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A WRITER'S DIARY. Ð’Ð¸Ñ€Ð´Ð¶Ð¸Ð½Ð¸Ñ Ð’ÑƒÐ»Ñ„
Читать онлайн.Название A WRITER'S DIARY
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isbn 9788027235971
Автор произведения Ð’Ð¸Ñ€Ð´Ð¶Ð¸Ð½Ð¸Ñ Ð’ÑƒÐ»Ñ„
Жанр Языкознание
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Wednesday, March 5th.
Just back from four days at Asheham and one at Charleston. I sit waiting for Leonard to come in, with a brain still running along the railway lines, which unfits it for reading. But oh, dear, what a lot I’ve got to read! The entire works of Mr James Joyce, Wyndham Lewis, Ezra Pound, so as to compare them with the entire works of Dickens and Mrs Gaskell; besides that George Eliot; and finally Hardy. And I’ve just done Aunt Anny, on a really liberal scale. Yes, since I wrote last she has died, a week ago today to be precise, at Freshwater, and was buried up at Hampstead yesterday, where six or seven years ago we saw Richmond buried in a yellow fog. I suppose my feeling for her is half moonshine; or rather half reflected from other feelings. Father cared for her; she goes down the last, almost, of that old 19th Century Hyde Park Gate world. Unlike most old ladies she showed very little anxiety to see one; felt, I sometimes think, a little painfully at the sight of us, as if we’d gone far off and recalled unhappiness, which she never liked to dwell on. Also, unlike most old Aunts she had the wits to feel how sharply we differed on current questions; and this, perhaps, gave her a sense, hardly existing with her usual circle, of age, obsoleteness, extinction. For myself, though she need have had no anxieties on this head, since I admired her sincerely; but still the generations certainly look very different ways. Two or perhaps three years ago L. and I went to see her; found her much diminished in size, wearing a feather boa round her neck and seated alone in a drawing room almost the copy, on a smaller scale, of the old drawing room; the same subdued pleasant air of the 18th Century and old portraits and old china. She had our tea waiting for us. Her manner was a little distant, and more than a little melancholy. I asked her about father, and she said how those young men laughed in a ‘loud melancholy way’ and how their generation was a very happy one, but selfish; and how ours seemed to her fine but very terrible; but we hadn’t any writers such as they had. ‘Some of them have just a touch of that quality; Bernard Shaw has; but only a touch. The pleasant thing was to know them all as ordinary people, not great men.’ And then a story of Carlyle and father; Carlyle saying he’d as soon wash his face in a dirty puddle as write journalism. She put her hand down, I remember, into a bag or box standing beside the fire, and said she had a novel, three quarters written, but couldn’t finish it. Nor do I suppose it ever was finished; but I’ve said all I can say, dressing it up a trifle rosily, in The Times tomorrow. I have written to Hester, but how I doubt the sincerity of my own emotion!
Wednesday, March 19th.
Life piles up so fast that I have no time to write out the equally fast rising mound of reflections, which I always mark down as they rise to be inserted here. I meant to write about the Barnetts and the peculiar repulsiveness of those who dabble their fingers self approvingly in the stuff of others’ souls. The Barnetts were at any rate plunged to the elbow; red handed if ever philanthropists were, which makes them good examples; and then, unquestioning and unspeculative as they were, they give themselves away almost to the undoing of my critical faculty. Is it chiefly intellectual snobbery that makes me dislike them? Is it snobbery to feel outraged when she says ‘Then I came close to the Great Gates’—or reflects that God = good, devil = evil. Has this coarseness of grain any necessary connection with labour for one’s kind? And then the smug vigour of their self-satisfaction! Never a question as to the right of what they do—always a kind of insensate forging ahead until, naturally, their undertakings are all of colossal size and portentous prosperity. Moreover, could any woman of humour or insight quote such paeans to her own genius? Perhaps the root of it all lies in the adulation of the uneducated, and the easy mastery of the will over the poor. And more and more I come to loathe any dominion of one over another; any leadership, any imposition of the will. Finally, my literary taste is outraged by the smooth way in which the tale is made to unfold into fullblown success like some profuse peony. But I only scratch the surface of what I feel about these two stout volumes.
