription of myself being drowned on a letterbill and then I felt better. Aunt Elizabeth said I was never to go into the parlour again without permission but I don’t want to. I am afraid of the parlour. All the walls are hung over with pictures of our ancestors and there is not one goodlooking person among them except Grandfather Murray who looks handsome but very cross. The spare-room is upstairs and is just as gloomy as the parlour. Aunt Elizabeth only lets distingwished people sleep there. I like the kitchen in daytime, and the garret and the cookhouse and the sitting-room and the hall because of the lovely red front door and I love the dairy, but I don’t like the other New Moon rooms. Oh, I forgot the cellar cubbord. I love to go down there and look at the beautiful rows of jam and jelly pots. Cousin

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