LITMIR.BIZ

      [The English Fragments, from which three chapters have been selected for this volume, were published in 1828 in a German magazine of which Heine was one of the editors. They were collected and published with important additions (including the following chapters) in 1831. Mr. Leland's translation, revised throughout, has been here used.]

      LONDON.

      I HAVE seen the greatest wonder which the world can show to the astonished spirit; I have seen it, and am more astonished then ever—and still there remains fixed in my memory that stone forest of houses, and amid them the rushing stream of faces, of living human faces, with all their motley passions, all their terrible impulses of love, of hunger, and of hate—I am speaking of London.

      Send a philosopher to London, but no poet! Send a philosopher there, and stand him at a corner of Cheapside, he will learn more there than from all the books of the last Leipzig fair; and as the human waves roar around him, so will a sea of new thoughts rise before him, and the Eternal Spirit which moves upon the face of the waters will breathe upon him; the most hidden secrets of social harmony will be suddenly revealed to him, he will hear the pulse of the world beat audibly, and see it visibly—for, if London is the right hand of the world—its active, mighty right hand—then we may regard that that which leads from the Exchange to Downing Street is the world's radial artery.

      But send no poet to London! This downright earnestness of all things, this colossal uniformity, this machine-like movement, this moroseness even in pleasure, this exaggerated London, smothers the imagination and rends the heart. And should you ever send a German poet thither—a dreamer, who stands staring at every single phenomenon, even a ragged beggar-woman, or a shining jeweller's shop—why, then he will find things going badly with him, and he will be hustled about on every side, or even be knocked over with a mild "God damn!" God damn!—the damned pushing! I soon saw that these people have much to do. They live on a large scale, and though food and clothes are dearer with them than with us, they must still be better fed and clothed than we are—as gentility requires. Moreover, they have enormous debts, yet occasionally in a vain-glorious mood they make ducks and drakes of their guineas, pay other nations to fight for their pleasure, give their respective kings a handsome douceur into the bargain—and, therefore, John Bull must work day and night to get the money for such expenses; by day and by night he must tax his brain to discover new machines, and he sits and reckons in the sweat of his brow, and runs and rushes without looking about much from the Docks to the Exchange, and from the Exchange to the Strand, and, therefore, it is quite pardonable if, when a poor German poet, gazing into a print-shop window, stands in his way at the corner of Cheapside, he should knock him aside with a rather rough "God damn!"

      But the picture at which I was gazing as I stood at the corner of Cheapside, was that of the passage of the French across the Beresina.

      And when, jolted out of my gazing, I looked again on the raging street, where a parti-coloured coil of men, women, and children, horses, stage-coaches, and with them a funeral, whirled groaning and creaking along, it seemed to me as though all London were such a Beresina Bridge, where every one presses on in mad haste to save his scrap of life, where the daring rider stamps down the poor pedestrian, where every one who falls is lost forever; where the best friends rush, without feeling, over each other's corpses, and where thousands, weak and bleeding, grasp in vain at the planks of the bridge, and slide down into the ice-pit of death.

      How much more pleasant and homelike it is in our dear Germany! How dreamily comfortable, how Sabbatically quiet all things glide along here! Calmly the sentinels are changed, uniforms and houses shine in the quiet sunshine, swallows flit over the flag-stones, fat court-councilloresses smile from the windows, while along the echoing streets there is room enough for the dogs to sniff at each other, and for men to stand at ease and chat about the theatre, and bow low—oh, how low!—when some small aristocratic scamp or vice-scamp, with coloured ribbons on his shabby coat, or some powdered and gilded court-marshal struts by, graciously returning salutations!

      I had made up my mind not to be astonished at that immensity of London of which I had heard so much. But it happened to me as to the poor school-boy, who had made up his mind not to feel the whipping he was to receive. The facts of the case were, that he expected to get the usual blows with the usual stick in the usual way on the back, whereas he received a most unusually severe thrashing on an unusual place with a slender switch. I anticipated great palaces, and saw nothing but mere small houses. But their very uniformity and their limitless extent are wonderfully impressive.

      These houses of brick, owing to the damp atmosphere and coal smoke, become uniform in colour, that is to say, of a brown olive green; they are all of the same style of building, generally two or three windows wide, three storeys high, and adorned above with small red tiles, which remind one of newly-extracted bleeding teeth; so that the broad and accurately-squared streets seem to be bordered by endlessly long barracks. This has its reason in the fact that every English family, though it consist of only two persons, must still have a house to itself for its own castle, and rich speculators, to meet the demand, build wholesale entire streets of these dwellings, which they retail singly. In the principal streets of the city, where the business of London is most at home, where old-fashioned buildings are mingled with the new, and where the fronts of the houses are covered with names and signs, yards in length, generally gilt, and in relief, this characteristic uniformity is less striking—the less so, indeed, because the eye of the stranger is incessantly caught by the new and brilliant articles exposed for sale in the windows. And these articles do not merely produce an effect because the Englishman completes so perfectly everything which he manufactures, and because every article of luxury, every astral lamp and every boot, every tea kettle and every woman's dress, shines out so invitingly and so "finished;" there is a peculiar charm in the art of arrangement, in the contrast of colours, and in the variety of the English shops; even the most commonplace necessaries of life appear in a startling magic light through this artistic power of setting forth everything to advantage. Ordinary articles of food attract us by the new light in which they are placed, even uncooked fish lie so delightfully dressed that the rainbow gleam of their scales attracts us; raw meat lies, as if painted, on neat and many-coloured porcelain plates, garlanded about with parsley—yes, everything seems painted, reminding us of the brilliant, yet modest pictures of Franz Mieris. Only the people are not so cheerful as in the Dutch paintings; they sell the most delightful playthings with the most serious faces, and the cut and colour of their clothes is as uniform as that of their houses.

      At the opposite side of the town, which they call the West End, where the more aristocratic and less-occupied world lives, this uniformity is still more dominant; yet here there are very long and very broad streets, where all the houses are large as palaces, though outwardly anything but distinguished, unless we except the fact that in these, as in all the better class of houses in London, the windows of the first storey are adorned with iron-barred balconies, and also on the ground floor there is a black railing protecting the entrance to certain cellar apartments buried in the earth. In this part of the city there are also great squares, where rows of houses, like those already described, form a quadrangle, in whose centre there is a garden enclosed by a black iron railing, and containing some statue or other. In all of these squares and streets the eye is never shocked by the dilapidated huts of misery. Everywhere we are stared down on by wealth and respectability, while crammed away in retired lanes and dark, damp alleys poverty dwells with her rags and her tears.

      The stranger who wanders through the great streets of London, and does not chance right into the regular quarters of the people, sees little or nothing of the misery there. Only here and there, at the mouth of some dark alley, stands a ragged woman with a suckling babe at her wasted breast, and begs with her eyes. Perhaps if those eyes are still beautiful, one glances into them and shrinks back at the world of wretchedness within them. The common beggars are old people, generally blacks, who stand at the corners of the streets cleaning pathways—a very necessary thing in muddy London—and ask for "coppers" in reward. It is in the dusky twilight that Poverty with her mates, Vice and Crime, glide forth from their lairs. They shun daylight

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