Thursday, March 27th.
… Night and Day which L. has spent the past two mornings and evenings in reading. I own that his verdict, finally pronounced this morning, gives me immense pleasure: how far one should discount it, I don’t know. In my own opinion N. & D. is a much more mature and finished and satisfactory book than The Voyage Out; as it has reason to be. I suppose I lay myself open to the charge of niggling with emotions that don’t really matter. I certainly don’t anticipate even two editions. And yet I can’t help thinking that, English fiction being what it is, I compare for originality and sincerity rather well with most of the moderns. L. finds the philosophy very melancholy. It too much agrees with what he was saying yesterday. Yet, if one is to deal with people on a large scale and say what one thinks, how can one avoid melancholy? I don’t admit to being hopeless though: only the spectacle is a profoundly strange one; and as the current answers don’t do, one has to grope for a new one, and the process of discarding the old, when one is by no means certain what to put in their place, is a sad one. Still, if you think of it, what answers do Arnold Bennett or Thackeray, for instance, suggest? Happy ones—satisfactory solutions—answers one would accept, if one had the least respect for one’s soul? Now I have done my last odious piece of typewriting, and when I have scribbled this page, I shall write and suggest Monday as the day for coming up to lunch with Gerald. I don’t suppose I’ve ever enjoyed any writing so much as I did the last half of Night and Day. Indeed, no part of it taxed me as The Voyage Out did; and if one’s own ease and interest promise anything good, I should have hopes that some people, at least, will find it a pleasure. I wonder if I shall ever be able to read it again? Is the time coming when I can endure to read my own writing in print without blushing—shivering and wishing to take cover?
Wednesday, April 2nd.
Yesterday I took Night and Day up to Gerald and had a little half domestic half professional interview with him in his office. I don’t like the Clubman’s view of literature. For one thing it breeds in me a violent desire to boast: I boasted of Nessa and Clive and Leonard; and how much money they made. Then we undid the parcel and he liked the title but found that Miss Maud Annesley has a book called Nights and Days—which may make difficulties with Mudies. But he was certain he would wish to publish it; and we were altogether cordial; and I noticed how his hair is every blade of it white, with some space between the blades; a very sparsely sown field. I had tea at Gordon Square.
Saturday, April 12th.
These ten minutes are stolen from Moll Flanders, which I failed to finish yesterday in accordance with my time sheet, yielding to a desire to stop reading and go up to London. But I saw London, in particular the view of white city churches and palaces from Hungerford Bridge through the eyes of Defoe. I saw the old women selling matches through his eyes; and the draggled girl skirting round the pavement of St James’s Square seemed to me out of Roxana or Moll Flanders. Yes, a great writer surely to be there imposing himself on me after 200 years. A great writer—and Forster has never read his books! I was beckoned by Forster from the Library as I approached. We shook hands very cordially; and yet I always feel him shrinking sensitively from me, as a woman, a clever woman, an up to date woman. Feeling this I commanded him to read Defoe, and left him, and went and got some more Defoe, having bought one volume at Bickers on the way.
Thursday, April 17th.
However one may abuse the Stracheys their minds remain a source of joy to the end; so sparkling, definite and nimble. Need I add that I reserve the qualities I most admire for people who are not Stracheys? It is so long since I have seen Lytton that I take my impression of him too much from his writing, and his paper upon Lady Hester Stanhope was not one of his best. I could fill this page with gossip about people’s articles in the Athenaeum; since I had tea with Katherine yesterday and Murry sat there mud-coloured and mute, livening only when we talked his shop. He has the jealous partiality of a parent for his offspring already. I tried to be honest, as if honesty were part of my philosophy, and said how I disliked Grantorto on whistling birds, and Lytton and so on. The male atmosphere is disconcerting to me. Do they distrust one? despise one? and if so why do they sit on the whole length of one’s visit? The truth is that when Murry says the orthodox masculine thing about Eliot, for example, belittling my solicitude to know what he said of me, I don’t knuckle under; I think what an abrupt precipice cleaves asunder the male intelligence, and how they pride