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biography of a great man complained to me lately, that in consulting a dozen of his friends—men and women who had known him as preacher, orator, reformer, and poet—so few of them had anything characteristic and fine to relate. "What," he said "is the use of trying to write biography with such mummies for witnesses! They would have seen just as much if they had had nothing but glass eyes in their heads."

      What is education good for that does not teach the mind to observe accurately and define picturesquely? To get at the essence of an object and clear away the accompanying rubbish, this is the only training that fits men and women to live with any profit to themselves or pleasure to others. What a biographer, for example, or at least what a witness for some other biographer, was latent in the little boy who, when told by his teacher to define a bat, said: "He's a nasty little mouse, with injy-rubber wings and shoe-string tail, and bites like the devil." There was an eye worth having! Agassiz himself could not have hit off better the salient characteristics of the little creature in question. Had that remarkable boy been brought into contact, for five minutes only, with Julius Caesar, who can doubt that the telling description he would have given of him would have come down through all the ages?

      I do not mean to urge the adoption of any ultra-utilitarian standpoint in regard to playthings, or advise you rudely to enter the realm of early infancy and interfere with the baby's legitimate desires by any meddlesome pedagogic reasoning. Choose his toys wisely and then leave him alone with them. Leave him to the throng of emotional impressions they will call into being. Remember that they speak to his feelings when his mind is not yet open to reason. The toy at this period is surrounded with a halo of poetry and mystery, and lays hold of the imagination and the heart without awaking vulgar curiosity. Thrice happy age when one can hug one's white woolly lamb to one's bibbed breast, kiss its pink bead eyes in irrational ecstasy, and manipulate the squeak in its foreground without desire to explore the cause thereof!

      At this period the well-beloved toy, the dumb sharer of the child's joys and sorrows, becomes the nucleus of a thousand enterprises, each rendered more fascinating by its presence and sympathy. If the toy be a horse, they take imaginary journeys together, and the road is doubly delightful because never traveled alone. If it be a house, the child lives therein a different life for every day in the week; for no monarch alive is so all-powerful as he whose throne is the imagination. Little tin soldier, Shem, Ham, and Japhet from the Noah's Ark, the hornless cow, the tailless dog, and the elephant that won't stand up, these play their allotted parts in his innocent comedies, and meanwhile he grows steadily in sympathy and in comprehension of the ever-widening circle of human relationships. "When we have restored playthings to their place in education—a place which assigns them the principal part in the development of human sympathies, we can later on put in the hands of children objects whose impressions will reach their minds more particularly."

      Dr. E. Seguin, our Commissioner of Education to the Universal Exhibition at Vienna, philosophizes most charmingly on children's toys in his Report (chapter on the Training of Special Senses). He says the vast array of playthings (separated by nationalities) left at first sight an impression of silly sameness; but that a second look "discovered in them particular characters, as of national idiosyncrasies; and a closer examination showed that these puerilities had sense enough in them, not only to disclose the movements of the mind, but to predict what is to follow."

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      1

      E. Seguin.

      2

      Eleonore Heerwart.

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1

E. Seguin.

2

Eleonore Heerwart.

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