A Treatise of Human Nature - David Hume

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cause to every new production, that opinion must necessarily arise from observation and experience. The next question, then, should naturally be, how experience gives rise to such a principle? But as I find it will be more convenient to sink this question in the following, Why we conclude, that such particular causes must necessarily have such particular erects, and why we form an inference from one to another? we shall make that the subject of our future enquiry. It will, perhaps, be found in the end, that the same answer will serve for both questions.

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      Though the mind in its reasonings from causes or effects carries its view beyond those objects, which it sees or remembers, it must never lose sight of them entirely, nor reason merely upon its own ideas, without some mixture of impressions, or at least of ideas of the memory, which are equivalent to impressions. When we infer effects from causes, we must establish the existence of these causes; which we have only two ways of doing, either by an immediate perception of our memory or senses, or by an inference from other causes; which causes again we must ascertain in the same manner, either by a present impression, or by an inference from their causes, and so on, till we arrive at some object, which we see or remember. It is impossible for us to carry on our inferences IN INFINITUM; and the only thing, that can stop them, is an impression of the memory or senses, beyond which there is no room for doubt or enquiry.

      To give an instance of this, we may chuse any point of history, and consider for what reason we either believe or reject it. Thus we believe that Caesar was killed in the senate-house on the ides of March; and that because this fact is established on the unanimous testimony of historians, who agree to assign this precise time and place to that event. Here are certain characters and letters present either to our memory or senses; which characters we likewise remember to have been used as the signs of certain ideas; and these ideas were either in the minds of such as were immediately present at that action, and received the ideas directly from its existence; or they were derived from the testimony of others, and that again from another testimony, by a visible gradation, it will we arrive at those who were eyewitnesses and spectators of the event. It is obvious all this chain of argument or connexion of causes and effects, is at first founded on those characters or letters, which are seen or remembered, and that without the authority either of the memory or senses our whole reasoning would be chimerical and without foundation. Every link of the chain would in that case hang upon another; but there would not be any thing fixed to one end of it, capable of sustaining the whole; and consequently there would be no belief nor evidence. And this actually is the case with all hypothetical arguments, or reasonings upon a supposition; there being in them, neither any present impression, nor belief of a real existence.

      I need not observe, that it is no just objection to the present doctrine, that we can reason upon our past conclusions or principles, without having recourse to those impressions, from which they first arose. For even supposing these impressions should be entirely effaced from the memory, the conviction they produced may still remain; and it is equally true, that all reasonings concerning causes and effects are originally derived from some impression; in the same manner, as the assurance of a demonstration proceeds always from a comparison of ideas, though it may continue after the comparison is forgot.

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      In this kind of reasoning, then, from causation, we employ materials, which are of a mixed and heterogeneous nature, and which, however connected, are yet essentially different from each other. All our arguments concerning causes and effects consist both of an impression of the memory or, senses, and of the idea of that existence, which produces the object of the impression, or is produced by it. Here therefore we have three things to explain, viz. First, The original impression. Secondly, The transition to the idea of the connected cause or effect. Thirdly, The nature and qualities of that idea.

      As to those impressions, which arise from the senses, their ultimate cause is, in my opinion, perfectly inexplicable by human reason, and it will always be impossible to decide with certainty, whether they arise immediately from the object, or are produced by the creative power of the mind, or are derived from the author of our being. Nor is such a question any way material to our present purpose. We may draw inferences from the coherence of our perceptions, whether they be true or false; whether they represent nature justly, or be mere illusions of the senses.

      When we search for the characteristic, which distinguishes the memory from the imagination, we must immediately perceive, that it cannot lie in the simple ideas it presents to us; since both these faculties borrow their simple ideas from the impressions, and can never go beyond these original perceptions. These faculties are as little distinguished from each other by the arrangement of their complex ideas. For though it be a peculiar property of the memory to preserve the original order and position of its ideas, while the imagination transposes and changes them, as it pleases; yet this difference is not sufficient to distinguish them in their operation, or make us know the one from the other; it being impossible to recal the past impressions, in order to compare them with our present ideas, and see whether their arrangement be exactly similar. Since therefore the memory, is known, neither by the order of its complex ideas, nor the nature of its simple ones; it follows, that the difference betwixt it and the imagination lies in its superior force and vivacity. A man may indulge his fancy in feigning any past scene of adventures; nor would there be any possibility of distinguishing this from a remembrance of a like kind, were not the ideas of the imagination fainter and more obscure.

      It frequently happens, that when two men have been engaged in any scene of action, the one shall remember it much better than the other, and shall have all the difficulty in the world to make his companion recollect it. He runs over several circumstances in vain; mentions the time, the place, the company, what was said, what was done on all sides; till at last he hits on some lucky circumstance, that revives the whole, and gives his friend a perfect memory of every thing. Here the person that forgets receives at first all the ideas from the discourse of the other, with the same circumstances of time and place; though he considers them as mere fictions of the imagination. But as soon as the circumstance is mentioned, that touches the memory, the very same ideas now appear in a new light, and have, in a manner, a different feeling from what they had before. Without any other alteration, beside that of the feeling, they become immediately ideas of the memory, and are assented to.

      Since, therefore, the imagination can represent all the same objects that the memory can offer to us, and since those faculties are only distinguished by the different feeling of the ideas they present, it may be proper to consider what is the nature of that feeling. And here I believe every one will readily agree with me, that the ideas of the memory are more strong and lively than those of the fancy.

      A painter, who intended to represent a passion or emotion of any kind, would endeavour to get a sight of a person actuated by a like emotion, in order to enliven his ideas, and give them a force and vivacity superior to what is found in those, which are mere fictions of the imagination. The more recent this memory is, the clearer is the idea; and when after a long interval he would return to the contemplation of his object, he always finds its idea to be much decayed, if not wholly obliterated. We are frequently in doubt concerning the ideas of the memory, as they become very weak and feeble; and are at a loss to determine whether any image proceeds from the fancy or the memory, when it is not drawn in such lively colours as distinguish that latter faculty. I think, I remember such an event, says one; but am not sure. A long tract of time has almost worn it out of my memory, and leaves me uncertain whether or not it be the pure offspring of my fancy.

      And as an idea of the memory, by losing its force and vivacity, may degenerate to such a degree, as to be taken for an idea of the imagination; so on the other hand an idea of the imagination may acquire such

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