LITMIR.BIZ

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projected slightly beyond the surface of the wall, and the lintel supported a painted or sculptured cornice. Having crossed the threshold, one passed successively through two dimly-lighted entrance chambers, the second of which opened into the central court (fig. 7). The best rooms in the houses of wealthier citizens were sometimes lighted through a square opening in the centre of a ceiling supported on wooden columns. In the Twelfth Dynasty town of Kahûn the shafts of these columns rested upon round stone bases; they were octagonal, and about ten inches in diameter (fig. 8).

      

Fig 8.--Restoration of the hall in a Twelfth Dynasty house. In the middle of the floor is a tank surrounded by a covered colonnade. Reproduced from Plate XVI. of Illahûn, Kahun, and Gurob, W.M.F. Petrie.

      Notwithstanding the prevalence of enteric disease and ophthalmia, the family crowded together into one or two rooms during the winter, and slept out on the roof under the shelter of mosquito nets in summer. On the roof also the women gossiped and cooked. The ground floor included both store- rooms, barns, and stables. Private granaries were generally in pairs (see fig. 11), brick-built in the same long conical shape as the state granaries, and carefully plastered with mud inside and out. Neither did the people of a house forget to find or to make hiding places in the walls or floors of their home, where they could secrete their household treasures--such as nuggets of gold and silver, precious stones, and jewellery for men and women--from thieves and tax-collectors alike. Wherever the upper floors still remain standing, they reproduce the ground-floor plan with scarcely any differences. These upper rooms were reached by an outside staircase, steep and narrow, and divided at short intervals by small square landings.

Fig 9.--Box representing a house (British Museum). The rooms were oblong, and were lighted only from the doorway; when it was decided to open windows on the street, they were mere air-holes near the ceiling, pierced without regularity or symmetry, fitted with a lattice of wooden cross bars, and secured by wooden shutters. The floors were bricked or paved, or consisted still more frequently of merely a layer of rammed earth. The rooms were not left undecorated; the mud-plaster of the walls, generally in its native grey, although whitewashed in some cases, was painted with red or yellow, and ornamented with drawings of interior and exterior views of a house, and of household vessels and eatables (fig. 10).

       Fig 10.--Wall-painting in a Twelfth Dynasty house. Below is a view of the outside, and above a view of the inside of a dwelling. Reproduced from Plate XVI. of Illahûn, Kahun, and Gurob, W.M.F. Petrie.

      The roof was flat, and made probably, as at the present day, of closely laid rows of palm-branches covered with a coating of mud thick enough to withstand the effects of rain. Fig 11.--View of mansion from the tomb of Anna, Eighteenth Dynasty. Sometimes it was surmounted by only one or two of the usual Egyptian ventilators; but generally there was a small washhouse on the roof (fig. 9), and a little chamber for the slaves or guards to sleep in. The household fire was made in a hollow of the earthen floor, usually to one side of the room, and the smoke escaped through a hole in the ceiling; branches of trees, charcoal, and dried cakes of ass or cow dung were used for fuel.

      The mansions of the rich and great covered a large space of ground. They most frequently stood in the midst of a garden, or of an enclosed court planted with trees; and, like the commoner houses, they turned a blank front to the street, consisting of bare walls, battlemented like those of a fortress (fig. 11). Thus, home-life was strictly secluded, and the pleasure of seeing was sacrificed for the advantages of not being seen. The door was approached by a flight of two or three steps, or by a porch supported on columns (fig. 12) and adorned with statues (fig. 13), which gave it a monumental appearance, and indicated the social importance of the family.

       WALL-PAINTINGS, EL AMARNA. Fig. 12.--Porch of mansion, second Theban period, Fig. 13.--Porch of mansion, second Theban period.

      Sometimes this was preceded by a pylon-gateway, such as usually heralded the approach to a temple. Inside the enclosure it was like a small town, divided into quarters by irregular walls. The dwelling-house stood at the farther end; the granaries, stabling, and open spaces being distributed in different parts of the grounds, according to some system to which we as yet possess no clue. These arrangements, however, were infinitely varied. If I would convey some idea of the residence of an Egyptian noble,--a residence half palace, half villa,--I cannot do better than reproduce two out of the many pictorial plans which have come down to us among the tomb-paintings of the Eighteenth Dynasty. The first (figs. 14, 15) represent a Theban house. The enclosure is square, and surrounded by an embattled wall. The main gate opens upon a road bordered with trees, which runs beside a canal, or perhaps an arm of the Nile. Low stone walls divide the garden into symmetrical compartments, like those which are seen to this day in the great gardens of Ekhmîm or Girgeh.

       Fig 14.--Plan of a Theban house with garden, from Eighteenth Dynasty tomb-painting.

      In the centre is a large trellis supported on four rows of slender pillars. Four small ponds, two to the right and two to the left, are stocked with ducks and geese. Two nurseries, two summer-houses, and various avenues of sycamores, date-palms, and dôm-palms fill up the intermediate space; while at the end, facing the entrance, stands a small three-storied house surmounted by a painted cornice.

       Fig 15.--Perspective view of the Theban house, from Eighteenth Dynasty tomb-painting.

      The second plan is copied from one of the rock-cut tombs of Tell el Amarna (figs. 16, 17). Here we see a house situate at the end of the gardens of the great lord Aï, son-in-law of the Pharaoh Khûenaten, and himself afterwards king of Egypt. An oblong stone tank with sloping sides, and two descending flights of steps, faces the entrance. The building is rectangular, the width being somewhat greater than the depth. A large doorway opens in the middle of the front, and gives access to a court planted with trees and flanked by store-houses fully stocked with provisions. Fig 16.--Part of the palace of Aï, from tomb-painting, Eighteenth Dynasty, El Amarna. Two small courts, placed symmetrically in the two farthest corners, contain the staircases which lead up to the roof terrace. This first building, however, is but the frame which surrounds the owner's dwelling. The two frontages are each adorned with a pillared portico and a pylon. Passing the outer door, we enter a sort of long central passage, divided by two walls pierced with doorways, so as to form three successive courts. The inside court is bordered by chambers; the two others open to right and left upon two smaller courts, whence flights of steps lead up to the terraced roof. This central building is called the Akhonûti, or private dwelling of kings or nobles, to which only the family and intimate friends had access. The number of storeys and the arrangement of the façade varied according to the taste of the owner. The frontage was generally a straight wall. Sometimes it was divided into three parts, with the middle division projecting, in which case the two wings were ornamented with a colonnade to each storey (fig. 18), or surmounted by an open gallery (fig. 19). Скачать книгу