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to some quiet corner of the Park — the Flying Mercury, for instance? Gordon can be posted in the thicket; the carriage wait behind the temple; not a cry, not a scuffle, not a footfall; simply, the Prince vanishes! — What do you say? Am I an able ally? Are my BEAUX YUEX of service? Ah, Heinrich, do not lose your Anna! — she has power!’

      He struck with his open hand upon the chimney. ‘Witch!’ he said, ‘there is not your match for devilry in Europe. Service! the thing runs on wheels.’

      ‘Kiss me, then, and let me go. I must not miss my Featherhead,’ she said.

      ‘Stay, stay,’ said the Baron; ‘not so fast. I wish, upon my soul, that I could trust you; but you are, out and in, so whimsical a devil that I dare not. Hang it, Anna, no; it’s not possible!’

      ‘You doubt me, Heinrich?’ she cried.

      ‘Doubt is not the word,’ said he. ‘I know you. Once you were clear of me with that paper in your pocket, who knows what you would do with it? — not you, at least — nor I. You see,’ he added, shaking his head paternally upon the Countess, ‘you are as vicious as a monkey.’

      ‘I swear to you,’ she cried, ‘by my salvation . . . ’

      ‘I have no curiosity to hear you swearing,’ said the Baron.

      ‘You think that I have no religion? You suppose me destitute of honour. Well,’ she said, ‘see here: I will not argue, but I tell you once for all: leave me this order, and the Prince shall be arrested — take it from me, and, as certain as I speak, I will upset the coach. Trust me, or fear me: take your choice.’ And she offered him the paper.

      The Baron, in a great contention of mind, stood irresolute, weighing the two dangers. Once his hand advanced, then dropped. ‘Well,’ he said, ‘since trust is what you call it . . .’

      ‘No more,’ she interrupted, ‘Do not spoil your attitude. And now since you have behaved like a good sort of fellow in the dark, I will condescend to tell you why. I go to the palace to arrange with Gordon; but how is Gordon to obey me? And how can I foresee the hours? It may be midnight; ay, and it may be nightfall; all’s a chance; and to act, I must be free and hold the strings of the adventure. And now,’ she cried, ‘your Vivien goes. Dub me your knight!’ And she held out her arms and smiled upon him radiant.

      ‘Well,’ he said, when he had kissed her, ‘every man must have his folly; I thank God mine is no worse. Off with you! I have given a child a squib.’

      Chapter XII - Providence Von Rosen: Act the Second She Informs the Prince

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      IT was the first impulse of Madame von Rosen to return to her own villa and revise her toilette. Whatever else should come of this adventure, it was her firm design to pay a visit to the Princess. And before that woman, so little beloved, the Countess would appear at no disadvantage. It was the work of minutes. Von Rosen had the captain’s eye in matters of the toilette; she was none of those who hang in Fabian helplessness among their finery and, after hours, come forth upon the world as dowdies. A glance, a loosened curl, a studied and admired disorder in the hair, a bit of lace, a touch of colour, a yellow rose in the bosom; and the instant picture was complete.

      ‘That will do,’ she said. ‘Bid my carriage follow me to the palace. In half an hour it should be there in waiting.’

      The night was beginning to fall and the shops to shine with lamps along the tree-beshadowed thorough-fares of Otto’s capital, when the Countess started on her high emprise. She was jocund at heart; pleasure and interest had winged her beauty, and she knew it. She paused before the glowing jeweller’s; she remarked and praised a costume in the milliner’s window; and when she reached the lime-tree walk, with its high, umbrageous arches and stir of passers-by in the dim alleys, she took her place upon a bench and began to dally with the pleasures of the hour. It was cold, but she did not feel it, being warm within; her thoughts, in that dark corner, shone like the gold and rubies at the jewellers; her ears, which heard the brushing of so many footfalls, transposed it into music.

      What was she to do? She held the paper by which all depended. Otto and Gondremark and Ratafia, and the state itself, hung light in her balances, as light as dust; her little finger laid in either scale would set all flying: and she hugged herself upon her huge preponderance, and then laughed aloud to think how giddily it might be used. The vertigo of omnipotence, the disease of Caesars, shook her reason. ‘O the mad world!’ she thought, and laughed aloud in exultation.

      A child, finger in mouth, had paused a little way from where she sat, and stared with cloudy interest upon this laughing lady. She called it nearer; but the child hung back. Instantly, with that curious passion which you may see any woman in the world display, on the most odd occasions, for a similar end, the Countess bent herself with singleness of mind to overcome this diffidence; and presently, sure enough, the child was seated on her knee, thumbing and glowering at her watch.

      ‘If you had a clay bear and a china monkey,’ asked Von Rosen, ‘which would you prefer to break?’

      ‘But I have neither,’ said the child.

      ‘Well,’ she said, ‘here is a bright florin, with which you may purchase both the one and the other; and I shall give it you at once, if you will answer my question. The clay bear or the china monkey — come?’

      But the unbreeched soothsayer only stared upon the florin with big eyes; the oracle could not be persuaded to reply; and the Countess kissed him lightly, gave him the florin, set him down upon the path, and resumed her way with swinging and elastic gait.

      ‘Which shall I break?’ she wondered; and she passed her hand with delight among the careful disarrangement of her locks. ‘Which?’ and she consulted heaven with her bright eyes. ‘Do I love both or neither? A little — passionately — not at all? Both or neither — both, I believe; but at least I will make hay of Ratafia.’

      By the time she had passed the iron gates, mounted the drive, and set her foot upon the broad flagged terrace, the night had come completely; the palace front was thick with lighted windows; and along the balustrade, the lamp on every twentieth baluster shone clear. A few withered tracks of sunset, amber and glow-worm green, still lingered in the western sky; and she paused once again to watch them fading.

      ‘And to think,’ she said, ‘that here am I— destiny embodied, a norn, a fate, a providence — and have no guess upon which side I shall declare myself! What other woman in my place would not be prejudiced, and think herself committed? But, thank Heaven! I was born just!’ Otto’s windows were bright among the rest, and she looked on them with rising tenderness. ‘How does it feel to be deserted?’ she thought. ‘Poor dear fool! The girl deserves that he should see this order.’

      Without more delay, she passed into the palace and asked for an audience of Prince Otto. The Prince, she was told, was in his own apartment, and desired to be private. She sent her name. A man presently returned with word that the Prince tendered his apologies, but could see no one. ‘Then I will write,’ she said, and scribbled a few lines alleging urgency of life and death. ‘Help me, my Prince,’ she added; ‘none but you can help me.’ This time the messenger returned more speedily, and begged the Countess to follow him: the Prince was graciously pleased to receive the Frau Grafin von Rosen.

      Otto sat by the fire in his large armoury, weapons faintly glittering all about him in the changeful light. His face was disfigured by the marks of weeping; he looked sour and sad; nor did he rise to greet his visitor, but bowed, and bade the man begone. That kind of general tenderness which served the Countess for both heart and conscience, sharply smote her at this spectacle of grief and weakness; she began immediately to enter into the spirit of her part; and as soon as they were alone, taking one step forward and with a magnificent gesture — ‘Up!’ she cried.

      ‘Madame

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