LITMIR.BIZ

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the pattern of a laurel leaf, surrounds the vase: a very correct engraving of which is given in the work of Choiseul-Gouffier. There are said to have been seven of these vases at Pergamus; six of which were taken to Constantinople.”

      There are also in the neighbourhood of Bergamo, the present ruins of this city, six tumuli; three large and three small79.

      NO. XIV. – PERSEPOLIS

      “ – I know

      The wealth,” she cries, “of every urn,

      In which unnumbered rubies burn,

      Beneath the pillars of Chilminar.”

Moore; —Lalla Rookh.

      This city is supposed to have been founded by the famous Jemsheed, from whom it is to this day called Tuklit-e-Jemsheed; – the throne of Jemsheed; a prince, to whom Persian authors attribute the invention of many useful arts80; and to whom they refer the first great reform in the manners and usages of their countrymen. He, also, introduced the solar year; and ordered the first day of it, when the sun entered Aries, to be celebrated as a festival81.

      An old Persian author has left the following description of Persepolis: – “Jemsheed built a fortified palace at the foot of a hill, which bounds the fine plain of Murdasht to the north-west. The platform, on which it was built, has three faces to the plain, and one to the mountain. It is formed of hard, black granite. The elevation from the plain is ninety feet; and every stone, used in this building, is from nine to twelve feet long, and broad in proportion. There are two great flights of stairs to this palace, so easy of ascent, that a man can ride up on horseback; and on the platform a palace has been erected, part of which still remains in its original state, and part is in ruins. The palace of Jemsheed is that, now called the Chesel-Setoon, or Forty Pillars. Each pillar is formed of a carved stone, is sixty feet high, and is ornamented in a manner so delicate, that it would seem to rival upon hard granite the sculpture of a carving upon the softest wood. There is no granite like that, of which these pillars are made, to be now found in Persia: and it is unknown from whence it is brought. Some most beautiful and extraordinary figures ornament this palace; and all the pillars, which once supported the roof (for that has fallen) are composed of three pieces of stone, joined in so exquisite a manner, as to make the beholder believe, that the whole shaft is one piece. There are several figures of Jemsheed in the sculpture; in one he has an urn in his hand, in which he burns benjamin, while he stands adoring the sun; in another, he is represented as seizing the mane of a lion with one hand, while he stabs him with another.”

      The remains of this city stands in one of the finest plains of Persia; being eighteen or nineteen leagues in length, and in some places two, in some four, and in others six leagues in breadth. It is watered by the great river Araxes, and by a multitude of rivers beside. Within the compass of this plain there are between one thousand and one thousand five hundred villages, without reckoning those in the mountains, all adorned with pleasant gardens, and planted with trees. The entrance of this plain, on the west side, has received as much grandeur from nature, as the city it covered could do from industry or art.

      Some authors say, that to attempt any guess of the period when the city first rose from the plain, would be useless, and that the only means, now remaining, of forming any satisfactory conjectures, in regard to its origin, can only reach to the probable era of the different remaining ruins. When in Persia, however, Mr. Francklin met with a short account of the building this palace, in MS., being part of a work, called Rouzut al Sefa, or the Garden of Purity; of which he gives this as a translation: – “It is related by historians, that King Jemsheed removed the seat of government, which was formerly in the province of Sejestaun, to Fars; and that in the neighbourhood of Shirauz, having taken in a spot of ground, of twelve furlongs in length (forty-eight English miles), he there erected such a palace, that in the seven kingdoms of the world there was nothing that could equal it. The remains of that palace, and many of the pillars of it, are visible to this day; and he caused the palace to be called Chehul Minar, or Forty Pillars. Moreover, when the sun, quitting the sign Pisces in the heavens, had entered Aries, Jemsheed, having assembled all the princes, nobles, and great men of his empire, at the foot of his imperial throne, did on that day institute a grand and solemn festival; and this day was henceforth called Noo Roze, or first day of the new year (when the foundation of Persepolis was laid), at which period he commanded, from all parts of the empire, the attendance of the peasants, husbandmen, soldiers, and others, in order to prosecute the design; requesting that all, with joyful hearts and willing hands, should lend their assistance in completing the work. This numerous assembly obeyed the command of their monarch, and the building was finished with all signs of mirth and festivity.”

      To this account the Persians add, that Queen Homaie, who flourished about eight hundred years after Jemsheed, added a thousand columns.

      Diodorus gives some account of the workmen, that were employed in building this palace. “Cambyses, the son of Cyrus,” says he, “conquered Egypt in the third year of the seventy-third olympiad, when he pillaged the country and burnt the temples, the treasures of which the Persians carried off into Asia; and they, also, led away with them the workmen and architects of Egypt, whom they caused to build the famous palace of Persepolis, and of several other cities.” This account appears the more probable, since, as M. le Comte de Caylus is justly of opinion, they cannot be attributed to the Persians before Cyrus; since Herodotus describes the Persians of that age as a people of great simplicity; having neither temples nor altars, but worshipping Jupiter on the summits of mountains. The account, here given, is sufficient to account for the Egyptian appearance of Persepolis. There are appearances of five different buildings united in one; and each, apparently, of a different age, after the manner of the Egyptians.

      Though there are doubts as to the origin of Persepolis, there are none as to the circumstance of its being destroyed by Alexander.

      As the conqueror drew near the city82, he perceived a large body of men, who presented a most lamentable picture. These were about four thousand Greeks, greatly advanced in years, who, having been taken prisoners of war, had suffered all the torments which Persian tyranny could invent. The hands of some had been cut off, the feet of others; and others again had lost their noses and ears; after which, having impressed by fire barbarous characters on their faces, the Persians had the inhumanity to keep them as so many laughing-stocks, with which they sported perpetually. They appeared like so many shadows rather than men. Alexander could not refrain from tears at this sight; and as they unanimously besought him to commiserate their condition, he bade them, with the utmost tenderness, not to despond, and assured them that they should again see their country. This, however, the Greeks did not desire; being unwilling to be seen by their former companions in the dreadful state in which they were. They prayed the king, therefore, to let them remain where they were, but to relieve their awful condition. This Alexander did; but he was so enraged at what he had seen, that he set the city on fire soon after. The other account is, that the conqueror called his generals together, and represented to them that no city in the world had been more fatal to the Greeks than Persepolis, the ancient residence of the Persian monarchs, and capital of their empire. For that it was from thence all those mighty armies poured, which had overflowed Greece; and whence Darius, and afterwards Xerxes, had carried the fire-brand of the most accursed war which had laid waste the best part of Europe; and therefore it was incumbent on them to revenge the manes of their ancestors.

      Animated by this, the soldiers force their way into the city, put all the men to the sword, and rifle and carry away every man’s goods and estate; amongst which was abundance of rich and costly furniture and ornaments of all sorts. There were hurried away, here and there, vast quantities of silver, and no less of gold, great numbers of rich garments, some of purple, and others embroidered with gold; all of which, says Diodorus, became a plentiful prey to the ravenous soldiers. For though every place was full of rich spoil, yet the covetousness of the Macedonians was insatiable. They were even so eager in plundering, that they fought one another with drawn swords; and many, who were conceived to have got a larger share than the rest, were killed in the quarrel. Some things, which were of extraordinary value,

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