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certain precious form of life, low in the scale, shall put out a thousand filaments, and presently move away together, a unit.

      Already the individual experiences this progression—that is, he does if he does!—and, through his own unique value, wins back in later life to that simplicity which is every one’s birthright. It is Nietzsche’s threefold metamorphosis of the spirit: First the camel, then the lion, last the child. What if, standing in that simplicity, at the point where humanity is most in type, the village does open the social and artistic outlook of To-morrow?

      Some of us believe. Some of us say: “What if the federation of the world is to begin in the little towns? What if it is beginning there now....”

      “A village is nothing but a little something broke off from a city,” says Calliope Marsh, “only it never started in hitched to the city in the first place. And that makes all the difference.”

      It is Calliope Marsh who tells, in her own speech, these Neighborhood Stories. And if she were given to selecting texts, I think that she would have selected one which says that life is something other than that which we believe it to be.

      Portage, Wisconsin,

       August, 1914.

       Table of Contents

       Table of Contents

      I never had felt so much like Christmas, said Calliope Marsh, as I did that year.

      “I wish’t,” I says, when it got ’most time, “I wish’t I knew somebody to have a Christmas tree with.”

      “Well, Calliope Marsh,” says Mis’ Postmaster Sykes, looking surprised-on-purpose, the way she does, “ain’t there enough poor and neglected folks in this world to please anybody?”

      “I didn’t say have a Christmas tree for,” I says back at her; “I says have one with.”

      “I don’t know what you mean by that difference,” she says, “I’m sure.”

      “I donno,” I says, “as I know either. But there is a difference, somewhere. I’d kind of like to have a tree with folks this year.”

      “Why don’t you help on your church tree?” Mis’ Sykes ask’ me. “They’re going to spend quite a little money on theirs this year.”

      “I hate to box Christmas up in a church,” I says.

      “Why, Calliope Marsh!” she says, shocked.

      I didn’t want to hurt her feelings—I ain’t never one of those that likes to throw their idees in folks’s faces and watch folks jump back. So I tried to talk about something else, but she went right on, trying her best to help me out.

      “The ward schools is each going to have a tree this year, I hear,” she says. “Why don’t you go in on your ward, Calliope, and help out there? They’d be real glad of help, you know.”

      “I hate to divide Christmas off into wards,” I says to her.

      “Well, then, go in with a family,” she says; “any of us’ll be real glad to have you,” she adds, generous. “We would. Come to ours—we’re going to have a great big tree for the children. I’ve been stringing the pop-corn and cutting the paper for it whenever I got an odd minute. The Holcombs, they’re going to have one too—and Mis’ Uppers and Mis’ Merriman and even the Hubbelthwaits and Abigail Arnold, for her little nieces. I never see a year when everybody was going to celebrate so nice. Come on with one of us, why don’t you?”

      “Well,” I says, “mebbe I will. I’ll see. I don’t know yet what I will do,” I told her. And I went off down the street. What I wanted to say was, “I hate to box Christmas up in a family,” but I didn’t quite dare—yet.

      Friendship Village ain’t ever looked much more like Christmas, to my notion, than it did that December. Just the right snow had come—and no more; and just the right cold—and no more. The moon was getting along so’s about the night of the twenty-fifth it was going to loom up big and gold and warm over the fields on the flats, where it always comes up in winter like it had just edged around there to get sort of a wide front yard for its big show, where the whole village could have a porch seat.

      You know when you live in a village you always know whether the moon is new or to the full or where it is and when it’s going to be; but when you live in a city you just look up in the sky some night and say “Oh, that’s so, there’s the moon,” and go right on thinking about something else. Here in the village that December everything was getting ready, deliberate, for a full-moon Christmas, like long ago. The moon and the cold and the snow, and all them public things, was doing their best, together, for our common Christmas. All but us. It seemed like all of us humans was working for it separate.

      Tramping along there in the snow that night, I thought over what Mis’ Sykes had said, and about all the places she’d mentioned over was going to have Christmas trees. And I looked along to the houses, most of ’em lying right there on Daphne Street, where they were going to have ’em—I could see ’em all, one tree after another, lighted and streaming from house to house all up and down Daphne Street, just the way they were going to look.

      And then there was the little back streets, and the houses down on the flats, where there wouldn’t be any trees nor much of any Christmas. Of course, as Mis’ Sykes had said, the poor and the neglected are always with us—yet; but I didn’t want to pounce down on any of ’em with a bag of fruit and a box of animal crackers and set and watch ’em.

      That wasn’t what I meant by having a Christmas with somebody.

      “There’d ought to be some place—” I was beginning to think, when right along where I was, by the Market Square, I come on five or six children, kicking around in the snow. It was ’most dark, but I could just make ’em out: Eddie Newhaven, Arthur Mills, Lily Dorron, and two-three more.

      “Hello, folks,” I says, “what you doing? Having a carnival?” Because it’s on the Market Square that carnivals and some little circuses and things that belongs to everybody is usually celebrated.

      Little Arthur Mills spoke up. “No,” he says, “we was just playing we’s selling a load of Christmas trees.”

      “Christmas trees,” I says. “Why, that’s so. This is where they always bring ’em to sell—big load of ’em for everybody, ain’t it?”

      “They’re going to bring an awful big load here this time,” says Eddie Newhaven—“big enough for everybody in town to have one. Most of the fellows is going to have ’em—us and Ned Backus and the Cartwrights and Joe Tyrril and Lifty—all of ’em.”

      “My,” I says, “what a lot of Christmas trees! Why, if they was set along by the curbstone here on Daphne Street,” I says, just to please the children and make a little talk with ’em, “why, the line of ’em would reach all up and down the town,” I says. “Wouldn’t that be fun?”

      Little Lily claps her hands.

      “Oh, yes,” she cries, “wouldn’t that be fun? With pop-corn strings all going from one to the other?”

      “It would be a grand sight,” says I, looking down across the Market Square. There, hanging all gold and quiet, like it didn’t think it amounted to much, right over the big cedar-of-Lebanon-looking tree in the Square, was the moon, crooked to a horn.

      “Once,” says Eddie Newhaven, “when they was selling the Christmas trees here, they kept right on selling ’em after

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