LITMIR.BIZ

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messenger. At any rate, she must have been dead before she could send it. But it was addressed to—Burke Collins."

      "Burke Collins!" exclaimed Kennedy and I together in amazement.

      He was one of the leading corporation lawyers in the country, director in a score of the largest companies, officer in half a dozen charities and social organisations, patron of art and opera. It seemed impossible, and I at least did not hesitate to say so. For answer O'Connor simply laid the letter and envelope down on the dresser.

      It seemed to take some time to convince Kennedy. There it was in black and white, however, in Blanche Blaisdell's own vertical hand. Try to figure it out as I could, there seemed to be only one conclusion, and that was to accept it. What it was that interested him I did not know, but finally he bent down and sniffed, not at the scented letter, but at the covering on the dresser. When he raised his head I saw that he had not been looking at the letter at all, but at a spot on the cover near it.

      "Sn-ff, sn-ff," he sniffed, thoughtfully closing his eyes as if considering something. "Yes—oil of turpentine."

      Suddenly he opened his eyes, and the blank look of abstraction that had masked his face was broken through by a gleam of comprehension that I knew flashed the truth to him intuitively.

      "Turn out that light in the corridor," he ordered quickly.

      Dr. Leslie found and turned the switch. There we were alone, in the now weird little dressing-room, alone with that horribly lovely thing lying there cold and motionless on the little white bed. Kennedy moved forward in the darkness. Gently, almost as if she were still the living, pulsing, sentient Blanche Blaisdell who had entranced thousands, he opened her mouth.

      A cry from O'Connor, who was standing in front of me, followed. "What's that, those little spots on her tongue and throat? They glow. It is the corpse light!"

      Surely enough, there were little luminous spots in her mouth. I had heard somewhere that there is a phosphorescence appearing during decay of organic substances which once gave rise to the ancient superstition of "corpse lights" and the will-o'-the-wisp. It was really due, I knew, to living bacteria. But there surely had been no time for such micro-organisms to develop, even in the almost tropic heat of the Novella. Could she have been poisoned by these phosphorescent bacilli? What was it—a strange new mouth-malady that had attacked this notorious adventuress and woman of luxury?

      Leslie had flashed up the light again before Craig spoke. We were all watching him keenly.

      "Phosphorus, phosphoric acid, or phosphoric salve," Craig said slowly, looking eagerly about the room as if in search of something that would explain it. He caught sight of the envelope still lying on the dresser. He picked it up, toyed with it, looked at the top where O'Connor had slit it, then deliberately tore the flap off the back where it had been glued in sealing the letter.

      "Put the light out again," he asked.

      Where the thin line of gum was on the back of the flap, in the darkness there glowed the same sort of brightness that we had seen in a speck here and there on Blanche Blaisdell's lips and in her mouth. The truth flashed over me. Some one had placed the stuff, whatever it was, on the flap of the envelope, knowing that she must touch her lips to it to seal it. She had done so, and the deadly poison had entered her mouth.

      As the light went up again Kennedy added: "Oil of turpentine removes traces of phosphorus, phosphoric acid, or phosphoric salve, which are insoluble in anything else except ether and absolute alcohol. Some one who knew that tried to eradicate them, but did not wholly succeed. O'Connor, see if you can find either phosphorus, the oil, or the salve anywhere in the shop."

      Then as O'Connor and Leslie hurriedly disappeared he added to me: "Another of those strange coincidences, Walter. You remember the girl at the hospital? 'Look, don't you see it? She's afire. Her lips shine—they shine, they shine!'"

      Kennedy was still looking carefully over the room. In a little wicker basket was a newspaper which was open at the page of theatrical news, and as I glanced quickly at it I saw a most laudatory paragraph about her.

      Beneath the paper were some torn scraps. Kennedy picked them up and pieced them together. "Dearest Blanche," they read. "I hope you're feeling better after that dinner last night. Can you meet me to-night? Write me immediately. Collie."

      He placed the scraps carefully in his wallet. There was nothing more to be done here apparently. As we passed down the corridor we could hear a man apparently raving in good English and bad French. It proved to be Millefleur—or Miller—and his raving was as overdone as that of a third-rate actor. Madame was trying to calm him.

      "Henri, Henri, don't go on so," she was saying.

      "A suicide—in the Novella. It will be in all the papers. We shall be ruined. Oh—oh!"

      "Here, can that sob stuff," broke in one of O'Connor's officers. "You can tell it all when the chief takes you to headquarters, see?"

      Certainly the man made no very favourable impression by his actions. There seemed to be much that was forced about them, that was more incriminating than a stolid silence would have been.

      Between them Monsieur and Madame made out, however, to repeat to Kennedy their version of what had happened. It seemed that a note addressed to Miss Blaisdell had been left by some one on the desk in the reception-room. No one knew who left it, but one of the girls had picked it up and delivered it to her in her dressing-room. A moment later she rang her bell and called for one of the girls named Agnes, who was to dress her hair. Agnes was busy, and the actress asked her to get paper, a pen, and ink. At least it seemed that way, for Agnes got them for her. A few minutes later her bell rang again, and Agnes went down, apparently to tell her that she was now ready to dress her hair.

      The next thing any one knew was a piercing shriek from the girl. She ran down the corridor, still shrieking, out into the reception-room and rushed into the elevator, which happened to be up at the time. That was the last they had seen of her. The other girls saw Miss Blaisdell lying dead, and a panic followed. The customers dressed quickly and fled, almost in panic. All was confusion. By that time a policeman had arrived, and soon after O'Connor and the coroner had come.

      There was little use in cross-questioning the couple. They had evidently had time to agree on the story; that is, supposing it were not true. Only a scientific third degree could have shaken them, and such a thing was impossible just at that time.

      From the line of Kennedy's questions I could see that he believed that there was a hiatus somewhere in their glib story, at least some point where some one had tried to eradicate the marks of the poison.

      "Here it is. We found it," interrupted O'Connor, holding up in his excitement a bottle covered with black cloth to protect it from the light. "It was in the back of a cabinet in the operating-room, and it is marked 'Ether phosphoré,' Another of oil of turpentine was on a shelf in another cabinet. Both seem to have been used lately, judging by the wetness of the bottoms of the glass stoppers."

      "Ether phosphoré, phosphorated ether," commented Kennedy, reading the label to himself. "A remedy from the French Codex, composed, if I remember rightly, of one part phosphorus and fifty parts sulphuric ether. Phosphorus is often given as a remedy for loss of nerve power, neuralgia, hysteria, and melancholia. In quantities from a fiftieth to a tenth or so of a grain free phosphorus is a renovator of nerve tissue and nerve force, a drug for intense and long-sustained anxiety of mind and protracted emotional excitement—in short, for fast living."

      He uncorked the bottle, and we tasted the stuff. It was unpleasant and nauseous. "I don't see why it wasn't used in the form of pills. The liquid form of a few drops on gum arable is hopelessly antiquated."

      The elevator door opened with a clang, and a well-built, athletic looking man of middle age with an acquired youngish look about his clothes and clean-shaven face stepped out. His face was pale, and his hand shook with emotion that showed that something had unstrung his usually cast-iron nerves. I recognised Burke Collins at once.

      In spite of his nervousness he strode forward with the air of a man accustomed to being obeyed, to having everything done for him merely

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