LITMIR.BIZ

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time to time the boys ran back from the elephants and camels to get what good they could out of the scenes in which these hidden wonders were dramatized in acts of rapine or the chase, but they always came forward to the elephants and camels again. Even with them they had to endure a degree of denial, for although you could see most of the camels' figures, the elephants were so heavily draped that it was a kind of disappointment to look at them. The boys kept as close as they could, and came as near getting under the elephants' feet as the keepers would allow; but, after all, they were driven off a good deal and had to keep stealing back. They gave the elephants apples and bits of cracker and cake, and some tried to put tobacco into their trunks, though they knew very well that it was nearly certain death to do so; for any elephant that was deceived that way would recognize the boy that did it, and kill him the next time he came, if it was twenty years afterward. The boys used to believe that the Miami bridge would break down under the elephants if they tried to cross it, and they would have liked to see it do it, but no one ever saw it, perhaps because the elephants always waded the river. Some boys had seen them wading it, and stopping to drink and squirt the water out of their trunks. If an elephant got a boy that had given him tobacco into the river, he would squirt water on him till he drowned him. Still, some boys always tried to give the elephants tobacco, just to see how they would act for the time being.

      A show was not so much in favor as a circus, because there was so little performance in the ring. You could go round and look at the animals, mostly very sleepy in their cages, but you were not allowed to poke them through the bars, or anything; and when you took your seat there was nothing much till Herr Driesbach entered the lions' cage, and began to make them jump over his whip. It was some pleasure to see him put his head between the jaws of the great African King of Beasts, but the lion never did anything to him, and so the act wanted a true dramatic climax. The boys would really rather have seen a bareback-rider, like James Rivers, turn a back-somersault and light on his horse's crupper, any time, though they respected Herr Driesbach, too; they did not care much for a woman who once went into the lions' cage and made them jump round.

      The boys had their own beliefs about the different animals, and one of these concerned the inappeasable ferocity of the zebra. I do not know why the zebra should have had this repute, for he certainly never did anything to deserve it; but, for the matter of that, he was like all the other animals. Bears were not much esteemed, but they would have been if they could have been really seen hugging anybody to death. It was always hoped that some of the fiercest animals would get away and have to be hunted down, and retaken after they had killed a lot of dogs. If the elephants, some of them, had gone crazy, it would have been something, for then they would have roamed up and down the turnpike smashing buggies and wagons, and had to be shot with the six-pound cannon that was used to celebrate the Fourth of July with.

      Another thing that was against the show was that the animals were fed after it was out, and you could not see the tigers tearing their prey when the great lumps of beef were thrown them. There was somehow not so much chance of hooking into a show as a circus, because the seats did not go all round, and you could be seen under the cages as soon as you got in under the canvas. I never heard of a boy that hooked into a show; perhaps nobody ever tried.

      But the great reason of all was that you could not have an animal show of your own as you could a circus. You could not get the animals; and no boy living could act a camel, or a Royal Bengal tiger, or an elephant so as to look the least like one.

      Of course you could have negro shows, and the boys often had them; but they were not much fun, and you were always getting the black on your shirt-sleeves.

The Theatre Comes to Town

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      A great new experience which now came to the boy was the theatre, which he had sometimes heard his father speak of. There had once been a theatre in the Boy's Town, when a strolling company came up from Cincinnati, and opened for a season in an empty pork-house. But that was a long time ago, and, though he had written a tragedy, all that the boy knew of a theatre was from a picture in a Sunday-school book where a stage scene was given to show what kind of desperate amusements a person might come to in middle life if he began by breaking the Sabbath in his youth. His brother had once been taken to a theatre in Pittsburg by one of their river-going uncles, and he often told about it; but my boy formed no conception of the beautiful reality from his accounts of a burglar who jumped from a roof and was chased by a watchman with a pistol up and down a street with houses painted on a curtain.

      The company which came to the Boy's Town in his time was again from Cincinnati, and it was under the management of the father and mother of two actresses, afterward famous, who were then children, just starting upon their career. These pretty little creatures took the leading parts in Bombastes Furioso the first night my boy ever saw a play, and he instantly fell impartially in love with both of them, and tacitly remained their abject slave for a great while after. When the smaller of them came out with a large pair of stage boots in one hand and a drawn sword in the other, and said:

      "Whoever dares these boots displace

       Shall meet Bombastes face to face,"

      if the boy had not already been bereft of his senses by the melodrama preceding the burlesque, he must have been transported by her beauty, her grace, her genius. He, indeed, gave her and her sister his heart, but his mind was already gone, rapt from him by the adorable pirate who fought a losing fight with broadswords, two up and two down—click-click, click-click—and died all over the deck of the pirate ship in the opening piece. This was called the Beacon of Death, and the scene represented the forecastle of the pirate ship with a lantern dangling from the rigging, to lure unsuspecting merchantmen to their doom. Afterward the boy remembered nothing of the story, but a scrap of the dialogue meaninglessly remained with him; and when the pirate captain appeared with his bloody crew and said, hoarsely, "Let us go below and get some brandy!" the boy would have bartered all his hopes of bliss to have been that abandoned ruffian. In fact, he always liked, and longed to be, the villain, rather than any other person in the play, and he so glutted himself with crime of every sort in his tender years at the theatre that he afterward came to be very tired of it, and avoided the plays and novels that had very marked villains in them.

      He was in an ecstasy as soon as the curtain rose that night, and he lived somewhere out of his body as long as the playing lasted, which was well on to midnight; for in those days the theatre did not meanly put the public off with one play, but gave it a heartful and its money's worth with three. On his first night my boy saw The Beacon of Death, Bombastes Furioso, and Black-Eyed Susan, and he never afterward saw less than three plays each night, and he never missed a night, as long as the theatre languished in the unfriendly air of that mainly Calvinistic community, where the theatre was regarded by most good people as the eighth of the seven deadly sins. The whole day long he dwelt in a dream of it that blotted out, or rather consumed with more effulgent brightness, all the other day-dreams he had dreamed before, and his heart almost burst with longing to be a villain like those villains on the stage, to have a mustache—a black mustache—such as they wore at a time when every one off the stage was clean shaven, and somehow to end bloodily, murderously, as became a villain.

      I dare say this was not quite a wholesome frame of mind for a boy of ten years; but I do not defend it; I only portray it. Being the boy he was, he was destined somehow to dwell half the time in a world of dreamery; and I have tried to express how, when he had once got enough of villany, he reformed his ideals and rather liked virtue.

The World Opened by Books

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      Every boy is two or three boys, or twenty or thirty different kinds of boys in one; he is all the time living many lives and forming many characters; but it is a good thing if he can keep one life and one character when he gets to be a man. He may turn out to be like an onion when he is grown up, and be nothing but hulls, that you keep peeling off, one after another, till you think

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