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but as it is not credible that they can obtain the same materials, it must be expected they will supply from invention the want of intelligence; and that under the title of “The Life of Savage,” they will publish only a novel, filled with romantick adventures, and imaginary amours. You may therefore, perhaps, gratify the lovers of truth and wit, by giving me leave to inform them in your Magazine, that my account will be published in 8vo. by Mr. Roberts, in Warwick-lane[477].’

      [No signature.]

      [Page 165: Reynolds reads THE LIFE OF SAVAGE. Ætat 35.]

      In February, 1744, it accordingly came forth from the shop of Roberts, between whom and Johnson I have not traced any connection, except the casual one of this publication[478]. In Johnson’s Life of Savage, although it must be allowed that its moral is the reverse of—’Respicere exemplar vita morumque jubebo[479],’ a very useful lesson is inculcated, to guard men of warm passions from a too free indulgence of them; and the various incidents are related in so clear and animated a manner, and illuminated throughout with so much philosophy, that it is one of the most interesting narratives in the English language. Sir Joshua Reynolds told me, that upon his return from Italy[480] he met with it in Devonshire, knowing nothing of its authour, and began to read it while he was standing with his arm leaning against a chimney-piece. It seized his attention so strongly, that, not being able to lay down the book till he had finished it, when he attempted to move, he found his arm totally benumbed. The rapidity with which this work was composed, is a wonderful circumstance. Johnson has been heard to say, ‘I wrote forty-eight of the printed octavo pages of the Life of Savage at a sitting; but then I sat up all night[481].’

      [Page 166: Resemblance of Johnson to Savage. A.D. 1744.]

      He exhibits the genius of Savage to the best advantage in the specimens of his poetry which he has selected, some of which are of uncommon merit. We, indeed, occasionally find such vigour and such point, as might make us suppose that the generous aid of Johnson had been imparted to his friend. Mr. Thomas Warton made this remark to me; and, in support of it, quoted from the poem entitled The Bastard, a line, in which the fancied superiority of one ‘stamped in Nature’s mint with extasy[482],’ is contrasted with a regular lawful descendant of some great and ancient family:

      ‘No tenth transmitter of a foolish face[483].’

      But the fact is, that this poem was published some years before Johnson and Savage were acquainted[484].

      [Page 167: Johnson’s prejudice against players. Ætat 35.]

      It is remarkable, that in this biographical disquisition there appears a very strong symptom of Johnson’s prejudice against players[485]; a prejudice which may be attributed to the following causes: first, the imperfection of his organs, which were so defective that he was not susceptible of the fine impressions which theatrical excellence produces upon the generality of mankind; secondly, the cold rejection of his tragedy; and, lastly, the brilliant success of Garrick, who had been his pupil, who had come to London at the same time with him, not in a much more prosperous state than himself, and whose talents he undoubtedly rated low, compared with his own. His being outstripped by his pupil in the race of immediate fame, as well as of fortune, probably made him feel some indignation, as thinking that whatever might be Garrick’s merits in his art, the reward was too great when compared with what the most successful efforts of literary labour could attain. At all periods of his life Johnson used to talk contemptuously of players[486]; but in this work he speaks of them with peculiar acrimony; for which, perhaps, there was formerly too much reason from the licentious and dissolute manners of those engaged in that profession[487]. It is but justice to add, that in our own time such a change has taken place, that there is no longer room for such an unfavourable distinction[488].

      [Page 168: Garrick’s mistakes in emphasis. A.D. 1744.]

      His schoolfellow and friend, Dr. Taylor, told me a pleasant anecdote of Johnson’s triumphing over his pupil David Garrick. When that great actor had played some little time at Goodman’s fields, Johnson and Taylor went to see him perform, and afterwards passed the evening at a tavern with him and old Giffard[489]. Johnson, who was ever depreciating stage-players, after censuring some mistakes in emphasis which Garrick had committed in the course of that night’s acting, said, ‘the players, Sir, have got a kind of rant, with which they run on, without any regard either to accent or emphasis[490].’ Both Garrick and Giffard were offended at this sarcasm, and endeavoured to refute it; upon which Johnson rejoined, ‘Well now, I’ll give you something to speak, with which you are little acquainted, and then we shall see how just my observation is. That shall be the criterion. Let me hear you repeat the ninth Commandment, “Thou shalt not bear false witness against thy neighbour.”’ Both tried at it, said Dr. Taylor, and both mistook the emphasis, which should be upon not and false witness[491]. Johnson put them right, and enjoyed his victory with great glee.

      [Page 169: A review in THE CHAMPION. Ætat 35.]

      His Life of Savage was no sooner published, than the following liberal praise was given to it, in The Champion, a periodical paper: ‘This pamphlet is, without flattery to its authour, as just and well written a piece as of its kind I ever saw; so that at the same time that it highly deserves, it certainly stands very little in need of this recommendation. As to the history of the unfortunate person, whose memoirs compose this work, it is certainly penned with equal accuracy and spirit, of which I am so much the better judge, as I know many of the facts mentioned to be strictly true, and very fairly related. Besides, it is not only the story of Mr. Savage, but innumerable incidents relating to other persons, and other affairs, which renders this a very amusing, and, withal, a very instructive and valuable performance. The author’s observations are short, significant, and just, as his narrative is remarkably smooth, and well disposed. His reflections open to all the recesses of the human heart; and, in a word, a more just or pleasant, a more engaging or a more improving treatise, on all the excellencies and defects of human nature, is scarce to be found in our own, or, perhaps, any other language[492].’

      [Page 170: Parentage of Richard Savage. A.D. 1744.]

      Johnson’s partiality for Savage made him entertain no doubt of his story, however extraordinary and improbable. It never occurred to him to question his being the son of the Countess of Macclesfield, of whose unrelenting barbarity he so loudly complained, and the particulars of which are related in so strong and affecting a manner in Johnson’s life of him. Johnson was certainly well warranted in publishing his narrative, however offensive it might be to the lady and her relations, because her alledged unnatural and cruel conduct to her son, and shameful avowal of guilt, were stated in a Life of Savage now lying before me, which came out so early as 1727, and no attempt had been made to confute it, or to punish the authour or printer as a libeller: but for the honour of human nature, we should be glad to find the shocking tale not true; and, from a respectable gentleman[493] connected with the lady’s family, I have received such information and remarks, as joined to my own inquiries, will, I think, render it at least somewhat doubtful, especially when we consider that it must have originated from the person himself who went by the name of Richard Savage.

      If the maxim falsum in uno, falsum in omnibus, were to be received without qualification, the credit of Savage’s narrative, as conveyed to us, would be annihilated; for it contains some assertions which, beyond a question, are not true[494].

      1. In order to induce a belief that Earl Rivers, on account of a criminal connection with whom, Lady Macclesfield is said to have been divorced from her husband, by Act of Parliament[495], had a peculiar anxiety about the child which she bore to him, it is alledged, that his Lordship gave him his own name, and had it duly recorded in the register of St. Andrew’s, Holborn[496]. I have carefully inspected that register, but no such entry is to be found[497].

      [Page 171: Lady Macclesfield’s divorce. Ætat 35.]

      2. It is stated, that ‘Lady Macclesfield having lived for some time upon very uneasy terms with her husband, thought a publick confession of adultery the most obvious and expeditious method of obtaining her liberty[498];’ and Johnson, assuming this to be true, stigmatises her with indignation, as ‘the wretch who had, without

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