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born of murmuring sound shall pass into" its "face," how much more subtly shall the grave strength of peace, the sunshine of hope and sweet content, thrill the delicate chords of being, and warm the tender seedling into richer life.

      Mrs. Stoddard speaks of that sacred passion, maternal love, that "like an orange-tree, buds and blossoms and bears at once." When a true woman puts her finger for the first time into the tiny hand of her baby, and feels that helpless clutch which tightens her very heart-strings, she is born again with the new-born child.

      A mother has a sacred claim on the world; even if that claim rest solely on the fact of her motherhood, and not, alas, on any other. Her life may be a cipher, but when the child comes, God writes a figure before it, and gives it value.

      Once the child is born, one of his inalienable rights, which we too often deny him, is the right to his childhood.

      If we could only keep from untwisting the morning-glory, only be willing to let the sunshine do it! Dickens said real children went out with powder and top-boots; and yet the children of Dickens's time were simple buds compared with the full-blown miracles of conventionality and erudition we raise nowadays.

      There is no substitute for a genuine, free, serene, healthy, bread-and-butter childhood. A fine manhood or womanhood can be built on no other foundation; and yet our American homes are so often filled with hurry and worry, our manner of living is so keyed to concert pitch, our plan of existence so complicated, that we drag the babies along in our wake, and force them to our artificial standards, forgetting that "sweet flowers are slow, and weeds make haste."

      If we must, or fancy that we must, lead this false, too feverish life, let us at least spare them! By keeping them forever on tiptoe we are in danger of producing an army of conventional little prigs, who know much more than they should about matters which are profitless even to their elders.

      In the matter of clothing, we sacrifice children continually to the "Moloch of maternal vanity," as if the demon of dress did not demand our attention, sap our energy, and thwart our activities soon enough at best.

      And the right kind of children, before they are spoiled by fine feathers, do detest being "dressed up" beyond a certain point.

      A tiny maid of my acquaintance has an elaborate Parisian gown, which is fastened on the side from top to bottom in some mysterious fashion, by a multitude of tiny buttons and cords. It fits the dear little mouse like a glove, and terminates in a collar which is an instrument of torture to a person whose patience has not been developed from year to year by similar trials. The getting of it on is anguish, and as to the getting of it off, I heard her moan to her nurse the other night, as she wriggled her curly head through the too-small exit, "Oh I only God knows how I hate gettin' peeled out o' this dress!"

      The spectacle of a small boy whom I meet sometimes in the horse-cars, under the wing of his predestinate idiot of a mother, wrings my very soul. Silk hat, ruffled shirt, silver-buckled shoes, kid gloves, cane, velvet suit, with one two-inch pocket which is an insult to his sex,—how I pity the pathetic little caricature! Not a spot has he to locate a top, or a marble, or a nail, or a string, or a knife, or a cooky, or a nut; but as a bloodless substitute for these necessities of existence, he has a toy watch (that will not go) and an embroidered handkerchief with cologne on it.

      As to keeping children too clean for any mortal use, I suppose nothing is more disastrous. The divine right to be gloriously dirty a large portion of the time, when dirt is a necessary consequence of direct, useful, friendly contact with all sorts of interesting, helpful things, is too clear to be denied.

      The children who have to think of their clothes before playing with the dogs, digging in the sand, helping the stableman, working in the shed, building a bridge, or weeding the garden, never get half their legitimate enjoyment out of life. And unhappy fate, do not many of us have to bring up children without a vestige of a dog, or a sand heap, or a stable, or a shed, or a brook, or a garden! Conceive, if you can, a more difficult problem than giving a child his rights in a city flat. You may say that neither do we get ours: but bad as we are, we are always good enough to wish for our children the joys we miss ourselves.

      Thrice happy is the country child, or the one who can spend a part of his young life among living things, near to Nature's heart How blessed is the little toddling thing who can lie flat in the sunshine and drink in the beauty of the "green things growing," who can live among the other little animals, his brothers and sisters in feathers and fur; who can put his hand in that of dear mother Nature, and learn his first baby lessons without any meddlesome middleman; who is cradled in sweet sounds "from early morn to dewy eve," lulled to his morning nap by hum of crickets and bees, and to his night's slumber by the sighing of the wind, the plash of waves, or the ripple of a river. He is a part of the "shining web of creation," learning to spell out the universe letter by letter as he grows sweetly, serenely, into a knowledge of its laws.

      I have a good deal of sympathy for the little people during their first eight or ten years, when they are just beginning to learn life's lessons, and when the laws which govern them must often seem so strange and unjust. It is not an occasion for a big burning sympathy, perhaps, but for a tender little one, with a half smile in it, as we think of what we were, and "what in young clothes we hoped to be, and of how many things have come across;" for childhood is an eternal promise which no man ever keeps.

      The child has a right to a place of his own, to things of his own, to surroundings which have some relation to his size, his desires, and his capabilities.

      How should we like to live, half the time, in a place where the piano was twelve feet tall, the door knobs at an impossible height, and the mantel shelf in the sky; where every mortal thing was out of reach except a collection of highly interesting objects on dressing-tables and bureaus, guarded, however, by giants and giantesses, three times as large and powerful as ourselves, forever saying, "mustn't touch;" and if we did touch we should be spanked, and have no other method of revenge save to spank back symbolically on the inoffensive persons of our dolls?

      Things in general are so disproportionate to the child's stature, so far from his organs of prehension, so much above his horizontal line of vision, so much ampler than his immediate surroundings, that there is, between him and all these big things, a gap to be filled only by a microcosm of playthings which give him his first object-lessons. In proof of which let him see a lady richly dressed, he hardly notices her; let him see a doll in similar attire, he will be ravished with ecstasy. As if to show that it was the disproportion of the sizes which unfitted him to notice the lady, the larger he grows the bigger he wants his toys, till, when his wish reaches to life-sizes, good-by to the trumpery, and onward with realities.1

      My little nephew was prowling about my sitting-room during the absence of his nurse. I was busy writing, and when he took up a delicate pearl opera-glass, I stopped his investigations with the time-honored, "No, no, dear, that's for grown-up people."

      "Hasn't it got any little-boy end?" he asked wistfully.

      That "little-boy end" to things is sometimes just what we fail to give, even when we think we are straining every nerve to surround the child with pleasures. For children really want to do the very same things that we want to do, and yet have constantly to be thwarted for their own good. They would like to share all our pleasures; keep the same hours, eat the same food; but they are met on every side with the seemingly impertinent piece of dogmatism, "It isn't good for little boys," or "It isn't nice for little girls."

      Robert Louis Stevenson shows, in his "Child's Garden of Verses," that he is one of the very few people who remember and appreciate this phase of childhood. Could anything be more deliciously real than these verses?

      "In winter I get up at night,

      And dress by yellow candle light:

      In summer, quite the other way,

      I have to go to bed by day;

      I have to go to bed and see

      The birds still hopping on the tree,

      And hear the grown-up people's feet

      Still going past me on the street.

      And does it not seem hard to you,

      That

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E. Seguin.