LITMIR.BIZ

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one read it; but as I wish to have it read, I will insert it here again:—

      “I have introduced in the Vicar of Bullhampton the character of a girl whom I will call,—for want of a truer word that shall not in its truth be offensive,—a castaway. I have endeavoured to endow her with qualities that may create sympathy, and I have brought her back at last from degradation, at least to decency. I have not married her to a wealthy lover, and I have endeavoured to explain that though there was possible to her a way out of perdition, still things could not be with her as they would have been had she not fallen.

      “There arises, of course, the question whether a novelist, who professes to write for the amusement of the young of both sexes, should allow himself to bring upon his stage a character such as that of Carry Brattle. It is not long since,—it is well within the memory of the author,—that the very existence of such a condition of life as was hers, was supposed to be unknown to our sisters and daughters, and was, in truth, unknown to many of them. Whether that ignorance was good may be questioned; but that it exists no longer is beyond question. Then arises the further question,—how far the conditions of such unfortunates should be made a matter of concern to the sweet young hearts of those whose delicacy and cleanliness of thought is a matter of pride to so many of us. Cannot women, who are good, pity the sufferings of the vicious, and do something perhaps to mitigate and shorten them without contamination from the vice? It will be admitted probably by most men who have thought upon the subject that no fault among us is punished so heavily as that fault, often so light in itself but so terrible in its consequences to the less faulty of the two offenders, by which a woman falls. All of her own sex is against her, and all those of the other sex in whose veins runs the blood which she is thought to have contaminated, and who, of nature, would befriend her, were her trouble any other than it is.

      “She is what she is, and she remains in her abject, pitiless, unutterable misery, because this sentence of the world has placed her beyond the helping hand of Love and Friendship. It may be said, no doubt, that the severity of this judgment acts as a protection to female virtue,—deterring, as all known punishments do deter, from vice. But this punishment, which is horrible beyond the conception of those who have not regarded it closely, is not known beforehand. Instead of the punishment, there is seen a false glitter of gaudy life,—a glitter which is damnably false,—and which, alas I has been more often portrayed in glowing colours, for the injury of young girls, than have those horrors which ought to deter, with the dark shadowings which belong to them.

      “To write in fiction of one so fallen as the noblest of her sex, as one to be rewarded because of her weakness, as one whose life is, happy, bright, and glorious, is certainly to allure to vice and misery. But it may perhaps be possible that if the matter be handled with truth to life, some girl, who would have been thoughtless, may be made thoughtful, or some parent’s heart may be softened.”

      Those were my ideas when I conceived the story, and with that feeling I described the characters of Carry Brattle and of her family. I have not introduced her lover on the scene, nor have I presented her to the reader in the temporary enjoyment of any of those fallacious luxuries, the longing for which is sometimes more seductive to evil than love itself. She is introduced as a poor abased creature, who hardly knows how false were her dreams, with very little of the Magdalene about her—because though there may be Magdalenes they are not often found—but with an intense horror of the sufferings of her position. Such being her condition, will they who naturally are her friends protect her? The vicar who has taken her by the hand endeavours to excite them to charity; but father, and brother, and sister are alike hardhearted. It had been my purpose at first that the hand of every Brattle should be against her; but my own heart was too soft to enable me to make the mother cruel,—or the unmarried sister who had been the early companion of the forlorn one.

      As regards all the Brattles, the story is, I think, well told. The characters are true, and the scenes at the mill are in keeping with human nature. For the rest of the book I have little to say. It is not very bad, and it certainly is not very good. As I have myself forgotten what the heroine does and says—except that she tumbles into a ditch—I cannot expect that any one else should remember her. But I have forgotten nothing that was done or said by any of the Brattles.

      The question brought in argument is one of fearful importance. As to the view to be taken first, there can, I think, be no doubt. In regard to a sin common to the two sexes, almost all the punishment and all the disgrace is heaped upon the one who in nine cases out of ten has been the least sinful. And the punishment inflicted is of such a nature that it hardly allows room for repentance. How is the woman to return to decency to whom no decent door is opened? Then comes the answer: It is to the severity of the punishment alone that we can trust to keep women from falling. Such is the argument used in favour of the existing practice, and such the excuse given for their severity by women who will relax nothing of their harshness. But in truth the severity of the punishment is not known beforehand; it is not in the least understood by women in general, except by those who suffer it. The gaudy dirt, the squalid plenty, the contumely of familiarity, the absence of all good words and all good things, the banishment from honest labour, the being compassed round with lies, the flaunting glare of fictitious revelry, the weary pavement, the horrid slavery to some horrid tyrant,—and then the quick depreciation of that one ware of beauty, the substituted paint, garments bright without but foul within like painted sepulchres, hunger, thirst, and strong drink, life without a hope, without the certainty even of a morrow’s breakfast, utterly friendless, disease, starvation, and a quivering fear of that coming hell which still can hardly be worse than all that is suffered here! This is the life to which we doom our erring daughters, when because of their error we close our door upon them! But for our erring sons we find pardon easily enough.

      Of course there are houses of refuge, from which it has been thought expedient to banish everything pleasant, as though the only repentance to which we can afford to give a place must necessarily be one of sackcloth and ashes. It is hardly thus that we can hope to recall those to decency who, if they are to be recalled at all, must be induced to obey the summons before they have reached the last stage of that misery which I have attempted to describe. To me the mistake which we too often make seems to be this,—that the girl who has gone astray is put out of sight, out of mind if possible, at any rate out of speech, as though she had never existed, and that this ferocity comes not only from hatred of the sin, put in part also from a dread of the taint which the sin brings with it. Very low as is the degradation to which a girl is brought when she falls through love or vanity, or perhaps from a longing for luxurious ease, still much lower is that to which she must descend perforce when, through the hardness of the world around her, she converts that sin into a trade. Mothers and sisters, when the misfortune comes upon them of a fallen female from among their number, should remember this, and not fear contamination so strongly as did Carry Brattle’s married sister and sister-in-law.

      In 1870 I brought out three books,—or rather of the latter of the three I must say that it was brought out by others, for I had nothing to do with it except to write it. These were Sir Harry Hotspur of Humblethwaite, An Editor’s Tales, and a little volume on Julius Caesar. Sir Harry Hotspur was written on the same plan as Nina Balatka and Linda Tressel, and had for its object the telling of some pathetic incident in life rather than the portraiture of a number of human beings. Nina and Linda Tressel and The Golden Lion had been placed in foreign countries, and this was an English story. In other respects it is of the same nature, and was not, I think, by any means a failure. There is much of pathos in the love of the girl, and of paternal dignity and affection in the father.

      It was published first in Macmillan’s Magazine, by the intelligent proprietor of which I have since been told that it did not make either his fortune or that of his magazine. I am sorry that it should have been so; but I fear that the same thing may be said of a good many of my novels. When it had passed through the magazine, the subsequent use of it was sold to other publishers by Mr. Macmillan, and then I learned that it was to be brought out by them as a novel in two volumes. Now it had been sold by me as a novel in one volume, and hence there arose a correspondence.

      I found it very hard to make the purchasers understand that I had reasonable ground for objection to the process. What was it to me? How could it injure me if they stretched my pages by means of lead and margin

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