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with his subject, and does not abandon it.

      "It is absurd," he continues, "the way in which children are made to loathe all scholarship by its association with their own pains and subjection. A child is made as a punishment to learn by rote fifty lines of Virgil. Good heavens! It ought rather to be as a reward that he should be allowed to open Virgil! To walk in all those delicious paths of thought should be the highest pleasure that he could be brought to know. To listen to the music of the poets should be at once his privilege and his recompense. To be deprived of books should be, on the contrary, his cruellest chastisement!"

      "He would be a very exceptional child, surely," says Madame Sabaroff.

      "I was not an exceptional child," he answers, "but that is how I was brought up and how I felt."

      "You had an exceptional training, then?"

      "It ought not to be exceptional: that is just the mischief. Up to the time I was seventeen, I was brought up at my own place (by my father's directions, in his will) by a most true and reverent scholar, whom I loved as Burke loved Shackleton. He died, God rest his soul, but the good he left behind him lives after him: whatever grains of sense I have shown, and whatever follies I have avoided, both what I am and what I am not, are due to him, and it is to him that I owe the love of study which has been the greatest consolation and the purest pleasure of my life. That is why I pity so profoundly those poor Rochefort children, and the tens of thousands like them, who are being educated by the commonplace, flavorless, cramming system which people call education. It may be education; it is not culture. What will the Babe always associate with his Latin themes? Four walls, hated books, inky, aching fingers, and a headache. Whereas I never look at a Latin line in a newspaper, be it one ever so hackneyed, without pleasure, as at the face of an old friend, and whenever I repeat to myself the words, I always smell the cowslips and the lilac and the hawthorn of the spring mornings when I was a boy."

      Xenia Sabaroff looked at him with some little wonder and more approval.

      "My dear lord," she says seriously, "I think in your enthusiasm you forget one thing, that there is ground on which good seed falls and brings forth flowers and fruit, and there is other ground on which the same seed, be it strewn every so thickly, lies always barren. Without underrating the influences of your tutor, I must believe that had you been educated at an English public school, or even in a French Lycée, you would still have become a scholar, still have loved your books."

      "Alas, madame," says Brandolin, with a little sigh, "perhaps I have only been what Matthew Arnold calls a 'foiled circuitous wanderer' in the orbit of life!"

      "I imagine that you have not very often been foiled," replies the lady, with a smile, "and wandering has a great deal to be said in its favor, especially for a man. Women are happiest, perhaps, at anchor."

      "Women used to be: not our women. Nous avons changé tout cela. I have bored you too much with myself and my opinions."

      "No, you interest me," says his companion with a serious serenity which deprives the words of all sound of flattery or encouragement. "I have long admired your writings," she adds, and Brandolin colors a little with gratification. The same kind of phrase is said to him on an average five hundred times a year, and his usual emotion is either ennui or irritation. The admiration of fools is folly, and humiliates him. But the admiration of so lovely a woman as Xenia Sabaroff would lay a flattering unction to the soul of any man, even if she were absolutely mindless; and she gives him the impression that she has a good deal of mind, and one out of the common order.

      "My writings have no other merit," he says, after the expression of his sense of the honor she does him, "than being absolutely the chronicle of what I have seen and what I have thought; and I think they are expressed in tolerably pure English, though that is claiming a great deal in these times; for since John Newman laid down the pen there is scarcely a living Briton who can write his own tongue with eloquence and purity."

      "I think it must be very nice to leave off wandering if one has a home," replies Madame Sabaroff, with a slight sigh, which gave him the impression that, though no doubt she had many houses, she had no home. "Where is your place that you spoke of just now?—the place where you learned to love Horace?"

      Brandolin is always pleased to speak of St. Hubert's Lea. He has a great love for it and for the traditions of his race, which makes many people accuse him of great family pride, though, as has been well said á propos of a greater man than Brandolin, it is rather that sentiment which the Romans defined as piety. When he talks of his old home he grows eloquent, unreserved, cordial; and he describes with an artist's touch its antiquities, its landscapes, and its old-world and sylvan charms.

      "It must be charming to care for any place so much as that," says his companion, after hearing him with interest.

      "I think one cares more for places than for people," he replies.

      "Sometimes one cares for neither," says Xenia Sabaroff, with a tone which in a less lovely woman would have been morose.

      "One must suffice very thoroughly to one's self in such a case?"

      "Oh, not necessarily."

      At that moment there is a little bustle under a very big cedar near at hand; servants are bringing out folding tables, folding chairs, a silver camp-kettle, cakes, fruit, cream, liqueurs, sandwiches, wines, all those items of an afternoon tea on which Brandolin has animadverted with so much disgust in the library an hour before. Lady Usk has chosen to take these murderous compounds out of doors in the west garden. She herself comes out of the house with a train of her guests around her.

      "Adieu to rational conversation," says Brandolin, as he rises with regret from his seat under the evergreen helmet.

      Xenia Sabaroff is pleased at the expression. She is too handsome for men often to speak to her rationally: they usually plunge headlong into attempts at homage and flattery, of which she is nauseated.

      CHAPTER VII

      "How do you like Lord Brandolin?" says Lady Usk, when she can say so unobserved.

      "I like him very much," replies Madame Sabaroff. "He is what one would expect him to be from his books; and that is so agreeable,—and so rare."

      Dorothy Usk is not pleased. She does not want her Russian ph[oe]nix to admire Brandolin. She has arranged an alliance in her own mind between the Princess Sabaroff and her own cousin Alan, Lord Gervase, whom she is daily expecting at Surrenden. Gervase is a man of some note in diplomacy and society; she is proud of him, she is attached to him, she desires to see him ultimately fill all offices of state that the ambition of an Englishman can aspire to; and Xenia Sabaroff is so enormously rich, as well as so unusually handsome. It would be a perfectly ideal union; and, desiring it infinitely, the mistress of Surrenden, with that tact which distinguishes her, has never named Lord Gervase to the Princess Sabaroff nor the Princess Sabaroff to Lord Gervase. He is to be at Surrenden in a week's time. Now she vaguely wishes that Brandolin had not these eight days' start of him. But then Brandolin, she knows, will only flirt; that is to say, if the Russian lady allow him to do so: he is an unconscionable flirt, and never means anything by his tenderest speeches. Brandolin, she knows, is not a person who will ever marry; he has lost scores of the most admirable opportunities, and rejected the fairest and best-filled hands that have been offered to him. To the orderly mind of Lady Usk, he represents an Ishmael forever wandering in wild woods, outside the pale of general civilization. She can never see why people make such a fuss with him. She does not say so, because it is the fashion to make the fuss, and she never goes against a fashion. A very moral woman herself, she is only as charitable and elastic as she is to naughty people because such charity and elasticity is the mark of good society in the present day. Without it, she would be neither popular nor well bred; and she would sooner die than fail in being either.

      "Why don't you ever marry, Lord Brandolin?" asks Dorothy Usk. "Why have you never married?"

      "Because he's much too sensible," growls her husband, but adds, with infinite compassion, "He'll have to, some day, or the name will die out."

      "Yes, I shall have to, some day, to use your very grammatical expression," assents Brandolin. "I don't wish the name to die out, and there's nobody to come after me except the Southesk-Vanes, who detest

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