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History of Ancient Egypt. George Rawlinson
Читать онлайн.Название History of Ancient Egypt
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isbn 9788027241033
Автор произведения George Rawlinson
Жанр Документальная литература
Издательство Bookwire
The city was, however, a reality, the embankment was a reality, the temple of Phthah was a reality, and the founding of a kingdom in Egypt, which included both the Upper and the Lower country some considerable time before the date of Abraham, was a reality, which the sternest criticism need not—nay, cannot—doubt. All antiquity attests that the valley of the Nile was one of the first seats of civilization. Abraham found a settled government established there when he visited the country, and a consecutive series of monuments carries the date of the first civilization at least as far back as B.C. 2700—probably further.
If the great Menes, then, notwithstanding all that we are told of his doings, be a mere shadowy personage, little more than magni nominis umbra, what shall we say of his twenty or thirty successors of the first, second, and third dynasties? What but that they are shadows of shadows? The native monuments of the early Ramesside period (about B.C. 1400-1300) assign to this time some twenty-five names of kings; but they do not agree in their order, nor do they altogether agree in the names. The kings, if they were kings, have left no history—we can only by conjecture attach to them any particular buildings, we can give no account of their actions, we can assign no chronology to their reigns. They are of no more importance in the "story of Egypt" than the Alban kings in the "story of Rome." "Non ragionam di loro, ma guarda e passi."
The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions. The motive of the attack was not mere lust of conquest, but rather the desire of gain. The Wady Magharah contained mines of copper and of turquoise, which the Egyptians desired to work; and for this purpose it was necessary to hold the country by a set of military posts, in order that the miners might pursue their labours without molestation. Some ruins of the fortifications are still to be seen; and the mines themselves, now exhausted, pierce the sides of the rocks, and bear in many places traces of hieroglyphical inscriptions The remains of temples show that the expatriated colonists were not left without the consolations of religion, while a deep well indicates the care that was taken to supply their temporal needs. Thousands of stone arrow-heads give evidence of the presence of a strong garrison, and make us acquainted with the weapon which they found most effectual against their enemies.
Sneferu calls himself Neter aa, "the Great God," and Neb mat, "the Lord of Justice." He is also "the Golden Horus," or "the Conqueror." Neb mat is not a usual title with Egyptian monarchs; and its assumption by Sneferu would seem to mark, at any rate, his appreciation of the excellence of justice, and his desire to have the reputation of a just ruler. Later ages give him the title of "the beneficent king," so that he would seem to have been a really unselfish and kindly sovereign. His form, however, only just emerges from the mists of the period to be again concealed from our view, and we vainly ask ourselves what exactly were the benefits that he conferred on Egypt, so as to attain his high reputation.
Still, the monuments of his time are sufficient to tell us something of the Egypt of his day, and of the amount and character of the civilization so early attained by the Egyptian people. Besides his own tablet in the Wady Magharah, there are in the neighbourhood of the pyramids of Ghizeh a number of tombs which belong to the officials of his court and the members of his family. These tombs contain both sculptures and inscriptions, and throw considerable light on the condition of the country.
In the first place, it is apparent that the style of writing has been invented which is called hieroglyphical, and which has the appearance of a picture writing, though it is almost as absolutely phonetic as any other. Setting apart a certain small number of "determinatives," each sign stands for a sound—the greater part for those elementary sounds which we express by letters. An eagle is a, a leg and foot b, a horned serpent f, a hand t, an owl m, a chicken u, and the like. It is true that there are signs which express a compound sound, a whole word, even a word of two syllables. A bowl or basin represents the sound of neb, a hatchet that of neter, a guitar that of nefer, a crescent that of aah, and so on. Secondly, it is clear that artistic power is considerable. The animal forms used in the hieroglyphics—the bee, the vulture, the uræus, the hawk, the chicken, the eagle—are well drawn. In the human forms there is less merit, but still they are fairly well proportioned and have spirit. No rudeness or want of finish attaches either to the writing or to the drawing of Sneferu's time; the artists do not attempt much, but what they attempt they accomplish.
Next, we may notice the character of the tombs. Already the tomb was more important than the house; and while every habitation constructed for the living men of the time has utterly perished, scores of the dwellings assigned to the departed still exist, many in an excellent condition. They are stone buildings resembling small houses, each with its door of entrance, but with no windows, and forming internally a small chamber generally decorated with sculptures. The walls slope at an angle of seventy-five or eighty degrees externally, but in the interior are perpendicular. The roof is composed of large flat stones. Strictly speaking, the chambers are not actual tombs, but mortuary chapels. The embalmed body of the deceased, encased in its wooden coffin (Gen. 1. 26), was not deposited in the chamber, but in an excavation under one of the walls, which was carefully closed up after the coffin had been placed inside it. The chamber was used by the relations for sacred rites, sacrificial feasts, and the like, held in honour of the deceased, especially on the anniversary of his death and entrance into Amenti. The early Egyptians indulged, like the Chinese, in a worship of ancestors. The members of a family met from time to time in the sepulchral chamber of their father, or their grandfather, and went through various ceremonies, sang hymns, poured libations, and made offerings, which were regarded as pleasing to the departed, and which secured their protection and help to such of their descendants as took part in the pious practices.
Sometimes a tomb was more pretentious than those above described. There is an edifice at Meydoum, improperly termed a pyramid, which is thought to be older than Sneferu, and was probably erected by one of the "shadowy kings" who preceded him on the throne. Situated on a natural rocky knoll of some considerable height, it rises in three stages at an angle of 74° 10' to an elevation of a hundred and twenty-five feet. It is built of a compact limestone, which must have been brought from some distance. The first stage has a height a little short of seventy feet; the next exceeds thirty-two feet; the third is a little over twenty-two feet. It is possible that originally there were more stages, and probable that the present highest stage has in part crumbled away; so that we may fairly reckon the original height to have been between a hundred and forty and a hundred and fifty feet The monument is generally regarded as a tomb, from its situation in the Memphian necropolis and its remote resemblance to the pyramids; but as yet it has not been penetrated, and consequently has not been proved to have been sepulchral.