LITMIR.BIZ

      Published by Good Press, 2019

       [email protected]

      EAN 4057664647573

Table of Contents

       PREFACE OF THE EDITOR.

       PREFACE TO THE SECOND FRENCH EDITION.

       TABLE OF ILLUSTRATIONS.

       THE ARTS IN THE MIDDLE AGES, AND AT THE PERIOD OF THE RENAISSANCE.

       FURNITURE: ORDINARY HOUSEHOLD, AND APPERTAINING TO ECCLESIASTICAL PURPOSES.

       TAPESTRY.

       CERAMIC ART.

       ARMS AND ARMOUR.

       CARRIAGES AND SADDLERY.

       GOLD AND SILVER WORK.

       HOROLOGY.

       MUSICAL INSTRUMENTS.

       PLAYING-CARDS.

       GLASS-PAINTING.

       FRESCO-PAINTING.

       PAINTING ON WOOD, CANVAS, ETC.

       ENGRAVING.

       SCULPTURE.

       ARCHITECTURE.

       PARCHMENT AND PAPER.

       MANUSCRIPTS

       MINIATURES IN MANUSCRIPTS.

       BOOKBINDING

       PRINTING

PREFACE OF THE EDITOR.

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      It may fairly be presumed that The Arts in the Middle Ages will find equal favour in England, where so much attention has of late years been given to the subject in all its various ramifications; and where—in our National Museum, Kensington, especially—we are accumulating so extensive and valuable a collection of objects associated with the epochs referred to by M. Lacroix.

      In preparing these sheets for the press, my task has been little more than to put an excellent and conscientious literal translation of the French text into language somewhat in harmony with the construction of our own. In so doing, however, it has been my object to retain, as far as practicable, the peculiar—sometimes the quaint—phraseology of the original writing. A few notes are added when they appeared necessary by way of explaining terms, &c., or to render them more intelligible to the general reader. But some words are used by the Author for which no English equivalent can be found: these have been allowed to stand without note or comment.

      JAMES DAFFORNE.

      Brixton, February, 1870.

PREFACE TO THE SECOND FRENCH EDITION.

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ORE than twenty years ago we published, with the aid of our friend Ferdinand Séré, whose loss we regret, and with the co-operation of other learned men and of the most eminent writers and artists, an important work, entitled “The Middle Ages and the Renaissance.” That work, which consists of no less than five large quarto volumes, treated in detail the manners and customs, the sciences, literature, and the arts of those two great epochs, a subject as vast as it is interesting and instructive. Thanks to the learning it displays, to its literary merit and its admirable execution, it had the rare good fortune to attract immediately the attention of the public, and even now it maintains the interest which marked its first appearance. It has taken its place in the library of the amateur, not only in France but also among foreigners; it has become celebrated.

      This exceptional result, especially as regards a publication of such extent, induces us to believe that our work, thus known and appreciated by the learned, may and ought henceforth to have still greater success by addressing itself to a yet larger number of readers.

      With this conviction we now present to the public one of the principal portions of that important work, and perhaps the most interesting, in a form more simple, easier, and more pleasing; within the reach of youth who desire to learn without weariness or irksomeness, of females interested in grave authors, of the family that loves to assemble round a book altogether instructive and attractive. We would speak of the “Arts in the Middle Ages, and at the Period of the Renaissance.” After having reunited the scattered materials on this subject, we have ranged them each in its own rank, taking care to discard all crudity of learning and to preserve

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