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others are entitled to make on my time or my talents. By what I have effected, am I to be judged by my fellow men; what I could have done, is a question for my own conscience. On my own account I may perhaps have had sufficient reason to lament my deficiency in self-control, and the neglect of concentering my powers to the realization of some permanent work. But to verse rather than to prose, if to either, belongs the voice of mourning for

      Keen pangs of Love, awakening as a babe

      Turbulent, with an outcry in the heart;

      And fears self-willed that shunned the eye of hope;

      And hope that scarce would know itself from fear;

      Sense of past youth, and manhood come in vain,

      And genius given and knowledge won in vain;

      And all which I had culled in wood-walks wild,

      And all which patient toil had reared, and all,

      Commune with thee had opened out — but flowers

      Strewed on my corpse, and borne upon my bier,

      In the same coffin, for the selfsame grave!

      These will exist, for the future, I trust, only in the poetic strains, which the feelings at the time called forth. In those only, gentle reader,

      Affectus animi varios, bellumque sequacis

      Perlegis invidiae, curasque revolvis inanes,

      Quas humilis tenero stylus olim effudit in aevo.

      Perlegis et lacrymas, et quod pharetratus acuta

      Ille puer puero fecit mihi cuspide vulnus.

      Omnia paulatim consumit longior aetas,

      Vivendoque simul morimur, rapimurque manendo.

      Ipse mihi collatus enim non ille videbor;

      Frons alia est, moresque alii, nova mentis imago,

      Vox aliudque sonat — Jamque observatio vitae

      Multa dedit — lugere nihil, ferre omnia; jamque

      Paulatim lacrymas rerum experientia tersit.

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      An affectionate exhortation to those who in early life feel themselves disposed to become authors.

      It was a favourite remark of the late Mr. Whitbread’s, that no man does any thing from a single motive. The separate motives, or rather moods of mind, which produced the preceding reflections and anecdotes have been laid open to the reader in each separate instance. But an interest in the welfare of those, who at the present time may be in circumstances not dissimilar to my own at my first entrance into life, has been the constant accompaniment, and (as it were) the undersong of all my feelings. Whitehead exerting the prerogative of his laureateship addressed to youthful poets a poetic Charge, which is perhaps the best, and certainly the most interesting, of his works. With no other privilege than that of sympathy and sincere good wishes, I would address an affectionate exhortation to the youthful literati, grounded on my own experience. It will be but short; for the beginning, middle, and end converge to one charge: never pursue literature as a trade. With the exception of one extraordinary man, I have never known an individual, least of all an individual of genius, healthy or happy without a profession, that is, some regular employment, which does not depend on the will of the moment, and which can be carried on so far mechanically that an average quantum only of health, spirits, and intellectual exertion are requisite to its faithful discharge. Three hours of leisure, unannoyed by any alien anxiety, and looked forward to with delight as a change and recreation, will suffice to realize in literature a larger product of what is truly genial, than weeks of compulsion. Money, and immediate reputation form only an arbitrary and accidental end of literary labour. The hope of increasing them by any given exertion will often prove a stimulant to industry; but the necessity of acquiring them will in all works of genius convert the stimulant into a narcotic. Motives by excess reverse their very nature, and instead of exciting, stun and stupify the mind. For it is one contradistinction of genius from talent, that its predominant end is always comprised in the means; and this is one of the many points, which establish an analogy between genius and virtue. Now though talents may exist without genius, yet as genius cannot exist, certainly not manifest itself, without talents, I would advise every scholar, who feels the genial power working within him, so far to make a division between the two, as that he should devote his talents to the acquirement of competence in some known trade or profession, and his genius to objects of his tranquil and unbiassed choice; while the consciousness of being actuated in both alike by the sincere desire to perform his duty, will alike ennoble both. “My dear young friend,” (I would say) “suppose yourself established in any honourable occupation. From the manufactory or counting house, from the law-court, or from having visited your last patient, you return at evening,

      Dear tranquil time, when the sweet sense of Home

      Is sweetest —— —

      to your family, prepared for its social enjoyments, with the very countenances of your wife and children brightened, and their voice of welcome made doubly welcome, by the knowledge that, as far as they are concerned, you have satisfied the demands of the day by the labour of the day. Then, when you retire into your study, in the books on your shelves you revisit so many venerable friends with whom you can converse. Your own spirit scarcely less free from personal anxieties than the great minds, that in those books are still living for you! Even your writing desk with its blank paper and all its other implements will appear as a chain of flowers, capable of linking your feelings as well as thoughts to events and characters past or to come; not a chain of iron, which binds you down to think of the future and the remote by recalling the claims and feelings of the peremptory present. But why should I say retire? The habits of active life and daily intercourse with the stir of the world will tend to give you such self-command, that the presence of your family will be no interruption. Nay, the social silence, or undisturbing voices of a wife or sister will be like a restorative atmosphere, or soft music which moulds a dream without becoming its object. If facts are required to prove the possibility of combining weighty performances in literature with full and independent employment, the works of Cicero and Xenophon among the ancients; of Sir Thomas More, Bacon, Baxter, or to refer at once to later and contemporary instances, Darwin and Roscoe, are at once decisive of the question.”

      But all men may not dare promise themselves a sufficiency of self-control for the imitation of those examples: though strict scrutiny should always be made, whether indolence, restlessness, or a vanity impatient for immediate gratification, have not tampered with the judgment and assumed the vizard of humility for the purposes of self-delusion. Still the Church presents to every man of learning and genius a profession, in which he may cherish a rational hope of being able to unite the widest schemes of literary utility with the strictest performance of professional duties. Among the numerous blessings of Christianity, the introduction of an established Church makes an especial claim on the gratitude of scholars and philosophers; in England, at least, where the principles of Protestantism have conspired with the freedom of the government to double all its salutary powers by the removal of its abuses.

      That not only the maxims, but the grounds of a pure morality, the mere fragments of which

      —— — the lofty grave tragedians taught

      In chorus or iambic, teachers best

      Of moral prudence, with delight received

      In brief sententious precepts;

      and that the sublime truths of the divine unity and attributes, which a Plato found most hard to learn and deemed it still more difficult to reveal; that these should have become the almost hereditary property of childhood and poverty, of the hovel and the workshop; that even to the unlettered they sound as common place, is a phaenomenon,

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