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Missenden, which had opened the previous year — was placed at my disposal. With characteristic generosity, Ophelia even allowed me to draw on the manuscript of her own memoir. Tessa too, despite an initial wariness, has subsequently freely given me her time and energies. I could not possibly have written the book without their cooperation as well as that of their siblings Theo and Lucy. I am profoundly grateful to all of them.

      There were many surprises and puzzles in store for me on the journey — not least the discovery of how many contradictions animated his personality. The wild fantasist vied with the cool observer, the vainglorious boaster with the reclusive orchid breeder, the brash public schoolboy with the vulnerable foreigner, who never quite fit into the English establishment although he liked to describe himself as “very English … very English indeed”.1 A delight in simple pleasures — gardening, bird-watching, playing snooker and golf — counterbalanced a fascination for the sophisticated environment of grand hotels, wealthy resorts and elegant casinos. His taste in paintings, furniture, books and music was refined and subtle, yet he was also profoundly anti-intellectual. He could be a bully, yet prided himself on defending the underdog. For one who always relished a viewpoint that was clear-cut, these incongruities were not entirely unexpected. With Roald there were seldom shades of grey. I was also to learn that, as he rewrote his manuscripts, so too he rewrote his own history, preferring only to reveal his private life when it was quasi-fictionalized and therefore something over which he could exert a degree of control. Many things about his past made him feel uncomfortable and storytelling gave him power over that vulnerability.

      So now, in 2010, a wheel has come full circle. Little did I imagine when Roald and I had that conversation over dinner in 1986 that, twenty-four years later, I would finally answer his challenge by writing this book. It is an irony that I hope he would have appreciated. For seldom can a biographer have been presented with such an entertaining and absorbing subject, the narrative of whose picaresque life jumps from crisis to triumph, and from tragedy to humour with such restless swagger and irrepressible brio. Presented with so much new material — including hundreds of manuscripts and thousands of letters — I have tried, everywhere possible, to keep Dahl’s own voice to the fore, and to allow the reader to encounter him as I did, “warts and all”. Sometimes I have wished that I could convey the chuckle in his voice or seen the twinkle in his eye that doubtless accompanied many of his more outrageous statements.

      Moreover, his tendencies to exaggeration, irony, self-righteousness, and self-dramatization made him a particularly slippery quarry, and my attempts to pick through the thick protective skein of fiction that he habitually wove across his past may not always have been entirely successful. I have tried to be diligent and a good fact-checker, but if a few misjudgements and errors have crept in, I hope the reader will pardon them. I make no claim to be either encyclopedic or impartial. I am not sure either is even possible. Nevertheless, I have tried to write an account that is accurate and balanced, but not bogged down in minutiae. That is something I know Roald would have found unforgivable. So, while I remain uncertain if he ever had lunch with Igor Stravinsky, I have to confess that now I no longer care. It was perhaps a STORYTELLER’s detail, a trifle. Compared with so much else, whether it was true or false seems ultimately of little importance.

       CHAPTER ONE

      The Outsider

      IN JULY 1822, The Gentleman’s Magazine of Parliament Street, Westminster, reported a terrible accident. Its correspondent described how a few weeks earlier, in the tiny Norwegian hamlet of Grue, close to the border with Sweden, the local church had burned down. It was Whit Sunday and the building was packed with worshippers. As the young pastor warmed to the themes of his Pentecostal sermon, the aged sexton, tucked away in an unseen corner under the gallery, had felt his eyelids becoming heavy. By his side, in a shallow grate, glowed the fire he used for lighting the church candles. Gently its warmth spread over him and very soon he was fast asleep. Before long, a smell of burning was drifting through the airless building. The congregation stirred, but obediently remained seated as the priest continued to explain why the Holy Spirit had appeared to Christ’s apostles as countless tongues of fire. The smell got stronger. Smoke started to drift into one of the aisles. The sexton meanwhile snoozed on oblivious. By the time he awoke, an entire wall of the ancient church was ablaze. He ran out into the congregation, shouting at the worshippers to save themselves. Suffocating in the thick smoke, they pressed against the church’s sturdy wooden doors in a desperate attempt to escape the flames. But the doors opened inwards and the pressure of the terrified crowd simply forced them ever more tightly shut. Within ten minutes, the entire church, which was constructed almost entirely out of wood and pine tar, became an inferno. That day over one hundred people met, as the magazine described it, “a most melancholy end”, burning to death in what is still the most catastrophic fire in Norwegian history.

      Only a few people survived. They did so by following the example of their preacher. For Pastor Iver Hesselberg did not join the rush toward the closed church doors. Instead, he jumped swiftly down from his pulpit and, with great practical purpose, began piling up Bibles under one of the high windows by the altar. Then, after scrambling up them to the relative security of the window ledge, he hurled himself through the leaded glass and out of the burning edifice to safety. Some might have called his actions selfish, but all over Europe newspapers praised the cool logic of the enterprising priest, who thought his way out of a crisis and did not succumb to the group stampede. Here was a man of his time, they wrote, a thinker: an individual who stood outside his flock. Grateful for his second chance in life, Pastor Hesselberg evolved into a philanthropist and public figure. A contemporary remembered him as “a strict man who preached fine sermons”, a staunch Lutheran who was also a liberal idealist, visiting the poor and teaching them arithmetic, as well as how to read and write. He even founded a parish library.1

      Roald Dahl himself was not that interested in his ancestry or in historical detail.

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