The Famous Cases of Dr. Thorndyke (Illustrated) - R. Austin Freeman

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the Japanese art of ju-jitsu, while the nature of the robbery was consistent with the value set by the Japanese on works of art. Finally, the fact that only a particular collection was taken, suggested a special, and probably national, character in the things stolen, while their portability—you will remember that goods of the value of from eight to twelve thousand pounds were taken away in two hand-packages—was much more consistent with Japanese than Chinese works, of which the latter tend rather to be bulky and ponderous. Still, it was nothing but a bare hypothesis until we had seen Futashima—and, indeed, is no more now. I may, after all, be entirely mistaken."

      He was not, however; and at this moment there reposes in my drawing-room an ancient netsuke, which came as a thank-offering from Mr. Isaac Löwe on the recovery of the booty from a back room in No. 13, Birket Street, Limehouse. The treasure, of course, was given in the first place to Thorndyke, but transferred by him to my wife on the pretence that but for my suggestion of shell-dust the robber would never have been traced. Which is, on the face of it, preposterous.

      The Blue Sequin

       Table of Contents

      Thorndyke stood looking up and down the platform with anxiety that increased as the time drew near for the departure of the train.

      "This is very unfortunate," he said, reluctantly stepping into an empty smoking compartment as the guard executed a flourish with his green flag. "I am afraid we have missed our friend." He closed the door, and, as the train began to move, thrust his head out of the window.

      "Now I wonder if that will be he," he continued. "If so, he has caught the train by the skin of his teeth, and is now in one of the rear compartments."

      The subject of Thorndyke's speculations was Mr. Edward Stopford, of the firm of Stopford and Myers, of Portugal Street, solicitors, and his connection with us at present arose out of a telegram that had reached our chambers on the preceding evening. It was reply-paid, and ran thus:

      "Can you come here to-morrow to direct defence? Important case. All costs undertaken by us.—STOPFORD AND MYERS."

      Thorndyke's reply had been in the affirmative, and early on this present morning a further telegram—evidently posted overnight—had been delivered:

      "Shall leave for Woldhurst by 8.25 from Charing Cross. Will call for you if possible.—EDWARD STOPFORD."

      He had not called, however, and, since he was unknown personally to us both, we could not judge whether or not he had been among the passengers on the platform.

      "It is most unfortunate," Thorndyke repeated, "for it deprives us of that preliminary consideration of the case which is so invaluable." He filled his pipe thoughtfully, and, having made a fruitless inspection of the platform at London Bridge, took up the paper that he had bought at the bookstall, and began to turn over the leaves, running his eye quickly down the columns, unmindful of the journalistic baits in paragraph or article.

      "It is a great disadvantage," he observed, while still glancing through the paper, "to come plump into an inquiry without preparation—to be confronted with the details before one has a chance of considering the case in general terms. For instance—"

      He paused, leaving the sentence unfinished, and as I looked up inquiringly I saw that he had turned over another page, and was now reading attentively.

      "This looks like our case, Jervis," he said presently, handing me the paper and indicating a paragraph at the top of the page. It was quite brief, and was headed "Terrible Murder in Kent," the account being as follows:

      "A shocking crime was discovered yesterday morning at the little town of Woldhurst, which lies on the branch line from Halbury Junction. The discovery was made by a porter who was inspecting the carriages of the train which had just come in. On opening the door of a first-class compartment, he was horrified to find the body of a fashionably-dressed woman stretched upon the floor. Medical aid was immediately summoned, and on the arrival of the divisional surgeon, Dr. Morton, it was ascertained that the woman had not been dead more than a few minutes.

      "The state of the corpse leaves no doubt that a murder of a most brutal kind has been perpetrated, the cause of death being a penetrating wound of the head, inflicted with some pointed implement, which must have been used with terrible violence, since it has perforated the skull and entered the brain. That robbery was not the motive of the crime is made clear by the fact that an expensively fitted dressing-bag was found on the rack, and that the dead woman's jewellery, including several valuable diamond rings, was untouched. It is rumoured that an arrest has been made by the local police."

      "A gruesome affair," I remarked, as I handed back the paper, "but the report does not give us much information."

      "It does not," Thorndyke agreed, "and yet it gives us something to consider. Here is a perforating wound of the skull, inflicted with some pointed implement—that is, assuming that it is not a bullet wound. Now, what kind of implement would be capable of inflicting such an injury? How would such an implement be used in the confined space of a railway-carriage, and what sort of person would be in possession of such an implement? These are preliminary questions that are worth considering, and I commend them to you, together with the further problems of the possible motive—excluding robbery—and any circumstances other than murder which might account for the injury."

      "The choice of suitable implements is not very great," I observed.

      "It is very limited, and most of them, such as a plasterer's pick or a geological hammer, are associated with certain definite occupations. You have a notebook?"

      I had, and, accepting the hint, I produced it and pursued my further reflections in silence, while my companion, with his notebook also on his knee, gazed steadily out of the window. And thus he remained, wrapped in thought, jotting down an entry now and again in his book, until the train slowed down at Halbury Junction, where we had to change on to a branch line.

      As we stepped out, I noticed a well-dressed man hurrying up the platform from the rear and eagerly scanning the faces of the few passengers who had alighted. Soon he espied us, and, approaching quickly, asked, as he looked from one of us to the other:

      "Dr. Thorndyke?"

      "Yes," replied my colleague, adding: "And you, I presume, are Mr. Edward Stopford?"

      The solicitor bowed. "This is a dreadful affair," he said, in an agitated manner. "I see you have the paper. A most shocking affair. I am immensely relieved to find you here. Nearly missed the train, and feared I should miss you."

      "There appears to have been an arrest," Thorndyke began.

      "Yes—my brother. Terrible business. Let us walk up the platform; our train won't start for a quarter of an hour yet."

      We deposited our joint Gladstone and Thorndyke's travelling-case in an empty first-class compartment, and then, with the solicitor between us, strolled up to the unfrequented end of the platform.

      "My brother's position," said Mr. Stopford, "fills me with dismay—but let me give you the facts in order, and you shall judge for yourself. This poor creature who has been murdered so brutally was a Miss Edith Grant. She was formerly an artist's model, and as such was a good deal employed by my brother, who is a painter—Harold Stopford, you know, A.R.A. now—"

      "I know his work very well, and charming work it is."

      "I think so, too. Well, in those days he was quite a youngster—about twenty—and he became very intimate with Miss Grant, in quite an innocent way, though not very discreet; but she was a nice respectable girl, as most English models are, and no one thought any harm. However, a good many letters passed between them, and some little presents, amongst which was a beaded chain carrying a locket, and in this he was fool enough to put his portrait and the inscription, 'Edith, from Harold.'

      "Later on Miss Grant, who had a rather good voice, went on the stage, in the comic opera line, and, in consequence,

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