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than two dozen shirts—so that he had a different costume for every hour of the day. In his progress through France he was preceded by two hundred and fifty boys, or charity children, singing national songs. These were followed by his dogs, in couples, who no doubt gave tongue, and made a sort of barking accompaniment to the music that went before.

      Eight waggons came next, carrying his clothes and his crockery, his cooking apparatus, his bed and bedding, and his suite; when after a few led horses, some knights with their esquires, and some monkeys à cheval with a groom behind, on his knees, came à Becket himself and his familiar friends. * His entry into a town was more like that of an equestrian troop about to establish a circus than that of the Chancellor of England travelling in his master's behalf. He lived on terms of the closest intimacy with the king, who made him Archbishop of Canterbury, but not until thirteen months after the death of Theobald the First, for Henry always kept a good appointment open as long as he could, that he might put the revenues into his own pocket.

      * Vide Fitz-Stephen, Secretary and Biographer of Thomas à Becket.

      From the time of his promotion to the see of Canterbury, à Becket became an altered man. He cut his gay companions, discharged his chef de cuisine, discontinued his dealings with his West-End tailor, and took to a kind of cheap blouse made of the coarsest sackcloth. He abandoned his sumptuous mode of living and drank water made unsavoury by herbs, victimising himself probably with cups of camomile tea, and copious doses of senna. But the most serious change in à Becket's conduct, was his altered behaviour to the king, whom he had previously backed in all his attacks on the Church revenues. The new archbishop stood up for all the privileges of the clergy, and a difference of opinion between à Becket and the king, as to the right to try a delinquent clergyman in the civil courts, led to the summoning of a council of nobles and prelates (a.d. 1164) at Clarendon. Some rules were drawn up, called the "Constitutions of Clarendon," which à Becket reluctantly agreed to sign; but Pope Alexander having rejected them, the archbishop withdrew his name from the list of subscribers.

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      Finding the vengeance of the king likely to prove too much for him, à Becket quitted the kingdom, and was very hospitably entertained during his stay on the Continent.

      After an absence of about seven years, he returned in consequence of the king of France and others having persuaded Henry to make it up, though the reconciliation was never very cordial. Though à Becket was received with shouts of approbation by the mob, he was greeted, on his arrival, with menacing signs and abusive language from the aristocracy.

      There was a strong party against him at court, and one evening, at about tea-time, Henry and a few nobles were sitting round the palace fire, gossiping over the subject of à Becket's awful insolence. The king burst into a furious diatribe, stigmatising the archbishop as a beggar, and winding up with the suggestive observation that, "Not one of the cowards I nourish at my table—not one will deliver me from this turbulent priest." Four knights who were present took the royal hint, and gave the archbishop a call at his house in Canterbury, where having seated themselves unceremoniously on the floor, they got to high words very speedily. The archbishop refused to yield to low abuse, and went in the evening to vespers as usual. The feelings of the historian will not allow him to dwell much upon the dénouement of the drama in which à Becket had played the principal character. Suffice it to say, he was murdered in Canterbury Cathedral by four assassins, of whom Fitzurse—the son of a bear—was one, and Mireville, a name suggestive of mire and villainy was another. The two remaining butchers were Britto, of Saxon descent, a low fellow, familiarly termed the Brick, and Tracey, who is not worth the trouble of tracing.

      When Henry heard of this dreadful deed, he went without his dinner for three days, during which period he shut himself up in his own room, and refused to be "at home" to anyone.

      By way of diverting his melancholy, he determined on joining in an Irish row, and finding the chiefs of the five principalities into which Ireland was divided at cross purposes, he espoused the cause of Dermot Mc Murrough, who seems to have been what the Milesians would term the "biggest blackguard" amongst them. Henry gave him a letter authorising him to employ any of the subjects of England that happened to be disengaged; and three ruined barons, with damaged reputations, chancing to be out of work in the neighbourhood of Bristol, were offered terms by Dermot. This precious trio consisted of two brothers, named Robert Fitz-Stephen and Maurice Fitz-Gerald, and Richard de Clare, Earl of Pembroke, surnamed Strongbow, though, as he was greatly addicted to falsehood, Longbow would have been a more appropriate name for him.

      After talking the matter over for some time without any arrangement being come to, Strongbow cut the matter short by exclaiming, "I'll tell you what it is. If I'm to fight for your kingdom, I must have it myself when you have done with it. You must make me your heir, and, as a security that you will perform your part of the agreement, I must marry your daughter." Dermot, though rather taken aback by this proposal, invited Strongbow to a quiet chop, over which the latter's terms were acceded to; and the ruined baron, feeling that it was "neck or nothing" with him, succeeded in making it "neck" by the ardour with which he entered into the contest. Though he set to work in the spring of the year, his vengeance was truly summary, and in a few months he had restored everything to Dermot, who happened conveniently to die, and Strongbow came in for all that he had been fighting for.

      Henry having become jealous, Strongbow thought it good policy not to overshoot the mark, and came to England to offer allegiance. The king at first refused to see him, and on calling at Newnham, in Gloucestershire, where Henry was staying, he was kept for some time eating humble-pie in the passage with the hall-porter. Strongbow having been sufficiently bent by this treatment, was at length asked to step up, and it was arranged that he should accompany the king to Ireland, surrender his possessions, and consent to hold them as the vassal of the English sovereign.

      On his return to England, Henry, who had four sons, began to find "the boys" exceedingly troublesome. Their mother, once the middleaged, but now the ancient Eleanor, had grown cross as well as venerable; and being exceedingly jealous of her husband, encouraged his own sons to worry him. Her jealousy had become a perfect nuisance; and jealousy is unfortunately one of those nuisances which never get abated.

      A story is told of a certain Fair Rosamond; and, though there is no doubt of its being a story from beginning to end, it is impossible to pass it over in an English History. Henry, it is alleged, was enamoured of a certain Miss Clifford—if she can be called a certain Miss Clifford, who was really a very doubtful character. She had been the daughter of a baron on the banks of the Wye, when, without a why or a wherefore, the king took her away, and transplanted the Flower of Hereford, as she well deserved to be called, to the Bower of Woodstock. In this Bower he constructed a labyrinth, something like the maze at Rosherville; and as there was no man stationed on an elevation in the centre to direct the sovereign with a pole which way to go, nor exclaim,

      "Right, if you please!"

      "Straight on!"

      "You're right now, sir!"

      "Left!"

      "Right again!" etc. etc., his majesty had adopted the plan of dragging one of Rosamond's reels of silk along with him when he left the spot, so that it formed a guide to him on his way back again.

      This tale of the silk is indeed a most precious piece of entanglement; but it was perhaps necessary for the winding up of the story. While we cannot receive it as part of the thread of history, we accept it as a means of accounting for Eleanor having got a clue to the retreat of Rosamond.

      The queen, hearing of the silk, resolved naturally enough to unravel it. She accordingly started for Woodstock one afternoon, and, suspecting something wrong, took a large bowl of poison in one hand, and a stout dagger in the other. Having found Fair Rosamond, she held the poignard to the heart, and the bowl to the lips of that unfortunate young person, who, it is said, preferred the black draught to the steel medicine.

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