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to Thrums.

      When Tommy was among his new friends a Scotch word or phrase often escaped his lips, but old Petey and the others thought he had picked it up from them, and would have been content to accept him as a London waif who lived somewhere round the corner. To trick people so simply, however, is not agreeable to an artist, and he told them his name was Tommy Shovel, and that his old girl walloped him, and his father found dogs, all which inventions Thrums Street accepted as true. What is much more noteworthy is that, as he gave them birth, Tommy half believed them also, being already the best kind of actor.

      Not all the talking was done by Tommy when he came home with news, for he seldom mentioned a Thrums name, of which his mother could not tell him something more. But sometimes she did not choose to tell, as when he announced that a certain Elspeth Lindsay, of the Marywellbrae, was dead. After this she ceased to listen, for old Elspeth had been her grandmother, and she had now no kin in Thrums.

      "Tell me about the Painted Lady," Tommy said to her. "Is it true she's a witch?" But Mrs. Sandys had never heard of any woman so called: the Painted Lady must have gone to Thrums after her time.

      "There ain't no witches now," said Elspeth tremulously; Shovel's mother had told her so.

      "Not in London," replied Tommy, with contempt; and this is all that was said of the Painted Lady then. It is the first mention of her in these pages.

      The people Mrs. Sandys wanted to hear of chiefly were Aaron Latta and Jean Myles, and soon Tommy brought news of them, but at the same time he had heard of the Den, and he said first:

      "Oh, mother, I thought as you had told me about all the beauty places in Thrums, and you ain't never told me about the Den."

      His mother heaved a quick breath. "It's the only place I hinna telled you o'," she said.

      "Had you forget, it mother?"

      Forget the Den! Ah, no, Tommy, your mother had not forgotten the Den.

      "And, listen, Elspeth, in the Den there's a bonny spring of water called the Cuttle Well. Had you forgot the Cuttle Well, mother?"

      No, no; when Jean Myles forgot the names of her children she would still remember the Cuttle Well. Regardless now of the whispering between Tommy and Elspeth, she sat long over the fire, and it is not difficult to fathom her thoughts. They were of the Den and the Cuttle Well.

      Into the life of every man, and no woman, there comes a moment when he learns suddenly that he is held eligible for marriage. A girl gives him the jag, and it brings out the perspiration. Of the issue elsewhere of this stab with a bodkin let others speak; in Thrums its commonest effect is to make the callant's body take a right angle to his legs, for he has been touched in the fifth button, and he backs away broken-winded. By and by, however, he is at his work—among the turnip-shoots, say—guffawing and clapping his corduroys, with pauses for uneasy meditation, and there he ripens with the swedes, so that by the back-end of the year he has discovered, and exults to know, that the reward of manhood is neither more nor less than this sensation at the ribs. Soon thereafter, or at worst, sooner or later (for by holding out he only puts the women's dander up), he is led captive to the Cuttle Well. This well has the reputation of being the place where it is most easily said.

      The wooded ravine called the Den is in Thrums rather than on its western edge, but is so craftily hidden away that when within a stone's throw you may give up the search for it; it is also so deep that larks rise from the bottom and carol overhead, thinking themselves high in the heavens before they are on a level with Nether Drumley's farmland. In shape it is almost a semicircle, but its size depends on you and the maid. If she be with you, the Den is so large that you must rest here and there; if you are after her boldly, you can dash to the Cuttle Well, which was the trysting-place, in the time a stout man takes to lace his boots; if you are of those self-conscious ones who look behind to see whether jeering blades are following, you may crouch and wriggle your way onward and not be with her in half an hour.

      Old Petey had told Tommy that, on the whole, the greatest pleasure in life on a Saturday evening is to put your back against a stile that leads into the Den and rally the sweethearts as they go by. The lads, when they see you, want to go round by the other stile, but the lasses like it, and often the sport ends spiritedly with their giving you a clout on the head.

      Through the Den runs a tiny burn, and by its side is a pink path, dyed this pretty color, perhaps, by the blushes the ladies leave behind them. The burn as it passes the Cuttle Well, which stands higher and just out of sight, leaps in vain to see who is making that cooing noise, and the well, taking the spray for kisses, laughs all day at Romeo, who cannot get up. Well is a name it must have given itself, for it is only a spring in the bottom of a basinful of water, where it makes about as much stir in the world as a minnow jumping at a fly. They say that if a boy, by making a bowl of his hands, should suddenly carry off all the water, a quick girl could thread her needle at the spring. But it is a spring that will not wait a moment.

      Men who have been lads in Thrums sometimes go back to it from London or from across the seas, to look again at some battered little house and feel the blasts of their bairnhood playing through the old wynds, and they may take with them a foreign wife. They show her everything, except the Cuttle Well; they often go there alone. The well is sacred to the memory of first love. You may walk from the well to the round cemetery in ten minutes. It is a common walk for those who go back.

      First love is but a boy and girl playing at the Cuttle Well with a bird's egg. They blow it on one summer evening in the long grass, and on the next it is borne away on a coarse laugh, or it breaks beneath the burden of a tear. And yet—I once saw an aged woman, a widow of many years, cry softly at mention of the Cuttle Well. "John was a good man to you," I said, for John had been her husband. "He was a leal man to me," she answered with wistful eyes, "ay, he was a leal man to me—but it wasna John I was thinking o'. You dinna ken what makes me greet so sair," she added, presently, and though I thought I knew now I was wrong. "It's because I canna mind his name," she said.

      So the Cuttle Well has its sad memories and its bright ones, and many of the bright memories have become sad with age, as so often happens to beautiful things, but the most mournful of all is the story of Aaron Latta and Jean Myles. Beside the well there stood for long a great pink stone, called the Shoaging, Stone, because it could be rocked like a cradle, and on it lovers used to cut their names. Often Aaron Latta and Jean Myles sat together on the Shoaging Stone, and then there came a time when it bore these words cut by Aaron Latta:

      HERE LIES THE MANHOOD OF AARON LATTA, A FOND SON, A FAITHFUL FRIEND AND A TRUE LOVER, WHO VIOLATED THE FEELINGS OF SEX ON THIS SPOT, AND IS NOW THE SCUNNER OF GOD AND MAN

      Tommy's mother now heard these words for the first time, Aaron having cut them on the stone after she left Thrums, and her head sank at each line, as if someone had struck four blows at her.

      The stone was no longer at the Cuttle Well. As the easiest way of obliterating the words, the minister had ordered it to be broken, and of the pieces another mason had made stands for watches, one of which was now in Thrums Street.

      "Aaron Latta ain't a mason now," Tommy rattled on: "he is a warper, because he can warp in his own house without looking on mankind or speaking to mankind. Auld Petey said he minded the day when Aaron Latta was a merry loon, and then Andrew McVittie said, 'God behears, to think that Aaron Latta was ever a merry man!' and Baker Lumsden said, 'Curse her!'"

      His mother shrank in her chair, but said nothing, and Tommy explained: "It was Jean Myles he was cursing; did you ken her, mother? she ruined Aaron Latta's life."

      "Ay, and wha ruined Jean Myles's life?" his mother cried passionately.

      Tommy did not know, but he thought that young Petey might know, for young Petey had said: "If I had been Jean Myles I would have spat in Aaron's face rather than marry him."

      Mrs. Sandys seemed pleased to hear this.

      "They wouldna tell me what it were she did," Tommy went on; "they said it was ower ugly a story, but she were a bad one, for they stoned her out of Thrums. I dinna know where she is now, but she were stoned out of Thrums!"

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