Quo Vadis - Henryk Sienkiewicz

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to me, to the degree that just now the centurion was here with information that he had conducted the maiden to the palace and committed her to Acte. She is a good soul, that Acte; hence I gave command to deliver Lygia to her. Clearly Pomponia Græcina is of that opinion too, for she wrote to Acte. To-morrow there is a feast at Nero’s. I have requested a place for thee at the side of Lygia.”

      “Pardon me, Caius, my hastiness. I judged that thou hadst given command to take her for thyself or for Cæsar.”

      “I can forgive thy hastiness; but it is more difficult to forgive rude gestures, vulgar shouts, and a voice reminding one of players at mora. I do not like that style, Marcus, and do thou guard against it. Know that Tigellinus is Cæsar’s pander; but know also that if I wanted the girl for myself now, looking thee straight in the eyes, I would say, ‘Vinicius! I take Lygia from thee and I will keep her till I am tired of her.”

      Thus speaking, he began to look with his hazel eyes straight into the eyes of Vinicius with a cold and insolent stare. The young man lost himself completely.

      “The fault is mine,” said he. “Thou art kind and worthy. I thank thee from my whole soul. Permit me only to put one more question: Why didst thou not have Lygia sent directly to my house?”

      “Because Cæsar wishes to preserve appearances. People in Rome will talk about this—that we removed Lygia as a hostage. While they are talking, she will remain in Cæsar’s palace. Afterward she will be removed quietly to thy house, and that will be the end. Bronzebeard is a cowardly cur. He knows that his power is unlimited, and still he tries to give specious appearances to every act. Hast thou recovered to the degree of being able to philosophize a little? More than once have I thought, Why does crime, even when as powerful as Cæsar, and assured of being beyond punishment, strive always for the appearances of truth, justice, and virtue? Why does it take the trouble? I consider that to murder a brother, a mother, a wife, is a thing worthy of some petty Asiatic king, not a Roman Cæsar; but if that position were mine, I should not write justifying letters to the Senate. But Nero writes. Nero is looking for appearances, for Nero is a coward. But Tiberius was not a coward; still he justified every step he took. Why is this? What a marvellous, involuntary homage paid to virtue by evil! And knowest thou what strikes me? This, that it is done because transgression is ugly and virtue is beautiful. Therefore a man of genuine æsthetic feeling is also a virtuous man. Hence I am virtuous. To-day I must pour out a little wine to the shades of Protagoras, Prodicus, and Gorgias. It seems that sophists too can be of service. Listen, for I am speaking yet. I took Lygia from Aulus to give her to thee. Well. But Lysippus would have made wonderful groups of her and thee. Ye are both beautiful; therefore my act is beautiful, and being beautiful it cannot be bad. Marcus, here sitting before thee is virtue incarnate in Caius Petronius! If Aristides were living, it would be his duty to come to me and offer a hundred minæ for a short treatise on virtue.”

      But Vinicius, as a man more concerned with reality than with treatises on virtue, replied—“To-morrow I shall see Lygia, and then have her in my house daily, always, and till death.”

      “Thou wilt have Lygia, and I shall have Aulus on my head. He will summon the vengeance of all the infernal gods against me. And if the beast would take at least a preliminary lesson in good declamation! He will blame me, however, as my former doorkeeper blamed my clients but him I sent to prison in the country.”

      “Aulus has been at my house. I promised to give him news of Lygia.”

      “Write to him that the will of the ‘divine’ Cæsar is the highest law, and that thy first son will bear the name Aulus. It is necessary that the old man should have some consolation. I am ready to pray Bronzebeard to invite him to-morrow to the feast. Let him see thee in the triclinium next to Lygia.”

      “Do not do that. I am sorry for them, especially for Pomponia.”

      And he sat down to write that letter which took from the old general the remnant of his hope.

       Table of Contents

      ONCE the highest heads in Rome inclined before Acte, the former favorite of Nero. But even at that period she showed no desire to interfere in public questions, and if on any occasion she used her influence over the young ruler, it was only to implore mercy for some one. Quiet and unassuming, she won the gratitude of many, and made no one her enemy. Even Octavia was unable to hate her. To those who envied her she seemed exceedingly harmless. It was known that she continued to love Nero with a sad and pained love, which lived not in hope, but only in memories of the time in which that Nero was not only younger and loving, but better. It was known that she could not tear her thoughts and soul from those memories, but expected nothing; since there was no real fear that Nero would return to her, she was looked upon as a person wholly inoffensive, and hence was left in peace. Poppæa considered her merely as a quiet servant, so harmless that she did not even try to drive her from the palace.

      But since Cæsar had loved her once and dropped her without offence in a quiet and to some extent friendly manner, a certain respect was retained for her. Nero, when he had freed her, let her live in the palace, and gave her special apartments with a few servants. And as in their time Pallas and Narcissus, though freedmen of Claudius, not only sat at feasts with Claudius, but also held places of honor as powerful ministers, so she too was invited at times to Cæsar’s table. This was done perhaps because her beautiful form was a real ornament to a feast. Cæsar for that matter had long since ceased to count with any appearances in his choice of company. At his table the most varied medley of people of every position and calling found places. Among them were senators, but mainly those who were content to be jesters as well. There were patricians, old and young, eager for luxury, excess, and enjoyment. There were women with great names, who did not hesitate to put on a yellow wig of an evening and seek adventures on dark streets for amusement’s sake. There were also high officials, and priests who at full goblets were willing to jeer at their own gods. At the side of these was a rabble of every sort: singers, mimes, musicians, dancers of both sexes; poets who, while declaiming, were thinking of the sesterces which might fall to them for praise of Cæsar’s verses; hungry philosophers following the dishes with eager eyes; finally, noted charioteers, tricksters, miracle-wrights, tale-tellers, jesters, and the most varied adventurers brought through fashion or folly to a few days’ notoriety. Among these were not lacking even men who covered with long hair their ears pierced in sign of slavery.

      The most noted sat directly at the tables; the lesser served to amuse in time of eating, and waited for the moment in which the servants would permit them to rush at the remnants of food and drink. Guests of this sort were furnished by Tigellinus, Vatinius, and Vitelius; for these guests they were forced more than once to find clothing befitting the chambers of Cæsar, who, however, liked their society, through feeling most free in it. The luxury of the court gilded everything, and covered all things with glitter. High and low, the descendants of great families, and the needy from the pavements of the city, great artists, and vile scrapings of talent, thronged to the palace to sate their dazzled eyes with a splendor almost surpassing human estimate, and to approach the giver of every favor, wealth, and property—whose single glance might abase, it is true, but might also exalt beyond measure.

      That day Lygia too had to take part in such a feast. Fear, uncertainty, and a dazed feeling, not to be wondered at after the sudden change, were struggling in her with a wish to resist. She feared Nero; she feared the people and the palace whose uproar deprived her of presence of mind; she feared the feasts of whose shamelessness she had heard from Aulus, Pomponia Græcina, and their friends. Though young, she was not without knowledge, for knowledge of evil in those times reached even children’s ears early. She knew, therefore, that ruin was threatening her in the palace. Pomponia, moreover, had warned her of this at the moment of parting. But having a youthful spirit, unacquainted with corruption, and confessing a lofty faith, implanted in her by her foster mother, she had promised to defend herself against that ruin; she had promised her mother, herself and also that Divine Teacher in whom she not only believed, but whom she had

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